Set your preferred locations for a better search. You can sign up here.

Grieg's Peer Gynt

Date & Time
Sat, Oct 26, 2024, 13:30
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall... Read full text

Keywords: Vocal Music

Artistic depiction of the event

Musicians

Radio Filharmonisch Orkest
Groot Omroepkoor
Stéphane DenèveConductor
ntbChoral conductor
Filip JordensNarrator
Liv RedpathSoprano
Aylin SezerSoprano
Raoul SteffaniBariton

Program

Peer Gynt, op. 23Edvard Grieg
Give feedback
Last update: Fri, Nov 22, 2024, 12:40

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Grieg’s Piano Concerto

Sat, Jan 25, 2025, 15:00
Royal Stockholm Philharmonic Orchestra, Ryan Bancroft (Conductor), Leif Ove Andsnes (Piano)
Edvard Grieg's Piano Concerto is a classic among classics, constantly featured on concert programmes worldwide, and probably available in hundreds of recordings. Grieg was 25 when he composed the music, and the fact that it was his first work with an orchestra is astonishing. Taking on his compatriot's superhit is none other than Leif Ove Andsnes, one of the world's leading pianists.The concert opens with the exciting premiere of Rocking Bodies by Chrichan Larson. Rocking Bodies plays with the idea of resonant bodies moving in waves around a centre – sometimes repelled, sometimes drawn in. Larson is active as a composer and cellist, a prominent musician who has often been seen in the cello section of the Royal Stockholm Philharmonic Orchestra.Concluding the concert, Chief Conductor Ryan Bancroft leads the orchestra in Wilhelm Stenhammar's exquisite Serenade. Stenhammar got the idea for the music during a stay in Florence in 1907. In one of his letters, he wrote: ”I want to compose as beautifully and tenderly about the South as only a Nordic person can.” He succeeded, for the Serenade is a masterpiece.Read more about chief conductor Ryan Bancroft
Artistic depiction of the event

Beethoven's Eroica and Benjamin Grosvenor plays Grieg's Piano Concerto

Sun, Aug 18, 2024, 20:00
Norrköping Symphony Orchestra, Karl-Heinz Steffens (Conductor), Benjamin Grosvenor (Piano)
The SummerConcerts powered by VriendenLoterij present two months of wonderful concerts, from classical to jazz and from pop music to film scores. Top musicians from the Netherlands and around the world bring you all your favourite classical pieces, as well as tributes to Leonard Cohen and The Beatles, and all your favourite film music.We also present a host of young talent in our summer concerts, including youth orchestras from South Africa and Turkey, and top young classical soloists. After many of the concerts, we offer a meet-and-greet with the artists in an informal setting, or an afterparty with DJ in the Entrance Hall. In one of the world’s finest concert halls, there’s something for everyone this summer at The Concertgebouw!
Artistic depiction of the event

Biennale »Paradise lost?« Debussy’s “La Mer” and Grieg’s Piano Concerto

Sat, Mar 1, 2025, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Dalia Stasevska (Conductor), Jean-Frédéric Neuburger (Piano)
Sky, sea and light permeate this concert, in which Finnish conductor Dalia Stasevska makes her debut with the Berliner Philharmoniker. Jean Sibelius transports us to the historical Finland of legend with his dramatic tone poem Pohjola’s Daughter, while Kaija Saariaho’s Orion describes the astrological constellation in numinous music. The concert will also include Edvard Grieg’s piano concerto, which its echoes of Norwegian folk music, and Claude Debussy’s shimmering tone poem La Mer. The soloist is pianist Jean-Fréderic Neuburger.
Artistic depiction of the event

Biennale »Paradise lost?« Debussy’s “La Mer” and Grieg’s Piano Concerto

Fri, Feb 28, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Dalia Stasevska (Conductor), Jean-Frédéric Neuburger (Piano)
Sky, sea and light permeate this concert, in which Finnish conductor Dalia Stasevska makes her debut with the Berliner Philharmoniker. Jean Sibelius transports us to the historical Finland of legend with his dramatic tone poem Pohjola’s Daughter, while Kaija Saariaho’s Orion describes the astrological constellation in numinous music. The concert will also include Edvard Grieg’s piano concerto, which its echoes of Norwegian folk music, and Claude Debussy’s shimmering tone poem La Mer. The soloist is pianist Jean-Fréderic Neuburger.
Artistic depiction of the event

Biennale »Paradise lost?« Debussy’s “La Mer” and Grieg’s Piano Concerto

Thu, Feb 27, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Dalia Stasevska (Conductor), Jean-Frédéric Neuburger (Piano)
Sky, sea and light permeate this concert, in which Finnish conductor Dalia Stasevska makes her debut with the Berliner Philharmoniker. Jean Sibelius transports us to the historical Finland of legend with his dramatic tone poem Pohjola’s Daughter, while Kaija Saariaho’s Orion describes the astrological constellation in numinous music. The concert will also include Edvard Grieg’s piano concerto, which its echoes of Norwegian folk music, and Claude Debussy’s shimmering tone poem La Mer. The soloist is pianist Jean-Fréderic Neuburger.
Artistic depiction of the event

Diana Damrau & Nikolai Schukoff / NDR Radiophilharmonie / Dirk Kaftan

Sun, Apr 21, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Diana Damrau (Soprano), Nikolai Schukoff (Tenor), NDR Radiophilharmonie, Dirk Kaftan (Conductor)
»Art is not just beauty, art should move people as well,« says Diana Damrau. There can be no doubt that she does this to excellent effect: for years now, the celebrated soprano has been filling opera houses and concert halls all over the world with her radiant voice and a peerless intensity of expression. Yet the appealing Bavarian singer has no airs and graces, nor does she think in terms of musical pigeonholes. Good-humoured and completely authentic, she sings opera and sacred repertoire with the same verve as musicals and film songs. Discount for all under 30: Exclusively for this concert, anyone under 30 can book the REDticket. This means that even the best available seats only cost € 12. Proof of age must be shown when attending the concert, otherwise the difference to the original price will have to be paid. Diana Damrau and her colleague Nikolai Schukoff devote their Elbphilharmonie concert to the great operetta composers, from the »waltz king« Johann Strauss and Berlin native Paul Lincke to Emmerich Kálmán and Franz Lehár. An evening of lovely waltzes and other tunes that should move the audience’s hearts – and their feet as well.
Artistic depiction of the event

Wagner: Die Walküre

Wed, May 1, 2024, 17:00
Elbphilharmonie, Großer Saal (Hamburg)
Dresdner Festspielorchester, Concerto Köln, Derek Welton (Wotan), Åsa Jäger (Brünnhilde), Sarah Wegener (Sieglinde), Maximilian Schmitt (Siegmund), Patrick Zielke (Hunding), Claude Eichenberger (Fricka), Natalie Karl (Helmwige), Chelsea Zurflüh (Gerhilde), Karola Schmid (Ortlinde), Ulrike Malotta (Waltraute), Ida Aldrian (Siegrune), Marie-Luise Dreßen (Roßweiße), Eva Vogel (Grimgerde), Jasmin Etminan (Schwertleite), Kent Nagano (Conductor)
Richard Wagner’s opera »Die Walküre« is a passionate exploration of big themes such as love and betrayal, loyalty and rebellion. The god Wotan wanted to rule through contracts rather than violence but, as a result of broken promises, becomes increasingly entangled in problems until blood begins to flow. Finding no solutions, Wotan finally cries: »One thing alone do I want: the end!« But his daughter Brünnhilde thwarts his plans… At the Hamburg International Music Festival, there is an opportunity to experience the opera in historical original sound for the first time under conductor Kent Nagano. At the festival, Kent Nagano is not conducting »his« orchestra, the Hamburg State Opera, but rather the Dresdner Festspielorchester, Concerto Köln and a top-class cast of soloists, who explore the playing and singing techniques of the 19th century. »More intimate tone colours, a more multi-layered and transparent sound, freed from the ballast of the centuries,« say the performers about the project, which seems to have been tailor-made for the transparent acoustics of the Elbphilharmonie Grand Hall. One of Wagner’s most famous pieces, the »Ride of the Valkyries« – famously used by director Francis Ford Coppola as background music to a helicopter attack in the anti-war film »Apocalypse Now« – thus sounds altogether different.
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Alan Gilbert

Fri, May 3, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Rundfunkchor Berlin, Susanna Phillips (Soprano), Gerhild Romberger (Alto), Maximilian Schmitt (Tenor), Michael Nagy (Bariton), Dominique Horwitz (Narrator), Alan Gilbert (Conductor)
It only lasts seven minutes, but it is nonetheless monumental: Arnold Schoenberg’s melodrama »Ein Überlebender aus Warschau« (A Survivor from Warsaw). Schoenberg had readopted the Jewish faith, and he wrote the piece, which opens with a fierce trumpet signal, in 1947 to commemorate the uprising in the Warsaw Ghetto. The score mixes the narrative of a man hiding in the sewers with German commands, martial rhythms – and finally the hopeful Hebrew words »Schma Yisrael«, which the Jews use to prepare for death. The part of the narrator is taken by Dominique Horwitz, himself the son of Jewish parents. The French-German actor and chansonnier is in great demand for performances of literary works of music, from Tom Waits’s »Black Rider« to Stravinsky’s »Histoire du soldat«. And the soloists in the second part of the programme likewise have resounding names: among them are the American soprano Susanna Phillips, alto Gerhild Romberger and baritone Michael Nagy. »War and Peace« is the motto of the Hamburg International Music Festival, and chief conductor Alan Gilbert and his NDR Elbphilharmonie Orchestra place the emphasis on a work of hope and brotherly love: Beethoven’s world-famous Ninth Symphony. The overwhelming finale culminates in Friedrich Schiller’s lines »All men shall be brothers«, which win the day against all the powers of destruction. Beethoven not only touched a nerve in his own time by ending the symphony with a large-scale chorus of rejoicing: nowadays, everyone is familiar with the melody in the guise of the European anthem. Even the playing time of a compact disc, when the CD format was introduced, was geared to enable Beethoven’s oversized Ninth to be played without a break.
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Alan Gilbert

Sun, May 5, 2024, 18:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Rundfunkchor Berlin, Susanna Phillips (Soprano), Gerhild Romberger (Alto), Maximilian Schmitt (Tenor), Michael Nagy (Bariton), Dominique Horwitz (Narrator), Alan Gilbert (Conductor)
It only lasts seven minutes, but it is nonetheless monumental: Arnold Schoenberg’s melodrama »Ein Überlebender aus Warschau« (A Survivor from Warsaw). Schoenberg had readopted the Jewish faith, and he wrote the piece, which opens with a fierce trumpet signal, in 1947 to commemorate the uprising in the Warsaw Ghetto. The score mixes the narrative of a man hiding in the sewers with German commands, martial rhythms – and finally the hopeful Hebrew words »Schma Yisrael«, which the Jews use to prepare for death. The part of the narrator is taken by Dominique Horwitz, himself the son of Jewish parents. The French-German actor and chansonnier is in great demand for performances of literary works of music, from Tom Waits’s »Black Rider« to Stravinsky’s »Histoire du soldat«. And the soloists in the second part of the programme likewise have resounding names: among them are the American soprano Susanna Phillips, alto Gerhild Romberger and baritone Michael Nagy. »War and Peace« is the motto of the Hamburg International Music Festival, and chief conductor Alan Gilbert and his NDR Elbphilharmonie Orchestra place the emphasis on a work of hope and brotherly love: Beethoven’s world-famous Ninth Symphony. The overwhelming finale culminates in Friedrich Schiller’s lines »All men shall be brothers«, which win the day against all the powers of destruction. Beethoven not only touched a nerve in his own time by ending the symphony with a large-scale chorus of rejoicing: nowadays, everyone is familiar with the melody in the guise of the European anthem. Even the playing time of a compact disc, when the CD format was introduced, was geared to enable Beethoven’s oversized Ninth to be played without a break.
Artistic depiction of the event

100 years of BDLO Federal Association of Amateur Music Symphony and Chamber Orchestras

Sun, May 19, 2024, 19:00
Laeiszhalle, Großer Saal (Hamburg)
Projektorchester (Consisting of the leading members of North German amateur orchestras), Projektchor (Compiled in cooperation with the Gustav Mahler Vereinigung Hamburg), Freja Sandkamm (Soprano), Dorothee Bienert (Mezzo-Soprano), Wolf Tobias Maximilian Müller (Conductor)
The State Association of North German Amateur Orchestras celebrates the 100th anniversary of the BDLO Federal Association of Amateur Music Symphony and Chamber Orchestras with Mahler’s »Resurrection Symphony«. To this day, performances of Mahler’s monumental Second Symphony are an impressive event - not only in Hamburg, where the composer once had the inspiration for the choral finale in the Michel. Together, the Gustav Mahler Association Hamburg, which has set itself the task of raising public awareness of the composer and the traditional music association, founded a project orchestra and choir especially for this concert, bringing the work of the century to the Laeiszhalle to mark the anniversary.