Konzerteinführung mit Ann-Katrin Zimmermann um 18.45 Uhr - Schumann-Eck
Keywords: Symphony Concert
| Pablo Heras-Casado | Conductor |
| Isabelle Faust | Violin |
| Antoine Tamestit | Viola |
| Ouvertüre C-Dur | Fanny Hensel |
| Sinfonia concertante für Violine, Viola und Orchester Es-Dur KV 364 (KV 320d) | Wolfgang Amadeus Mozart |
| 2. Sinfonie D-Dur op. 36 | Ludwig van Beethoven |
These events are similar in terms of concept, place, musicians or the program.
Grosse Concerte Gewandhausorchester, Pablo Heras-Casado Dirigent.
Anton Bruckner was extremely critical of his compositions throughout his lifetime – with just a few exceptions: he described his Sixth Symphony as his »boldest« and the »Te Deum« as the »pride of his life«. It is absolutely fitting, then, that the world-renowned conductor Pablo Heras-Casado should be congratulating the composer on his 200th birthday with this programme performed by a large orchestra! The »Te Deum« is a mighty creation in praise of God, with an orchestra performing alongside an organ, choir and four vocal soloists. They include the sought-after soprano Christina Landshamer and the bass Franz-Josef Selig, who recently impressed Hamburg audiences in Wagner’s »Flying Dutchman« at the State Opera. Bruckner most likely wanted to impress even divine powers with the five-part work but, that aside, has certainly been inspiring audiences down here on earth ever since the premiere. We can only guess as to what exactly Bruckner found so bold about his Sixth Symphony, but there are many possible reasons: the succinct rhythm right at the start, the energy of which is perpetuated throughout the entire first movement. Or perhaps it alludes to the third movement, which swings back and forth between spooky sequences and blaring brass. Viewed as a whole, the symphonies are among Bruckner’s most »secular« works, making them the perfect counterpart to the Te Deum.
Jüri Reinvere is the third leading composer of his native Estonia, alongside Arvo Pärt and Erkki-Sven Tüür. He is also an accomplished concert pianist, lyric poet, journalist and essayist for newspapers in Estonia, Finland, Great Britain and Germany, where he has been living since 2005. Given this cosmopolitan life, it comes as no surprise that his music focuses on theological themes as well as touching on politics, history, and episodes from daily life. Arnulf Herrmann’s newly commissioned Tour de Trance draws inspiration from the verses of poetess and essayist Monika Rinck. His interest in language in all its guises has long stood in the foreground of his music. His special way of handling melody, rhythm and diction poses extraordinary challenges for the singer – challenges that soprano Anja Petersen is happy to confront.
The Sunday Morning Concert brings you wonderful and much-loved compositions, performed by top musicians from the Netherlands and abroad. Enjoy the most beautiful music in the morning! You can make your Sunday complete by enjoying a delicious post-concert lunch in restaurant LIER.The Royal Concertgebouw is one of the best concert halls in the world, famous for its exceptional acoustics and varied programme. Attend a concert and have an experience you will never forget. Come and enjoy inspiring music in the beautiful surroundings of the Main Hall or the intimate Recital Hall.
In 2024, Anima Eterna Brugge, led by Pablo Heras-Casado, will perform Bruckner's Symphony No. 4 on period instruments. Heras-Casado believes their interpretation will be transparent and light, yet retain the depth of Bruckner's message. Supported by Kuratorium KölnMusik e.V., Kunststiftung NRW, and the Flemish Ministry of Culture.
Superwoman and women’s activist from the get-go—and a radical one to boot: Ethel Smyth (1858–1944) went on a hunger strike in order to study at the Leipzig Conservatory. She threw stones for women’s right to vote—and wound up in prison for it. She composed sonatas, songs, concerts, wrote books, was the first woman whose opera was performed in New York. She met Clara Schumann and Pyotr Tchaikovsky and took on Brahms. And she knew: »The hour has struck for woman's work in the music world.«
Not many conductors manage this: to be as much in demand with the Freiburger Barockorchester as with the Bayreuth Festival or the San Francisco Symphony Orchestra; to have the right touch for early music as well as for Romantic and contemporary music, and for concert music as well as for opera. The Spaniard Pablo Heras-Casado is a stylistic all-rounder and presents another »conquest« in his repertoire during his return to the NDR Elbphilharmonie Orchestra: Excerpts from Richard Wagner’s »Götterdämmerung«. In addition, the no less versatile star violist and NDR Artist in Residence 2024/25 Antoine Tamestit performs Sofia Gubaidulina’s Viola Concerto, which has more or less become a »modern classic«.
Not many conductors manage this: to be as much in demand with the Freiburger Barockorchester as with the Bayreuth Festival or the San Francisco Symphony Orchestra; to have the right touch for early music as well as for Romantic and contemporary music, and for concert music as well as for opera. The Spaniard Pablo Heras-Casado is a stylistic all-rounder and presents another »conquest« in his repertoire during his return to the NDR Elbphilharmonie Orchestra: Excerpts from Richard Wagner’s »Götterdämmerung«. In addition, the no less versatile star violist and NDR Artist in Residence 2024/25 Antoine Tamestit performs Sofia Gubaidulina’s Viola Concerto, which has more or less become a »modern classic«.
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