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DIE ZAUBERFLÖTE

Sat, Nov 23, 2024, 19:00
Gewandhausorchester (Orchestra), Yura Yang (Conductor), Matthias Davids (Inszenierung)
Welcome to the magical world of Mozart's "Magic Flute"! This opera, a tale of coming-of-age, wisdom, and friendship, follows Prince Tamino's quest to rescue Pamina. The Queen of the Night and Sarastro's conflict blurs the lines between good and evil. Join us for this enchanting journey with three ladies, three boys, a magic flute, and trials that Tamino and Pamina must overcome. Will Papageno find his Papagena? Recommended for ages 12+, but suitable for children 8+ given the family-friendly style.
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DIE ZAUBERFLÖTE

Sun, Dec 8, 2024, 17:00
Gewandhausorchester (Orchestra), Yura Yang (Conductor), Matthias Davids (Inszenierung)
Welcome to the magical world of Mozart's "Magic Flute"! This opera, a tale of coming-of-age, wisdom, and friendship, follows Prince Tamino's quest to rescue Pamina. The Queen of the Night and Sarastro's conflict blurs the lines between good and evil. Join us for this enchanting journey with three ladies, three boys, a magic flute, and trials that Tamino and Pamina must overcome. Will Papageno find his Papagena? Recommended for ages 12+, but suitable for children 8+ given the family-friendly style.
Artistic depiction of the event

DIE ZAUBERFLÖTE

Fri, Apr 25, 2025, 19:30
Gewandhausorchester (Orchestra), Yura Yang (Conductor), Matthias Davids (Inszenierung)
Willkommen in der rätselhaften Märchenwelt der ≫Zauberflöte≪! Schon die Namen der Charaktere klingen magisch und erinnern uns an unsere ersten Opernbesuche: Tamino, Pamina, Papageno, Sarastro … Kaum ein Werk der Opernliteratur enthält so viel Gegensätzliches, durch Mozarts Musik so harmonisch zu einem Ganzen gefügt. Ist seine wohl beliebteste Oper eine abenteuerliche Geschichte vom Erwachsenwerden? Eine Parabel von Weisheit, Philosophie und Freundschaft? Geht es darum, einfach man selber zu bleiben, so wie der Vogelfänger Papageno? Er begleitet Prinz Tamino, der sich in ein Bild der entführten Pamina verliebt hat und sie befreien will. Wir werden daran erinnert, dass sich die Welt nicht immer in Gut und Böse einteilen lässt: Die Königin der Nacht und Sarastro zeigen uns dies durch ihren Streit um Pamina. Auf unserer Reise begleiten uns auch drei Damen, drei Knaben, ein Glockenspiel, eine Flöte, die selbst wilde Tiere zähmt. Und was hat es mit den drei Prüfungen auf sich, die Tamino und Pamina bestehen müssen, um zu den Eingeweihten zu gehören? Findet sich für Papageno auch eine Papagena? Fragen über Fragen, die in unserer ersten Neuproduktion der Spielzeit mit viel Witz und Zauber beantwortet werden! Altersempfehlung: Aufgrund der Spieldauer liegt unsere Altersempfehlung bei 12 Jahren. Der familienfreundliche Stil der Inszenierung ist aber auch für jüngere Kinder ab ca. 8 Jahren geeignet. Hinweis: Enthält Abfolge von blinkenden Lichtern und Mustern.
Artistic depiction of the event

DIE ZAUBERFLÖTE

Sat, Nov 30, 2024, 19:00
Gewandhausorchester (Orchestra), Yura Yang (Conductor), Matthias Davids (Inszenierung)
Welcome to the magical world of Mozart's "Magic Flute"! This opera, a tale of coming-of-age, wisdom, and friendship, follows Prince Tamino's quest to rescue Pamina. The Queen of the Night and Sarastro's conflict blurs the lines between good and evil. Join us for this enchanting journey with three ladies, three boys, a magic flute, and trials that Tamino and Pamina must overcome. Will Papageno find his Papagena? Recommended for ages 12+, but suitable for children 8+ given the family-friendly style.
Artistic depiction of the event

Die Zauberflöte (The Magic Flute)

Sat, Dec 21, 2024, 19:00
Leo Hussain (Musical Director), Eberhard Friedrich (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Alexander Roslavets (Sarastro), Aaron Godfrey-Mayes (Tamino), Adriana González (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Gemma Summerfield (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Benjamin Appl (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Artistic depiction of the event

Die Zauberflöte (The Magic Flute)

Sat, Dec 28, 2024, 19:00
Leo Hussain (Musical Director), Eberhard Friedrich (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Alexander Roslavets (Sarastro), Aaron Godfrey-Mayes (Tamino), Adriana González (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Hellen Kwon (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Benjamin Appl (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Artistic depiction of the event

Die Zauberflöte (The Magic Flute)

Mon, Dec 30, 2024, 19:00
Leo Hussain (Musical Director), Christian Günther (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Alexander Roslavets (Sarastro), Aaron Godfrey-Mayes (Tamino), Adriana González (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Hellen Kwon (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Benjamin Appl (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Artistic depiction of the event

Die Zauberflöte (The Magic Flute)

Wed, Jan 1, 2025, 18:00
Leo Hussain (Musical Director), Eberhard Friedrich (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Alexander Roslavets (Sarastro), Aaron Godfrey-Mayes (Tamino), Adriana González (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Hellen Kwon (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Benjamin Appl (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.