Pianist Sunwook Kim multi-tasks with the high octane Chamber Orchestra of Europe in a concert featuring a Beethoven double.
Keywords: Guest Concert, Young Musicians
| Chamber Orchestra of Europe | |
| Sunwook Kim | Piano, Director |
| Stride | Anna Clyne |
| Piano Concerto No 3 | Ludwig van Beethoven |
| Rondino in Eb Major for wind octet | Ludwig van Beethoven |
| Piano Concerto No 4 | Ludwig van Beethoven |
These events are similar in terms of concept, place, musicians or the program.
The pianist Sunwook Kim has been acclaimed for his sensitivity, brilliance and stylistic confidence – all qualities well-suited to the music of Ludwig van Beethoven, whose Piano Concertos No. 3 and No. 4 he performs with the Chamber Orchestra of Europe. While the Third is tragic, serious and combative, the Fourth is lyrical, impetuous and playful. Two works by contemporary British composers will also be performed: Anna Clyne's string work Stride, which is inspired by Beethoven's music, and Helen Grime's Elegiac inflections, which demonstrates the diverse sonic possibilities of a wind ensemble.
JS Bach hovers over an enticing programme from Australia’s premiere ensemble, embracing Gubaidulina’s sinewy tribute, and Shostakovich’s riveting Chamber Symphony.
»There are orchestras, good ones, great ones, and then there is the Chamber Orchestra of Europe«, said Sir András Schiff once. The pianist first got to know the orchestra in 1985. And over the course of their many concerts together, Schiff discovered a passion for conducting. From the piano, he now conducts a classical and Romantic programme in which Joseph Haydn meets his admirer Johannes Brahms. From Haydn the Viennese classicist we have the Sinfonia Concertante for oboe, bassoon, violin, violoncello and orchestra, a piece that was enthusiastically received at its London premiere in 1792. With his orchestral variations on a small (choral) theme from a Haydn divertimento, Brahms wrote his first great orchestral work in 1873, after sketches for a symphony had been incorporated into his first piano concerto in the 1850s. The work, which Sir András Schiff has repeatedly reinterpreted throughout his career, sounds correspondingly symphonic. With all these great pieces, Schiff and the Chamber Orchestra of Europe celebrate almost 40 years of musical friendship!
»The Chamber Orchestra of Europe is all about the music. In concert, this magical group unleashes an unbridled, emotional fervour, underpinned by profound wisdom. It is a privilege to work with this orchestra,« conductor Robin Ticciati raves about the democratically organised orchestra, with which he has been a regular guest at the Elbphilharmonie for almost ten years now. This orchestra-conductor dream team is now building on its celebrated 2019 Mozart project, and has invited Grammy Award-winning countertenor Iestyn Davies to conjure up magical moments in the Elbphilharmonie Grand Hall with arias by Wolfgang Amadeus Mozart and George Frideric Handel. The concert comes to an end with Mozart’s »Haffner« Symphony, whose lively finale includes melodies from the opera »Die Entführung aus dem Serail«, composed in the same year.
SANSARA and United Strings of Europe join forces to explore the themes of sanctuary and solidarity in a programme built around Caroline Shaw’s To the Hands.
For the 2nd concert of their Barbican stopover, Gustavo Dudamel and his orchestra are remembering home as the vibrant Latino vibes of Riccardo Lorenz and Gonzalo Grau encounter fate-full Tchaikovsky.
Gustavo Dudamel returns to the hall at the head of his ‘other’ orchestra: the Simón Bolívar Symphony Orchestra. There’s just one work, but Mahler’s mighty Symphony No 3 is a stand-alone masterpiece.
An orchestra blazing burnished colours, rich string tone, and boundless refinement, the Czech Philharmonic launches a two-day residency with a concert of Shostakovich.
The second concert in the Czech Philharmonic’s residency boasts Mozart's vivacious concerto written for (and tonight performed by) two siblings alongside Mahler's Symphony No 5.
Following last year’s solo recital, accompanied by the perennially stylish Academy of St Martin in the Fields, pianist Khatia Bhuniatishvili returns for Mozart's Piano Concerto No 23.
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