Set your preferred locations for a better search. You can sign up here.

Concerts with works by
Gioacchino Rossini

I*age that describes the item

Gioacchino Rossini was an Italian composer widely known for his operas, including "The Barber of Seville" and "William Tell." Active during the early 19th century, he became a leading figure in the bel canto opera style, leaving a lasting impact on classical music with his dynamic compositions and deft use of dramatic and comedic elements.

Spotify

Overview

Quick overview of Gioacchino Rossini by associated keywords

CitiesFrequently performed in

Hamburg
In Germany
Hamburg
13
Berlin
In Germany
Berlin
12
Leipzig
In Germany
Leipzig
7
Paris
In France
Paris
3
Bamberg
In Germany
Bamberg
2

MusiciansFrequently performed in concert featuring

Musician
Alice Meregaglia
9
choir
Chor der Hamburgischen Staatsoper
9
Musician
Hellen Kwon
9
Musician
Ilia Kazakov
9
Musician
Johannes Martin Kränzle
9
Musician
Jonah Hoskins
9
Musician
Mattia Olivieri
9
orchestra
Philharmonisches Staatsorchester Hamburg
9
Musician
Raffaella Lupinacci
9
Musician
Teresa Riveiro Böhm
9

ProgramFrequently performed along with

Wolfgang Amadeus Mozart
Works by
Wolfgang Amadeus Mozart
20
Hector Berlioz
Works by
Hector Berlioz
8
Works by
Martynas Levickis
8
Giuseppe Verdi
Works by
Giuseppe Verdi
7
Felix Mendelssohn Bartholdy
Works by
Felix Mendelssohn Bartholdy
6

New Arrivals

These concerts with works by Gioacchino Rossini became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Sun, May 17, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Tue, May 19, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Sat, May 23, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)

Upcoming Concerts

Concerts in season 2024/25 or later where works by Gioacchino Rossini is performed

Artistic depiction of the event
This week
In Leipzig

DIE REISE NACH REIMS (Il viaggio a Reims)

Sat, Mar 15, 2025, 19:00
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event
Next week
In Leipzig

DIE REISE NACH REIMS (Il viaggio a Reims)

Fri, Mar 21, 2025, 19:30
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event
This month
In Leipzig

DIE REISE NACH REIMS (Il viaggio a Reims)

Sun, Mar 23, 2025, 17:00
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event
This month
In Heidelberg

FEIERabend Martynas Levickis Box of Magic Tricks

Thu, Mar 27, 2025, 18:00
Heidelberg Materials (Heidelberg)
Martynas Levickis (Accordion)
At Heidelberg Spring Music Festival, enjoy a relaxed evening with the Lithuanian accordionist Martynas Levickis. Known for filling stadiums and concert halls with his "box of magic tricks," he'll present selections from his debut solo album "Autograph," featuring works by Philip Glass, Franck Angelis, and himself, along with some musical surprises.
Info & Ticket (www.heidelberger-fruehling.de)
Artistic depiction of the event
This month
In Leipzig

DIE REISE NACH REIMS (Il viaggio a Reims)

Fri, Mar 28, 2025, 19:30
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event
Next month
In Leipzig

DIE REISE NACH REIMS (Il viaggio a Reims)

Sun, Apr 6, 2025, 17:00
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event
Next month
In Leipzig

DIE REISE NACH REIMS (Il viaggio a Reims)

Wed, Apr 16, 2025, 19:30
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event
Next month
In Leipzig

DIE REISE NACH REIMS (Il viaggio a Reims)

Sat, Apr 19, 2025, 19:00
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event
This season
In Bari

Europakonzert Riccardo Muti and the Berliner Philharmoniker in Bari

Thu, May 1, 2025, 11:00
Teatro Petruzzelli (Bari)
Berliner Philharmoniker (Orchestra), Riccardo Muti (Conductor)
With its brick-red façade, a gleaming white entrance area and a magnificent red and gold auditorium, the venue for this year’s European Concert, Bari’s Teatro Petruzzelli, is an architectural jewel. Under the direction of Riccardo Muti, the Berliner Philharmoniker will present a mixed programme of Italian and German music. Rossini’s rousing William Tell Overture and the atmospheric ballet music from Verdi’s opera The Sicilian Vespers exude Italianità. Completing the programme, the dusky mixture of yearning and consolation in Brahms’ Second Symphony make the work a seminal example of late German Romanticism.
Info & Ticket (www.berliner-philharmoniker.de)
Artistic depiction of the event
This season
In Bologna

Guest performance Bologna

Fri, May 2, 2025, 20:30
PalaDozza (Bologna)
Berliner Philharmoniker (Orchestra), Riccardo Muti (Conductor)
The Berliner Philharmoniker will also be stopping off in Bologna as part of their European concert tour of Italy. Conducted by Riccardo Muti, they invite you to a concert with an attractive Italian-German programme. Rossini’s rousing overture to William Tell and the atmospheric ballet music from Verdi's opera The Sicilian Vespers bring Italian flair to the stage. Brahms’ Second Symphony provides an exciting contrast – a work full of cantabile melodies, pastoral moods and darkly coloured timbres, which is considered the epitome of German late Romanticism.
Info & Ticket (www.berliner-philharmoniker.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Sun, May 17, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Tue, May 19, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Sat, May 23, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Wed, May 27, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Sat, Jun 6, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Thu, Jun 11, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), ,.,, (Offizier), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Sat, Jun 13, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Mon, Jun 15, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Il barbiere di Siviglia

Wed, Jun 17, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Teresa Riveiro Böhm (Musical Director), Alice Meregaglia (Chorleitung), Jonah Hoskins (Conte Almaviva), Johannes Martin Kränzle (Don Bartolo), Raffaella Lupinacci (Rosina), Mattia Olivieri (Figaro), Ilia Kazakov (Don Basilio), Hellen Kwon (Berta), William Desbiens (Fiorello), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
COMEDY, CRISES AND COLORATURA IN A MASTERPIECE FOR ALL TIMES How do I become what I am not? Since its premiere in 1816, Gioachino Rossini's masterpiece Il barbiere di Siviglia has proven itself to be a timeless comedy in which every generation can be reflected anew. In the midst of the competition for a woman, the opera explores how its characters repeatedly stumble in their pursuit of success and recognition - an analysis that is served up as a musical treat and whose punchlines also strike a chord with today's meritocracy. The longing for an optimized self drives Count Almaviva first and foremost. He and his accomplice Figaro rely on one thing above all else to conquer Rosina's heart and to undermine her guardian Bartolo as a rival. Set to Rossini's effervescent music, the protagonists become entangled in a web of relationships in which status is fought for and love is vied for. Between appearance and reality, director Tatjana Gürbaca searches for the melancholy undertones of the comedy. For behind many a masquerade lies the desire to escape one's own role, behind many a showy vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? Musical direction: Teresa Riveiro Böhm Production: Tatjana Gürbaca Stage and lighting: Klaus Grünberg Costumes: Barbara Drosihn Chorus: Alice Meregaglia Dramaturgy: Judith Wiemers Melodramma buffo in two acts (1816) Libretto: Cesare Sterbini after the comedy Le Barbier de Séville ou La précaution inutile by Pierre-Augustin Caron de Beaumarchais
Info & Ticket (www.staatsorchester-hamburg.de)