Set your preferred locations for a better search. You can sign up here.

DIE REISE NACH REIMS (Il viaggio a Reims)

Date & Time
Fri, Mar 21, 2025, 19:30
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!

A summary from original text in German | Read the original

Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event

Musicians

GewandhausorchesterOrchestra
Matthias ForemnyConductor
Daisy EvansInszenierung

Program

Il viaggio a Reims (Dramma giocoso in einem Akt und zwei Bildern)Gioacchino Rossini
Give feedback
Last update: Tue, Nov 19, 2024, 03:34

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

DIE REISE NACH REIMS (Il viaggio a Reims)

Wed, Apr 16, 2025, 19:30
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event

DIE REISE NACH REIMS (Il viaggio a Reims)

Sat, Apr 19, 2025, 19:00
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event

DIE REISE NACH REIMS (Il viaggio a Reims)

Sun, Mar 23, 2025, 17:00
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event

DIE REISE NACH REIMS (Il viaggio a Reims)

Fri, Mar 28, 2025, 19:30
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event

DIE REISE NACH REIMS (Il viaggio a Reims)

Sun, Apr 6, 2025, 17:00
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event

DIE REISE NACH REIMS (Il viaggio a Reims)

Sat, Mar 15, 2025, 19:00
Oper Leipzig (Leipzig)
Gewandhausorchester (Orchestra), Matthias Foremny (Conductor), Daisy Evans (Inszenierung)
Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event

Il viaggio a Reims

Fri, Dec 27, 2024, 18:00
Deutsche Oper Berlin (Berlin)
About the work A motley group of travellers on their way to Reims for the coronation of Charles X is billeted in the Hotel zur Goldenen Lilie. But when it transpires that no fresh horses are available for the stage coach, they realise they’re stranded. In IL VIAGGIO A REIMS Gioacchino Rossini and his librettist Luigi Balochi present a chamber-piece setting in which the story’s 14-strong ensemble of equally-ranked main characters introduce themselves with a raft of original and perfectly executed arias in a situation of uncertainty and time-biding. The reason for travelling in the opera is the same as Rossini’s motive for writing it: Rossini, whose international reputation had preceded his move to Paris, was commissioned to write an opera as part of the festivities celebrating the coronation of Charles X in 1825, the climax of which would be the premiere of his work. As IL VIAGGIO A REIMS was inextricably linked to the coronation, Rossini considered that the work had a certain shelf life. He referred to the opera as a cantata and did not hesitate to use stretches of its music in one of his French operas, LE COMTE ORY. As a result the work slipped from the programmes and did not surface again until the 1980s, when Claudio Abbado staged it in Pesaro. And we can be thankful, because the opera – Rossini’s last in Italian – is a gem, despite the off-the-cuff circumstances of its composition, with the brilliance of the score and the over-the-top absurdity of the humour. This is Rossini at the pinnacle of Italian opera buffa. Some background trivia on the characters in IL VIAGGIO A REIMS: some of them had featured in the much-read novel by Madame de Stäel, “Corinne ou l’Italie”. Yet they also represent a cross-section of 19th-century Europe converging on Reims to pay their respects to the new French king – and each a deliberate stereotype rather than a fully rounded character. About the production Director Jan Bosse goes to town with the rather absurd premise of Europeans ...
Info (deutscheoperberlin.de)
Artistic depiction of the event

Il viaggio a Reims

Mon, Dec 30, 2024, 19:30
Deutsche Oper Berlin (Berlin)
About the work A motley group of travellers on their way to Reims for the coronation of Charles X is billeted in the Hotel zur Goldenen Lilie. But when it transpires that no fresh horses are available for the stage coach, they realise they’re stranded. In IL VIAGGIO A REIMS Gioacchino Rossini and his librettist Luigi Balochi present a chamber-piece setting in which the story’s 14-strong ensemble of equally-ranked main characters introduce themselves with a raft of original and perfectly executed arias in a situation of uncertainty and time-biding. The reason for travelling in the opera is the same as Rossini’s motive for writing it: Rossini, whose international reputation had preceded his move to Paris, was commissioned to write an opera as part of the festivities celebrating the coronation of Charles X in 1825, the climax of which would be the premiere of his work. As IL VIAGGIO A REIMS was inextricably linked to the coronation, Rossini considered that the work had a certain shelf life. He referred to the opera as a cantata and did not hesitate to use stretches of its music in one of his French operas, LE COMTE ORY. As a result the work slipped from the programmes and did not surface again until the 1980s, when Claudio Abbado staged it in Pesaro. And we can be thankful, because the opera – Rossini’s last in Italian – is a gem, despite the off-the-cuff circumstances of its composition, with the brilliance of the score and the over-the-top absurdity of the humour. This is Rossini at the pinnacle of Italian opera buffa. Some background trivia on the characters in IL VIAGGIO A REIMS: some of them had featured in the much-read novel by Madame de Stäel, “Corinne ou l’Italie”. Yet they also represent a cross-section of 19th-century Europe converging on Reims to pay their respects to the new French king – and each a deliberate stereotype rather than a fully rounded character. About the production Director Jan Bosse goes to town with the rather absurd premise of Europeans ...
Info (deutscheoperberlin.de)
Artistic depiction of the event

Il viaggio a Reims

Thu, Jan 2, 2025, 18:00
Deutsche Oper Berlin (Berlin)
About the work A motley group of travellers on their way to Reims for the coronation of Charles X is billeted in the Hotel zur Goldenen Lilie. But when it transpires that no fresh horses are available for the stage coach, they realise they’re stranded. In IL VIAGGIO A REIMS Gioacchino Rossini and his librettist Luigi Balochi present a chamber-piece setting in which the story’s 14-strong ensemble of equally-ranked main characters introduce themselves with a raft of original and perfectly executed arias in a situation of uncertainty and time-biding. The reason for travelling in the opera is the same as Rossini’s motive for writing it: Rossini, whose international reputation had preceded his move to Paris, was commissioned to write an opera as part of the festivities celebrating the coronation of Charles X in 1825, the climax of which would be the premiere of his work. As IL VIAGGIO A REIMS was inextricably linked to the coronation, Rossini considered that the work had a certain shelf life. He referred to the opera as a cantata and did not hesitate to use stretches of its music in one of his French operas, LE COMTE ORY. As a result the work slipped from the programmes and did not surface again until the 1980s, when Claudio Abbado staged it in Pesaro. And we can be thankful, because the opera – Rossini’s last in Italian – is a gem, despite the off-the-cuff circumstances of its composition, with the brilliance of the score and the over-the-top absurdity of the humour. This is Rossini at the pinnacle of Italian opera buffa. Some background trivia on the characters in IL VIAGGIO A REIMS: some of them had featured in the much-read novel by Madame de Stäel, “Corinne ou l’Italie”. Yet they also represent a cross-section of 19th-century Europe converging on Reims to pay their respects to the new French king – and each a deliberate stereotype rather than a fully rounded character. About the production Director Jan Bosse goes to town with the rather absurd premise of Europeans ...
Info (deutscheoperberlin.de)
Artistic depiction of the event

Il viaggio a Reims

Mon, Jan 6, 2025, 19:30
Deutsche Oper Berlin (Berlin)
About the work A motley group of travellers on their way to Reims for the coronation of Charles X is billeted in the Hotel zur Goldenen Lilie. But when it transpires that no fresh horses are available for the stage coach, they realise they’re stranded. In IL VIAGGIO A REIMS Gioacchino Rossini and his librettist Luigi Balochi present a chamber-piece setting in which the story’s 14-strong ensemble of equally-ranked main characters introduce themselves with a raft of original and perfectly executed arias in a situation of uncertainty and time-biding. The reason for travelling in the opera is the same as Rossini’s motive for writing it: Rossini, whose international reputation had preceded his move to Paris, was commissioned to write an opera as part of the festivities celebrating the coronation of Charles X in 1825, the climax of which would be the premiere of his work. As IL VIAGGIO A REIMS was inextricably linked to the coronation, Rossini considered that the work had a certain shelf life. He referred to the opera as a cantata and did not hesitate to use stretches of its music in one of his French operas, LE COMTE ORY. As a result the work slipped from the programmes and did not surface again until the 1980s, when Claudio Abbado staged it in Pesaro. And we can be thankful, because the opera – Rossini’s last in Italian – is a gem, despite the off-the-cuff circumstances of its composition, with the brilliance of the score and the over-the-top absurdity of the humour. This is Rossini at the pinnacle of Italian opera buffa. Some background trivia on the characters in IL VIAGGIO A REIMS: some of them had featured in the much-read novel by Madame de Stäel, “Corinne ou l’Italie”. Yet they also represent a cross-section of 19th-century Europe converging on Reims to pay their respects to the new French king – and each a deliberate stereotype rather than a fully rounded character. About the production Director Jan Bosse goes to town with the rather absurd premise of Europeans ...
Info (deutscheoperberlin.de)