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Classical Concerts at
Grote Kerk Naarden

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Quick overview of Grote Kerk Naarden by associated keywords

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These concerts at Grote Kerk Naarden became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Naarden

Bach's soul

Sat, Oct 4, 2025, 20:15
Bart Naessens (Clavier), Bart Naessens (Leader), Stefanie True (Soprano), Alexander Chance (Alto), Anders Dahlin (Tenor), Tobias Berndt (Bass)
This programme takes you from deep misery to carefree happiness. The ensemble and top soloists including Stefanie True and Alexander Chance are led by Bart Naessens on a journey towards the light. Bach’s popular cantata Schmücke dich, O liebe Seel forms the magnificent highlight.Schmücke dich, O liebe Seel forms the magnificent highlight“In Bach’s day, a cantata was a musical sermon. Nowadays it’s amazing music, and a lesson in life for those who listen carefully. As a searching, uncertain person, where can you find a foothold and assurance? This rich programme shows you the way, with beautiful Bach cantatas and music by composers greatly admired by Bach himself: Johann Kuhnau and Johann Christoph Bach. Halfway along, Bach’s friend and colleague Telemann gives us a taste of what we’re ultimately working towards: carefree happiness and peace for the soul.
Artistic depiction of the event
This season
In Naarden

All Souls

Sat, Nov 1, 2025, 15:00
Lionel Meunier (Conductor)
Every year, the Bach Society remembers the dead with the most beautiful Baroque music. This year, bass and conductor Lionel Meunier has chosen gems by Purcell, Morley, Fux and J.C. Bach, which were written for royal funerals.Wonderful, soothing, spiritual music“Every religion has its own way of dealing with death. For All Souls, Lionel Meunier – artistic director of the acclaimed Belgian vocal ensemble Vox Luminis – is bringing together the Anglican, Catholic and Protestant views of saying farewell. The programme goes from the stately English funeral music of Purcell and Morley, written on the deaths of Queen Elizabeth and Queen Mary, via the hopeful works of Bach’s cousin Johann Christoph Bach, to the moving Kaiserrequiem by Fux, composed for the late empress Eleonora von Neuburg. A religious triptych filled with wonderful, soothing, spiritual music to commemorate the dead.
Artistic depiction of the event
This season
In Naarden

Mass in B minor

Tue, Dec 16, 2025, 20:00
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”

Upcoming Concerts

Concerts at Grote Kerk Naarden in season 2024/25 or later

Artistic depiction of the event
Next month
In Naarden

St Matthew Passion

Sun, Apr 13, 2025, 14:30
Hans-Christoph Rademann (Conductor), Benedikt Kristjánsson (Evangelist), Carine Tinney (Soprano), Kristen Witmer (Soprano), Terry Wey (Alto), Olivia Vermeulen (Alto), Georg Poplutz (Tenor), James Gilchrist (Tenor), Matthias Winckhler (Bass), Tobias Berndt (Bass), Kampen Boys Choir
Every year, for more than a century, we have been performing one of Bach’s most popular works: the St Matthew Passion. This year, the prominent German conductor Hans-Christoph Rademann is leading our ensemble.Bach’s masterly music keeps moving us“Betrayal, condemnation and death, but above all – love. Although the words of the St Matthew Passion are age-old, the story and the message are still relevant today. And every year, Bach’s masterly music moves us once again. Bach’s masterpiece is in good hands with Rademann. In every St Matthew Passion he performs, this real Bach man – founder of the Dresdner Kammerchor, artistic director of the Bachakademie Stuttgart and regular name at the international music festival Bachfest – seeks out a new contemporary approach, always keeping a careful eye on the monumental character of the work. For decades, he has been one of the most successful choral conductors in Germany. Plenty of reason, therefore, to invite Rademann as the guest conductor for our traditional Passion concerts.
Artistic depiction of the event
Next month
In Naarden

St Matthew Passion

Wed, Apr 16, 2025, 19:00
Hans-Christoph Rademann (Conductor), Benedikt Kristjánsson (Evangelist), Carine Tinney (Soprano), Kristen Witmer (Soprano), Terry Wey (Alto), Olivia Vermeulen (Alto), Georg Poplutz (Tenor), James Gilchrist (Tenor), Matthias Winckhler (Bass), Tobias Berndt (Bass), Kampen Boys Choir
Every year, for more than a century, we have been performing one of Bach’s most popular works: the St Matthew Passion. This year, the prominent German conductor Hans-Christoph Rademann is leading our ensemble.Bach’s masterly music keeps moving us“Betrayal, condemnation and death, but above all – love. Although the words of the St Matthew Passion are age-old, the story and the message are still relevant today. And every year, Bach’s masterly music moves us once again. Bach’s masterpiece is in good hands with Rademann. In every St Matthew Passion he performs, this real Bach man – founder of the Dresdner Kammerchor, artistic director of the Bachakademie Stuttgart and regular name at the international music festival Bachfest – seeks out a new contemporary approach, always keeping a careful eye on the monumental character of the work. For decades, he has been one of the most successful choral conductors in Germany. Plenty of reason, therefore, to invite Rademann as the guest conductor for our traditional Passion concerts.
Artistic depiction of the event
Next month
In Naarden

St Matthew Passion

Thu, Apr 17, 2025, 19:00
Hans-Christoph Rademann (Conductor), Benedikt Kristjánsson (Evangelist), Carine Tinney (Soprano), Kristen Witmer (Soprano), Terry Wey (Alto), Olivia Vermeulen (Alto), Georg Poplutz (Tenor), James Gilchrist (Tenor), Matthias Winckhler (Bass), Tobias Berndt (Bass), Kampen Boys Choir
Every year, for more than a century, we have been performing one of Bach’s most popular works: the St Matthew Passion. This year, the prominent German conductor Hans-Christoph Rademann is leading our ensemble.Bach’s masterly music keeps moving us“Betrayal, condemnation and death, but above all – love. Although the words of the St Matthew Passion are age-old, the story and the message are still relevant today. And every year, Bach’s masterly music moves us once again. Bach’s masterpiece is in good hands with Rademann. In every St Matthew Passion he performs, this real Bach man – founder of the Dresdner Kammerchor, artistic director of the Bachakademie Stuttgart and regular name at the international music festival Bachfest – seeks out a new contemporary approach, always keeping a careful eye on the monumental character of the work. For decades, he has been one of the most successful choral conductors in Germany. Plenty of reason, therefore, to invite Rademann as the guest conductor for our traditional Passion concerts.
Artistic depiction of the event
Next month
In Naarden

Lamentations

Fri, Apr 18, 2025, 09:15
Mieneke van der Velden (Gamba), Mieneke van der Velden (Leader), Amelia Berridge (Soprano), Gamba-consort
Main role for the viola da gamba“Mieneke van der Velden, gambist in the Netherlands Bach Society's ensemble, gives the viola da gamba a starring role in this year's programme: five-part lamentations with soprano and four viola da gamba. The gamba is considered one of the instruments that most closely approximates the sound of the human voice. The combination of gamba consort and soprano inspired countless composers throughout the centuries.
Artistic depiction of the event
Next month
In Naarden

St Matthew Passion

Fri, Apr 18, 2025, 11:30
Hans-Christoph Rademann (Conductor), Benedikt Kristjánsson (Evangelist), Carine Tinney (Soprano), Kristen Witmer (Soprano), Terry Wey (Alto), Olivia Vermeulen (Alto), Georg Poplutz (Tenor), James Gilchrist (Tenor), Matthias Winckhler (Bass), Tobias Berndt (Bass), Kampen Boys Choir
Every year, for more than a century, we have been performing one of Bach’s most popular works: the St Matthew Passion. This year, the prominent German conductor Hans-Christoph Rademann is leading our ensemble.Bach’s masterly music keeps moving us“Betrayal, condemnation and death, but above all – love. Although the words of the St Matthew Passion are age-old, the story and the message are still relevant today. And every year, Bach’s masterly music moves us once again. Bach’s masterpiece is in good hands with Rademann. In every St Matthew Passion he performs, this real Bach man – founder of the Dresdner Kammerchor, artistic director of the Bachakademie Stuttgart and regular name at the international music festival Bachfest – seeks out a new contemporary approach, always keeping a careful eye on the monumental character of the work. For decades, he has been one of the most successful choral conductors in Germany. Plenty of reason, therefore, to invite Rademann as the guest conductor for our traditional Passion concerts.
Artistic depiction of the event
Next month
In Naarden

Lamentations

Sat, Apr 19, 2025, 09:15
Mieneke van der Velden (Gamba), Mieneke van der Velden (Leader), Amelia Berridge (Soprano), Gamba-consort
Main role for the viola da gamba“Mieneke van der Velden, gambist in the Netherlands Bach Society's ensemble, gives the viola da gamba a starring role in this year's programme: five-part lamentations with soprano and four viola da gamba. The gamba is considered one of the instruments that most closely approximates the sound of the human voice. The combination of gamba consort and soprano inspired countless composers throughout the centuries.
Artistic depiction of the event
Next month
In Naarden

St Matthew Passion

Sat, Apr 19, 2025, 11:30
Hans-Christoph Rademann (Conductor), Benedikt Kristjánsson (Evangelist), Carine Tinney (Soprano), Kristen Witmer (Soprano), Terry Wey (Alto), Olivia Vermeulen (Alto), Georg Poplutz (Tenor), James Gilchrist (Tenor), Matthias Winckhler (Bass), Tobias Berndt (Bass), Kampen Boys Choir
Every year, for more than a century, we have been performing one of Bach’s most popular works: the St Matthew Passion. This year, the prominent German conductor Hans-Christoph Rademann is leading our ensemble.Bach’s masterly music keeps moving us“Betrayal, condemnation and death, but above all – love. Although the words of the St Matthew Passion are age-old, the story and the message are still relevant today. And every year, Bach’s masterly music moves us once again. Bach’s masterpiece is in good hands with Rademann. In every St Matthew Passion he performs, this real Bach man – founder of the Dresdner Kammerchor, artistic director of the Bachakademie Stuttgart and regular name at the international music festival Bachfest – seeks out a new contemporary approach, always keeping a careful eye on the monumental character of the work. For decades, he has been one of the most successful choral conductors in Germany. Plenty of reason, therefore, to invite Rademann as the guest conductor for our traditional Passion concerts.
Artistic depiction of the event
This season
In Naarden

Instrumental fireworks

Sat, May 24, 2025, 20:15
Rachel Podger (Violin), Rachel Podger (Leader)
‘Queen of the Baroque violin’ Rachel Podger will lead and inspire the Bach Society with her violin. Instrumental fireworks sparked off by one of today’s best Baroque violinists.Queen of the Baroque violin“What Beethoven was to the symphony, Italian composer and violinist Arcangelo Corelli was to the concerto: a shining example who was known to all composers. In this programme, Rachel Podger shows how far Corelli’s influence extended; way beyond the borders of Italy, to France and Germany. Virtuoso music by composers like Handel and Lully, in which Podger and the instrumental ensemble will shine.
Artistic depiction of the event
This season
In Naarden

Bach's soul

Sat, Oct 4, 2025, 20:15
Bart Naessens (Clavier), Bart Naessens (Leader), Stefanie True (Soprano), Alexander Chance (Alto), Anders Dahlin (Tenor), Tobias Berndt (Bass)
This programme takes you from deep misery to carefree happiness. The ensemble and top soloists including Stefanie True and Alexander Chance are led by Bart Naessens on a journey towards the light. Bach’s popular cantata Schmücke dich, O liebe Seel forms the magnificent highlight.Schmücke dich, O liebe Seel forms the magnificent highlight“In Bach’s day, a cantata was a musical sermon. Nowadays it’s amazing music, and a lesson in life for those who listen carefully. As a searching, uncertain person, where can you find a foothold and assurance? This rich programme shows you the way, with beautiful Bach cantatas and music by composers greatly admired by Bach himself: Johann Kuhnau and Johann Christoph Bach. Halfway along, Bach’s friend and colleague Telemann gives us a taste of what we’re ultimately working towards: carefree happiness and peace for the soul.
Artistic depiction of the event
This season
In Naarden

All Souls

Sat, Nov 1, 2025, 15:00
Lionel Meunier (Conductor)
Every year, the Bach Society remembers the dead with the most beautiful Baroque music. This year, bass and conductor Lionel Meunier has chosen gems by Purcell, Morley, Fux and J.C. Bach, which were written for royal funerals.Wonderful, soothing, spiritual music“Every religion has its own way of dealing with death. For All Souls, Lionel Meunier – artistic director of the acclaimed Belgian vocal ensemble Vox Luminis – is bringing together the Anglican, Catholic and Protestant views of saying farewell. The programme goes from the stately English funeral music of Purcell and Morley, written on the deaths of Queen Elizabeth and Queen Mary, via the hopeful works of Bach’s cousin Johann Christoph Bach, to the moving Kaiserrequiem by Fux, composed for the late empress Eleonora von Neuburg. A religious triptych filled with wonderful, soothing, spiritual music to commemorate the dead.
Artistic depiction of the event
This season
In Naarden

Mass in B minor

Tue, Dec 16, 2025, 20:00
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
Artistic depiction of the event
This season
In Naarden

Mass in B minor

Fri, Dec 19, 2025, 20:00
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
Artistic depiction of the event
This season
In Naarden

St Matthew Passion

Sun, Mar 29, 2026, 14:30
Masaaki Suzuki (Conductor), Nicolas Mulroy (Evangelist), Hana Blažíková (Soprano), Miku Yasukawa (Soprano), Alexander Chance (Alto), Christopher Lowrey (Alto), Raphael Höhn (Tenor), Shimon Yoshida (Tenor), Stephan MacLeod (Bass), Toru Kaku (Bass), Kampen Boys Choir
The St Matthew Passion is one of the best-known and most impressive compositions by Bach. Bach’s interpretation of the story of the Passion of Jesus is brilliant, compelling and moving. The traditional performances by the Bach Society are known all over the world, and this year they will be led by one of today’s best Baroque conductors: Masaaki Suzuki.One of today’s best Baroque conductors“There are few musicians who know Bach as well as conductor, organist and harpsichordist Masaaki Suzuki. He is noted as an important representative of historical performance practice and as a true Bach specialist. He has recorded nearly all Bach’s choral works with his famous ensemble Bach Collegium Japan. In 2005, Suzuki was a guest conductor of the St Matthew Passion with the Bach Society. Twenty years later, he is returning with even more experience and a deeper vision of Bach’s masterpiece. He says, “J.S. Bach had maybe four opportunities in his lifetime to perform the St Matthew Passion, but I have performed this over hundred times all over the world. Despite this fact, it never became something gentle or amicable, always asking me to delve deeper, desire stronger, seek further beauty, and for my full devotion. What can I do more? Yet again, I shall pray and perform with all my heart and soul.”
Artistic depiction of the event
This season
In Naarden

St Matthew Passion

Tue, Mar 31, 2026, 19:00
Masaaki Suzuki (Conductor), Nicolas Mulroy (Evangelist), Hana Blažíková (Soprano), Miku Yasukawa (Soprano), Alexander Chance (Alto), Christopher Lowrey (Alto), Raphael Höhn (Tenor), Shimon Yoshida (Tenor), Stephan MacLeod (Bass), Toru Kaku (Bass), Kampen Boys Choir
The St Matthew Passion is one of the best-known and most impressive compositions by Bach. Bach’s interpretation of the story of the Passion of Jesus is brilliant, compelling and moving. The traditional performances by the Bach Society are known all over the world, and this year they will be led by one of today’s best Baroque conductors: Masaaki Suzuki.One of today’s best Baroque conductors“There are few musicians who know Bach as well as conductor, organist and harpsichordist Masaaki Suzuki. He is noted as an important representative of historical performance practice and as a true Bach specialist. He has recorded nearly all Bach’s choral works with his famous ensemble Bach Collegium Japan. In 2005, Suzuki was a guest conductor of the St Matthew Passion with the Bach Society. Twenty years later, he is returning with even more experience and a deeper vision of Bach’s masterpiece. He says, “J.S. Bach had maybe four opportunities in his lifetime to perform the St Matthew Passion, but I have performed this over hundred times all over the world. Despite this fact, it never became something gentle or amicable, always asking me to delve deeper, desire stronger, seek further beauty, and for my full devotion. What can I do more? Yet again, I shall pray and perform with all my heart and soul.”
Artistic depiction of the event
This season
In Naarden

St Matthew Passion

Thu, Apr 2, 2026, 19:00
Masaaki Suzuki (Conductor), Nicolas Mulroy (Evangelist), Hana Blažíková (Soprano), Miku Yasukawa (Soprano), Alexander Chance (Alto), Christopher Lowrey (Alto), Raphael Höhn (Tenor), Shimon Yoshida (Tenor), Stephan MacLeod (Bass), Toru Kaku (Bass), Kampen Boys Choir
The St Matthew Passion is one of the best-known and most impressive compositions by Bach. Bach’s interpretation of the story of the Passion of Jesus is brilliant, compelling and moving. The traditional performances by the Bach Society are known all over the world, and this year they will be led by one of today’s best Baroque conductors: Masaaki Suzuki.One of today’s best Baroque conductors“There are few musicians who know Bach as well as conductor, organist and harpsichordist Masaaki Suzuki. He is noted as an important representative of historical performance practice and as a true Bach specialist. He has recorded nearly all Bach’s choral works with his famous ensemble Bach Collegium Japan. In 2005, Suzuki was a guest conductor of the St Matthew Passion with the Bach Society. Twenty years later, he is returning with even more experience and a deeper vision of Bach’s masterpiece. He says, “J.S. Bach had maybe four opportunities in his lifetime to perform the St Matthew Passion, but I have performed this over hundred times all over the world. Despite this fact, it never became something gentle or amicable, always asking me to delve deeper, desire stronger, seek further beauty, and for my full devotion. What can I do more? Yet again, I shall pray and perform with all my heart and soul.”
Artistic depiction of the event
This season
In Naarden

Lamentations

Fri, Apr 3, 2026, 09:15
Amelia Berridge (Soprano), Amelia Berridge (Leader)
Early in the morning on Good Friday and Holy Saturday, prior to the St Matthew Passion, you can listen to the Lamentations; an intimate concert based on the lamentations of the prophet Jeremiah. In Bach’s time, these personal and dramatic biblical texts were traditionally read out in the Holy Week before Easter. The Bach Society has adopted this custom in its Lamentations, which has now become an annual tradition.Meditative and virtuoso music“This year, Amelia Berridge, soprano and core member of the Bach society, is leading the Lamentations. She chose a beautiful a capella programme for six singers that revolves around the lamentations by the Spanish composer Cristóbal de Morales. The meditative and virtuoso music by Morales is set off by polyphonic Renaissance works from various parts of Europe.
Artistic depiction of the event
This season
In Naarden

St Matthew Passion

Fri, Apr 3, 2026, 11:30
Masaaki Suzuki (Conductor), Nicolas Mulroy (Evangelist), Hana Blažíková (Soprano), Miku Yasukawa (Soprano), Alexander Chance (Alto), Christopher Lowrey (Alto), Raphael Höhn (Tenor), Shimon Yoshida (Tenor), Stephan MacLeod (Bass), Toru Kaku (Bass), Kampen Boys Choir
The St Matthew Passion is one of the best-known and most impressive compositions by Bach. Bach’s interpretation of the story of the Passion of Jesus is brilliant, compelling and moving. The traditional performances by the Bach Society are known all over the world, and this year they will be led by one of today’s best Baroque conductors: Masaaki Suzuki.One of today’s best Baroque conductors“There are few musicians who know Bach as well as conductor, organist and harpsichordist Masaaki Suzuki. He is noted as an important representative of historical performance practice and as a true Bach specialist. He has recorded nearly all Bach’s choral works with his famous ensemble Bach Collegium Japan. In 2005, Suzuki was a guest conductor of the St Matthew Passion with the Bach Society. Twenty years later, he is returning with even more experience and a deeper vision of Bach’s masterpiece. He says, “J.S. Bach had maybe four opportunities in his lifetime to perform the St Matthew Passion, but I have performed this over hundred times all over the world. Despite this fact, it never became something gentle or amicable, always asking me to delve deeper, desire stronger, seek further beauty, and for my full devotion. What can I do more? Yet again, I shall pray and perform with all my heart and soul.”
Artistic depiction of the event
This season
In Naarden

Lamentations

Sat, Apr 4, 2026, 09:15
Amelia Berridge (Soprano), Amelia Berridge (Leader)
Early in the morning on Good Friday and Holy Saturday, prior to the St Matthew Passion, you can listen to the Lamentations; an intimate concert based on the lamentations of the prophet Jeremiah. In Bach’s time, these personal and dramatic biblical texts were traditionally read out in the Holy Week before Easter. The Bach Society has adopted this custom in its Lamentations, which has now become an annual tradition.Meditative and virtuoso music“This year, Amelia Berridge, soprano and core member of the Bach society, is leading the Lamentations. She chose a beautiful a capella programme for six singers that revolves around the lamentations by the Spanish composer Cristóbal de Morales. The meditative and virtuoso music by Morales is set off by polyphonic Renaissance works from various parts of Europe.
Artistic depiction of the event
This season
In Naarden

St Matthew Passion

Sat, Apr 4, 2026, 11:30
Masaaki Suzuki (Conductor), Nicolas Mulroy (Evangelist), Hana Blažíková (Soprano), Miku Yasukawa (Soprano), Alexander Chance (Alto), Christopher Lowrey (Alto), Raphael Höhn (Tenor), Shimon Yoshida (Tenor), Stephan MacLeod (Bass), Toru Kaku (Bass), Kampen Boys Choir
The St Matthew Passion is one of the best-known and most impressive compositions by Bach. Bach’s interpretation of the story of the Passion of Jesus is brilliant, compelling and moving. The traditional performances by the Bach Society are known all over the world, and this year they will be led by one of today’s best Baroque conductors: Masaaki Suzuki.One of today’s best Baroque conductors“There are few musicians who know Bach as well as conductor, organist and harpsichordist Masaaki Suzuki. He is noted as an important representative of historical performance practice and as a true Bach specialist. He has recorded nearly all Bach’s choral works with his famous ensemble Bach Collegium Japan. In 2005, Suzuki was a guest conductor of the St Matthew Passion with the Bach Society. Twenty years later, he is returning with even more experience and a deeper vision of Bach’s masterpiece. He says, “J.S. Bach had maybe four opportunities in his lifetime to perform the St Matthew Passion, but I have performed this over hundred times all over the world. Despite this fact, it never became something gentle or amicable, always asking me to delve deeper, desire stronger, seek further beauty, and for my full devotion. What can I do more? Yet again, I shall pray and perform with all my heart and soul.”
Artistic depiction of the event
This season
In Naarden

Bach's inspiration

Fri, May 15, 2026, 20:15
Johanna Soller (Conductor), Carine Tinney (Soprano), Alex Potter (Alto), Daniel Johannsen (Tenor), Matthias Winckhler (Bass)
How can a text inspire a composer? And what happens if you give three composers the same poem as a source for their music? Conductor Johanna Soller shows us the result in a programme of beautiful music by Bach and the contemporary composer Gregor A. Mayrhofer.A brand-new cantata“In 1726, after years of unimaginable creativity and zest for work, Bach suddenly takes things a bit easier. He composes less, but what he does write has one particular source of inspiration: an anthology of poems from the beginning of the eighteenth century, by Duke Ernst Ludwig of Saxe-Meiningen. In 1726, Bach also performs many cantatas by his cousin Johann Ludwig Bach. And what was Johann Ludwig’s source of inspiration? That same anthology of poems. Now, 300 years later, the young German composer Gregor A. Mayrhofer takes a fresh look at the poetry, to create a brand-new cantata, written especially for this programme.