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Classical concerts featuring
Michał Klauza

Overview

Quick overview of musician Michał Klauza by associated keywords

Upcoming Concerts

Concerts featuring Michał Klauza in season 2024/25 or later

Artistic depiction of the event
In a few days
In Katowice

The Festival of Premieres

Fri, Mar 14, 2025, 19:30
Michał Klauza (Conductor), NOSPR, Tymoteusz Bies (Piano), Sławomir Kupczak (Electronics)
The Festival of Premieres is a celebration of discoveries – both the latest ones and those which had to wait for their time to come. After all, the masters of traditional and baroque music taught us that discoveries can be made after hundreds or even thousands of years. The forgotten minimalistic works by Tomasz Sikorski and Zygmunt Krauze waited decades for their premieres, and so did Barbara Buczek’s Anekumena, which could not be more stylistically distant from the two. In order to discover themselves, composers sometimes need extraordinary soloists who play unusual instruments (Paweł Romańczuk’s theremin in Paweł Hendrich’s Sfumato) or such instruments that are only superficially usual (Małgorzata Walentynowicz in Jacek Sotomski’s Piano Concerto). An intergenerational, acoustic-electric meeting is about to take place between the Silesian String Quartet and the NeoQuartet, while the ensemble OMN will perform together with the Camerata Silesia. We will also take care of the little ones (Baby Opera by Ewa Fabiańska-Jelińska), and the AUKSO strings will sing Krzysztof Knittel’s composition on “the gift of life” (the Hawaiian ka makana o ke ola). And what discoveries will the Warsaw-based Hashtag Ensemble bring us? See (and hear!) you at NOSPR from 14th to 16th March.
Artistic depiction of the event
In a few days
In Katowice

The Festival of Premieres

Fri, Mar 14, 2025, 19:30
Michał Klauza (Conductor), NOSPR, Tymoteusz Bies (Piano), Composers:, Barbara Buczek, Sławomir Kupczak (Electronics), Zygmunt Krauze, Krystyna Moszumańska-Nazar, Tomasz Sikorski
The Festival of Premieres is a celebration of discoveries – both the latest ones and those which had to wait for their time to come. After all, the masters of traditional and baroque music taught us that discoveries can be made after hundreds or even thousands of years. The forgotten minimalistic works by Tomasz Sikorski and Zygmunt Krauze waited decades for their premieres, and so did Barbara Buczek’s Anekumena, which could not be more stylistically distant from the two. In order to discover themselves, composers sometimes need extraordinary soloists who play unusual instruments (Paweł Romańczuk’s theremin in Paweł Hendrich’s Sfumato) or such instruments that are only superficially usual (Małgorzata Walentynowicz in Jacek Sotomski’s Piano Concerto). An intergenerational, acoustic-electric meeting is about to take place between the Silesian String Quartet and the NeoQuartet, while the ensemble OMN will perform together with the Camerata Silesia. We will also take care of the little ones (Baby Opera by Ewa Fabiańska-Jelińska), and the AUKSO strings will sing Krzysztof Knittel’s composition on “the gift of life” (the Hawaiian ka makana o ke ola). And what discoveries will the Warsaw-based Hashtag Ensemble bring us? See (and hear!) you at NOSPR from 14th to 16th March.
Artistic depiction of the event
Next month
In Katowice

NOSPR / Klauza / Nizioł / The American Dream

Fri, Apr 4, 2025, 19:30
Michał Klauza (Conductor), NOSPR, Bartłomiej Nizioł (Violin)
The (co)creators of the works to be presented in this concert share an American connection. Bach’s Passacaglia and Fugue in C minor, written for the organ, was arranged for an orchestra by the exquisite conductor Leopold Stokowski, who spent most of his life in the United States, leading such ensembles as the famous Philadelphia Orchestra. In 1940, it was with them that he recorded the soundtrack for Walt Disney’s Fantasia, which has since become a legend, having prepared the symphonic version of the famous Toccata and Fugue in D minor for this purpose in particular (he was awarded an honorary Oscar for his achievements). Allegedly – due to the similarity of their surnames – he was often mistaken with Zygmunt Stojowski, who left Europe for the States at the beginning of the 20th century and remained there until his death in 1946. On the other side of the pond, the latter was chair of the piano department at the New York Institute of Musical Art, also teaching at the Von Ende School of Music. The Violin Concerto in G minor, Op. 22, is an early composition of his, created at the end of the 19th century. Unusually expressive, it is imbued with the Romantic spirit, its violin part glimmering with brilliant virtuosity. Henryk Wars – known in the States as Henry Vars – is predominantly recognised in his homeland as a pioneer of Polish jazz, composer of film music, and author of such smash hits as Miłość ci wszystko wybaczy, Umówiłem się z nią na dziewiątą and Zimny drań. His outstanding symphonic pieces were only discovered in the late 1990s. Among those, there was the exquisite Symphony No. 1 (1949), which blends the late-Romantic sense of drama, flawless instrumentation and a cinematic scope.Agnieszka Nowok-ZychConcert duration (intermission included): approximately 90 minutes