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Classical concerts featuring
Martin Platz

Overview

Quick overview of musician Martin Platz by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
2
Warszawa
Poland
Warszawa
2

ProgramFrequently performs

Ludwig van Beethoven
Works by
Ludwig van Beethoven
2
Carl Philipp Emanuel Bach
Works by
Carl Philipp Emanuel Bach
1
Georg Friedrich Händel
Works by
Georg Friedrich Händel
1
Johann Sebastian Bach
Works by
Johann Sebastian Bach
1
Works by
Marc-Antoine Charpentier
1
Works by
Michel-Richard de Lalande
1

MusiciansFrequently collaborate with

Musician
Andrew Moore
2
Musician
Bartosz Michałowski
2
Musician
Krzysztof Urbański
2
Musician
Sophia Brommer
2
Musician
Sophie Harmsen
2

Upcoming Concerts

Concerts featuring Martin Platz in season 2024/25 or later

Artistic depiction of the event
Next month
In Hamburg

Carl-Philipp-Emanuel-Bach-Chor Hamburg / Concerto Köln / Hansjörg Albrecht

Fri, Apr 11, 2025, 19:30
Laeiszhalle, Großer Saal (Hamburg)
Carl-Philipp-Emanuel-Bach-Chor Hamburg, Concerto Köln, Hannah Morrison (Soprano), Martin Platz (Tenor), Klaus Häger (Bass), Hansjörg Albrecht (Director)
The opening concert of this year’s International Bach Festival Hamburg will feature Carl Philipp Emanuel Bach’s Passion cantata »Die letzten Leiden des Erlösers«, written for Hamburg, performed in the Laeiszhalle by the ensemble Concerto Köln, which specialises in historical performance practice, and the Carl-Philipp-Emanuel-Bach-Choir. Together with the final concert on Easter Sunday, it forms the thematic arc of this Bach festival centred on the Passion and Resurrection.
Info & Ticket (www.elbphilharmonie.de)
Artistic depiction of the event
This season
In Warszawa

Closing Concert in the 2024/2025 Season

Fri, Jun 13, 2025, 19:30
Filharmonia Narodowa, Concert Hall (Warszawa)
Warsaw Philharmonic Orchestra, Warsaw Philharmonic Choir, Krzysztof Urbański (Conductor), Sophia Brommer (Soprano), Sophie Harmsen (Mezzo-Soprano), Martin Platz (Tenor), Andrew Moore (Bass-Bariton), Bartosz Michałowski (Chorus Director)
Krzysztof Urbański, photo: Grzesiek Mart Ludwig van Beethoven was regarded as a revolutionary (but also an eccentric) in his time, while for subsequent generations he became the epitome of the Classical (and, for many, of what was finest in music). The turbulent reception history of his monumental Symphony No. 9 in D minor proves that the significance of a work is never defined once and for all. It has fascinated not only musicians and listeners with different tastes, but also representatives of different political options and adherents of extreme ideologies. Along the way, it has encountered both nationalism and hope-giving universalism. Today, one of the themes of the Symphony’s finale, considered by some of Beethoven’s contemporaries to be a sign of extravagance, is one of the most recognisable melodies in Western musical culture and is known as the anthem of the European Union.
Info & Ticket (filharmonia.pl)
Artistic depiction of the event
This season
In Warszawa

Closing Concert in the 2024/2025 Season

Sat, Jun 14, 2025, 18:00
Filharmonia Narodowa, Concert Hall (Warszawa)
Warsaw Philharmonic Orchestra, Warsaw Philharmonic Choir, Krzysztof Urbański (Conductor), Sophia Brommer (Soprano), Sophie Harmsen (Mezzo-Soprano), Martin Platz (Tenor), Andrew Moore (Bass-Bariton), Bartosz Michałowski (Chorus Director)
Krzysztof Urbański, photo: Grzesiek Mart Ludwig van Beethoven was regarded as a revolutionary (but also an eccentric) in his time, while for subsequent generations he became the epitome of the Classical (and, for many, of what was finest in music). The turbulent reception history of his monumental Symphony No. 9 in D minor proves that the significance of a work is never defined once and for all. It has fascinated not only musicians and listeners with different tastes, but also representatives of different political options and adherents of extreme ideologies. Along the way, it has encountered both nationalism and hope-giving universalism. Today, one of the themes of the Symphony’s finale, considered by some of Beethoven’s contemporaries to be a sign of extravagance, is one of the most recognisable melodies in Western musical culture and is known as the anthem of the European Union.
Info & Ticket (filharmonia.pl)