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Classical concerts featuring
Lorenzo Baldasso

Overview

Quick overview of musician Lorenzo Baldasso by associated keywords

New Arrivals

These concerts featuring Lorenzo Baldasso became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Swing Dance Orchestra

Thu, Nov 20, 2025, 20:00
Laeiszhalle, Großer Saal (Hamburg)
Swing Dance Orchestra, Andrej Hermlin (Director), Rachel Hermlin (Vocals), David Hermlin (Drums), Lorenzo Baldasso (Clarinet)
A great moment in jazz: on 16 January 1938, a young man and his musicians took to the stage of the sold-out Carnegie Hall, visibly nervous. Benny Goodman had not wanted to give this concert. The famous patron John Hammond, whose sister Alice would later marry Benny Goodman, and some eager agents had persuaded him to do so. This was the first performance by a jazz band in the New York concert hall, where otherwise only classical music could be heard. In front of an audience of more than 2,000, Benny Goodman, dressed in a tailcoat, played the concert of his life. His big band had reached its zenith in those days, and Goodman would never have such a high-calibre line-up again. In addition to the orchestra, the trio and the quartet played – with Lionel Hampton on vibraphone and Teddy Wilson on piano. Martha Tilton sang »Loch Lomond« and »Bei mir bist du schoen« – Count Basie, Buck Clayton, Lester Young and other jazz musicians joined the Goodman band for a jam session on – »Honeysuckle Rose«. The unexpected enthusiasm of the rather conservative audience swept Benny Goodman and his band off their feet, lucky for posterity that John Hammond had the concert recorded. To this day, the album with the recordings of that evening in Carnegie Hall is one of the best-selling jazz productions ever and is reissued time and again. Even as a child, listening to these legendary recordings, Andrej Hermlin dreamed of a band like the one with which Benny Goodman celebrated his triumphs. Consequently, his next ambitious project was to re-perform the concert that made his idol Benny Goodman a legend. This performance is less about a faithful copy of the score and more about capturing the authentic atmosphere of that evening in Carnegie Hall. True-to-style suits, music stands, no electronic tricks; this is how the resurrection should succeed.

Upcoming Concerts

Concerts featuring Lorenzo Baldasso in season 2024/25 or later

Artistic depiction of the event
This season
In Hamburg

Swing Dance Orchestra

Thu, Nov 20, 2025, 20:00
Laeiszhalle, Großer Saal (Hamburg)
Swing Dance Orchestra, Andrej Hermlin (Director), Rachel Hermlin (Vocals), David Hermlin (Drums), Lorenzo Baldasso (Clarinet)
A great moment in jazz: on 16 January 1938, a young man and his musicians took to the stage of the sold-out Carnegie Hall, visibly nervous. Benny Goodman had not wanted to give this concert. The famous patron John Hammond, whose sister Alice would later marry Benny Goodman, and some eager agents had persuaded him to do so. This was the first performance by a jazz band in the New York concert hall, where otherwise only classical music could be heard. In front of an audience of more than 2,000, Benny Goodman, dressed in a tailcoat, played the concert of his life. His big band had reached its zenith in those days, and Goodman would never have such a high-calibre line-up again. In addition to the orchestra, the trio and the quartet played – with Lionel Hampton on vibraphone and Teddy Wilson on piano. Martha Tilton sang »Loch Lomond« and »Bei mir bist du schoen« – Count Basie, Buck Clayton, Lester Young and other jazz musicians joined the Goodman band for a jam session on – »Honeysuckle Rose«. The unexpected enthusiasm of the rather conservative audience swept Benny Goodman and his band off their feet, lucky for posterity that John Hammond had the concert recorded. To this day, the album with the recordings of that evening in Carnegie Hall is one of the best-selling jazz productions ever and is reissued time and again. Even as a child, listening to these legendary recordings, Andrej Hermlin dreamed of a band like the one with which Benny Goodman celebrated his triumphs. Consequently, his next ambitious project was to re-perform the concert that made his idol Benny Goodman a legend. This performance is less about a faithful copy of the score and more about capturing the authentic atmosphere of that evening in Carnegie Hall. True-to-style suits, music stands, no electronic tricks; this is how the resurrection should succeed.