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Classical concerts featuring
Hanno Müller-Brachmann

Overview

Quick overview of musician Hanno Müller-Brachmann by associated keywords

Upcoming Concerts

Concerts featuring Hanno Müller-Brachmann in season 2024/25 or later

Artistic depiction of the event
Next month
In Paris

Richard Wagner / Siegfried

Fri, Apr 4, 2025, 18:30
Philharmonie de Paris, Grande salle Pierre Boulez (Paris)
Dresdner Festspielorchester, Concerto Köln, Kent Nagano (Conductor), Thomas Blondelle (Siegfried), Christian Elsner (Mime), Derek Welton (Der Wanderer), Daniel Schmutzhard (Alberich), Hanno Müller-Brachmann (Fafner), Gerhild Romberger (Erda), Åsa Jäger (Brünnhilde), nn (Waldvogel)
Performed by the musicians of Concerto Köln and the Dresdner Festspielorchester under the direction of Kent Nagano, this Siegfried is the fruit of years of research into what would be a historically informed reading of Wagner’s operas.
Artistic depiction of the event
Next month
In Köln

Richard Wagner: Siegfried

Thu, Apr 10, 2025, 18:00
Thomas Blondelle (Tenor), Christian Elsner (Tenor), Derek Welton (Bass-Bariton), Daniel Schmutzhard (Bariton), Hanno Müller-Brachmann (Bass), Gerhild Romberger (Mezzo-Soprano), Åsa Jäger (Soprano), Concerto Köln (Ensemble), Dresdner Festspielorchester, Kent Nagano (Conductor)
Now he sets out into the world: Siegfried, the free hero, is to set right what Wotan, the father of the gods, messed up at the beginning of the story. Finally, part three of Wagner's "Ring of the Nibelung" can be experienced in Kent Nagano's original sound project. Siegfried grows up in the forest, reforges the sword Nothung, slays the dragon Fafner, wins from him the "Ring of the Nibelung", breaks Wotan's spear and lovingly awakens the Valkyrie Brünnhilde.
Artistic depiction of the event
Next month
In Berlin

Konzert zum Karfreitag

Fri, Apr 18, 2025, 19:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, RIAS Kammerchor Berlin, Justin Doyle (Conductor), Navid Kermani (Narrator), Kateryna Kasper (Soprano), Katie Bray (Alto), Robert Murray (Tenor), Hanno Müller-Brachmann (Bass), Kai Roterberg (Tenor), Jörg Genslein (Tenor), Esther Tschimpke (Soprano)
Haydn's composition is characterised by a dramatic, extremely moving emotionality that is hard to resist. It was initially conceived as a purely instrumental composition - meditation music in seven slow movements with a prelude and final movement („Il Terremoto“ - the earthquake) for a Passion service. However, when Haydn heard an arrangement of his work with a German text in Passau in 1794, he was inspired to write his own vocal version. The premiere took place in Vienna in 1796. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently performed pieces of Passion music ever.