Set your preferred locations for a better search. You can sign up here.
Filters
musician
Guido Sant’Anna
February 8, 2025
Artistic depiction of the event

Teatime Classics

Sat, Feb 8, 2025, 16:00
Laeiszhalle, Kleiner Saal (Hamburg)
Guido Sant’Anna (Violin), Martina Consonni (Piano)
Guido Sant’Anna »has charisma, stage presence and an astonishing maturity and depth in his playing,« wrote the Frankfurter Allgemeine Zeitung after the young Brazilian violinist had opened the Rheingau Music Festival in 2023 together with the hr-Sinfonieorchester. Be it large concert stages or prestigious competitions – at not even 20 years old, Guido Sant’Anna wins over audiences, the press and judges equally. With Martina Consonni, sponsored by star pianist Sir András Schiff, who celebrated her debut at the Elbphilharmonie in 2024, he presents a programme from Schubert to Ravel, which entertains both with breakneck virtuosity and expansive melody arcs – and even blues. Both Guido Sant’Anna and Martina Consonni study at the prestigious Kronberg Academy. Guido Sant’Anna was born in São Paulo, Brazil, in 2005. He achieved international recognition when he was the first South American violinist to win the prestigious International Fritz Kreisler Competition in 2022. A historic success had already preceded this triumph in Vienna in 2018 when he was the first Brazilian violinist to be invited to the International Yehudi Menuhin Competition in Geneva and won both the audience prize and the chamber music prize. In October 2022, he filled in for Christian Tetzlaff at the Deutsche Kammerphilharmonie Bremen in São Paulo for which he received rave reviews. Praised for her innate musicality and overwhelming sensitivity, combined with exceptional instrumental technique and brilliant sound, Martina Consonni has established herself as one of the most promising young pianists of her generation. Born in Como in 1997, she achieved two Masters degrees at the Pavia Conservatory and at the HMTM in Hanover. She also received a Masters degree in chamber music at the National Academy »Santa Cecilia« in Rome and an Artist Diploma at the Barenboim-Said Akademie in Berlin under Sir András Schiff. She has been selected to participate in several master classes where she encountered musicians of international standing, such as Daniel Barenboim, Kirill Gerstein, Steven Isserlis and Christoph Eschenbach.
May 22, 2025
Artistic depiction of the event

Neojiba Orquestra Juvenil da Bahia / Guido Sant’Anna / Ricardo Castro

Thu, May 22, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Neojiba Orquestra da Bahia, Guido Sant’Anna (Violin), Ricardo Castro (Conductor)
By way of a prelude, the orchestra brings a work from its home country to the stage: Carlos Gomes is regarded as the most important Brazilian composer of the Romantic period. The orchestral prelude with the beautiful title »Alvorada« – Dawn – is from his opera »Lo schiavo« about the love between a slave girl and the son of a landowner. The programme continues from here – with a slight detour via Finland – to Mexico, Argentina and the USA. By way of a prelude, the orchestra brings a work from its home country to the stage: Carlos Gomes is regarded as the most important Brazilian composer of the Romantic period. The orchestral prelude with the beautiful title »Alvorada« – Dawn – is from his opera »Lo schiavo« about the love between a slave girl and the son of a landowner. The programme continues from here – with a slight detour via Finland – to Mexico, Argentina and the USA. Aaron Copland was inspired by a dance hall in Mexico City to write his orchestral work »El salón México«, in which two drunken bassoons make an appearance. Alberto Ginastera, on the other hand, combined Argentinian folklore and modern harmony in the suite from his ballet »Estancia«. And Leonard Bernstein’s »Symphonic Dances« from the famous »West Side Story« are also set to bring plenty of momentum in the Grand Hall. Jean Sibelius’ famous violin concerto, featuring the up-and-coming 19-year-old Brazilian Guido Sant’Anna as the soloist, then takes the audience off to some entirely different (sound) worlds.