As the nights grow longer during the dark season, we find joy in cozying up and dedicating time to our dreams. Accompanied by Robin Poell, we embark on musical adventures exploring nocturnal figures encountered in our dreams. The music evokes vivid dreams, twinkling stars, or lulls us gently to sleep – various night music experiences.
Engelbert Humperdinck's popular opera Hansel and Gretel is often performed during the Advent and Christmas season. This year, a special family version will be played in the Apollosaal, featuring the brass section of the Staatskapelle. Ten musicians will accompany the fairytale with original sounds, familiar melodies, and poetic magic.
Engelbert Humperdinck's popular opera Hansel and Gretel is often performed during the Advent and Christmas season. This year, a special family version will be played in the Apollosaal, featuring the brass section of the Staatskapelle. Ten musicians will accompany the fairytale with original sounds, familiar melodies, and poetic magic.
At our espresso concerts in the early afternoon, we serve two kinds of caffeine - in cups and, of course, musically. In the Great Hall, the audience orchestra of the Konzerthaus Berlin demonstrates its skills with a surprise program.
As the nights grow longer during the dark season, we find joy in cozying up and dedicating time to our dreams. Accompanied by Robin Poell, we embark on musical adventures exploring nocturnal figures encountered in our dreams. The music evokes vivid dreams, twinkling stars, or lulls us gently to sleep – various night music experiences.
Experience music from Humperdinck’s “Mirakel” from a new perspective – together with Andrew Greenwood. The dancer and choreographer has created a very special approach to music with the switch2move method. We invite you to take an active part in the musical events – participation is expressly encouraged.“Concert for All” is a model project in which the RSB designs offers that enable participation for deaf and hard-of-hearing people as well as people with cognitive impairments in order to eventually integrate them permanently into the orchestra’s concert programme. During the four-year term of the project, methods and concepts are to be tested in close cooperation with associations, affected people and their relatives, pilot events are to be held and ultimately new, inclusive formats are to be created that meet the needs of the target groups and yet are open to all visitors.The wheelchair spaces are full. Unfortunately, further registration for wheelchair users is no longer possible.
ConcertPulse