Wind Quintet

CHAMBER CONCERT: Brass Quintet

Featuring works by Johann Sebastian Bach, George Frideric Handel, Kevin McKee, Leonard Bernstein and others.From our brass quintet’s music cabinet! Compositions for brass chamber ensemble were a rarity in Bach and Handel's day. It was not until the late 19th century that the brass band emerged, becoming particularly popular in America. This new trend meant that the previously neglected brass players were finally able to shine in works written especially for them. Our quintet has unearthed a range of exciting arrangements and breathtaking originals for this entertaining chamber concert – featuring roses without thorns, trees that fall in love, and horses made of steel!

Chamber concert: Piano quintet

This programme is inspired by a world of romantic feelings: Brahms had been tinkering with the composition of a quintet since 1862 – at a time when he was continually fragile due to failures and said despondently: »When you go on 30 and feel weak like I do, you like to lock yourself up and look at the walls in your sadness«. Nevertheless, he became self-confident, exercised, learned Latin and felt, »I'm growing!« Moreover, the Hamburg-born composer moved to his adopted home of Vienna, where he lived near the Prater and could drink his wine »where Beethoven used to drink it«. In 1864, he finally finished the piano quintet, about which his soulmate Clara Schumann raved: »I feel after the work as if I had read a great tragic story.« The remarkable composition captivates with a plethora of original thoughts that are artfully developed – it is also filled with a profound seriousness in long parts. Elgar‘s moving piano quintet also bears witness to a similar state of mind: it was composed in 1918/19 at a time when his life was overshadowed by worries, illnesses, fears and the loss of loved ones in the wake of the horrors of war. Despite his great fame in London, the highly sensitive composer retreated to the countryside to find a break from the world's noise – to which he soon had nothing more to say in music: he wrote only a few works, such as the piano quintet. Even though it sounds at times belligerently agitated, a gloomy mood and a sheer overwhelming nostalgia spreads again and again as a witness to his broken soul – after all, he noted at the time: »Everything comforting and hopeful in my life is irretrievably over«.

Chamber concert: String quintet

Attention: Change of programme and line-up

Ensemble Tamuz: Schubert's String Quintet

The Sunday Morning Concert brings you wonderful and much-loved compositions, performed by top musicians from the Netherlands and abroad. Enjoy the most beautiful music in the morning! You can make your Sunday complete by enjoying a delicious post-concert lunch in restaurant LIER.The Royal Concertgebouw is one of the best concert halls in the world, famous for its exceptional acoustics and varied programme. Attend a concert and have an experience you will never forget. Come and enjoy inspiring music in the beautiful surroundings of the Main Hall or the intimate Recital Hall.

Wojtek Mazolewski Quintet

SIMON SHAHEEN QUINTET

Benjamin Lackner Quintet

»A sensation in quiet tones«, »A work full of poetry and tenderness«, »Some can see the new Keith Jarrett in him«: there is truly no shortage of praise for the latest creation by pianist Benjamin Lackner. He is on stage here with four equally illustrious companions. The worldwide favourable reviews apply to Lackner’s album »Last Decade« (2022), his first for the label ECM. Born in Berlin in 1976 and having spent 13 years living in the US, its success suddenly catapulted the artist into the premier league of jazz musicians with (also) German roots. At the same time, it is already his ninth album that is sparking so much enthusiasm. Lackner had already been releasing his music on records for 20 years. Early on in his career, the singing of his lines attracted attention: what he played sounded deliberate and anything but verbose. Piano guru Brad Mehldau taught Lackner privately for a while. Mehldau’s embellishing is unmistakable. »Last Decade«, however, appears as the redemption of the old motto by Goethe »Mensch, werde wesentlich« [Human, become true to your essence]. No sound too much, condensed emotion in a few, meticulously placed notes. With Mathias Eick (trumpet), Manu Katché (drums) and Jérôme Regard (bass), world-class artists also assisted Lackner. This spring, ECM return to the studio in the south of France. The material that Lackner intends to bring on his autumn concert tour will be recorded there. Of the original quartet, Mathias Eick has stayed with him, but the new band is rounded off as a quintet with a second top wind player: the American saxophonist Mark Turner, already on the Elbphilharmonie’s wish list for a long time, joins in. Bassist Harish Raghavan has been constantly playing with Lackner for several years.. The Frenchman Matthieu Chazarenc has been associated with Lackner since their early New York trio days and is his chosen drummer for this line-up.

Netherlands Wind Ensemble & Bart Moeyaert: Paradise (Dutch spoken)

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Marc Ribot Quartet »Hurry Red Telephone« / Red Lily Quintet

The Marc Ribot Trio celebrated a premiere in a new line-up at the famous NYC Winter Jazzfest in 2024 – now they come with James Brandon Lewis on saxophone as support to Hamburg for the »Reflektor« Festival dedicated to Ribot. The musicians first played together in 2005 on the album »Spiritual Unity«, a homage to the legendary free jazz saxophonist Albert Ayler. Alongside Marc Ribot and drummer Chad Taylor as consistent members of the trio, at that time Henry Grimes still played on bass. He worked with Cecil Tayler, Don Cherry and Albert Ayler, amongst others, in the 1960s. In the current line-up, Hilliard Greene replaces Henry Grimes, who passed away in 2020, on double bass. With James Brandon Lewis, whose Gospel-influenced sound on tenor saxophone seamlessly blends into the eruptive sound of the band, the trio becomes a quartet. James Brandon Lewis, as bandleader of the Red Lily Quartet, also takes centre stage in the second set of the evening. The programme »For Mahalia, with Love« is a tribute to the Gospel legend Mahalia Jackson, who made famous traditional songs, such as »Swing Low«, »Sparrow« and »Wade in the Water«. Lewis has a personal, emotional connection to the work of Mahalia Jackson: his grandmother had introduced the music to him when he was just a child. So, he also describes his arrangements as a »Three-way conversation between Mahalia, my grandmother and me.«

Workshop: Klassiko Wind Instruments

Some of them gleam all golden, while others look really weird: the wind instruments in an orchestra differ not only in appearance, but in sound as well. The trumpet, the trombone, the clarinet, and instruments that don’t belong to a symphony orchestra: they are all presented here and participants can try them out.