Terra memoria

Date & Time

Mon, May 12, 2025, 18:00

Venue

WDR Funkhaus am Wallrafplatz, Klaus-von-Bismarck-Saal

Grelles und Entschwindendes, Verschwundenes, Abstraktion und große Geste treffen im Konzert des international erfolgreichen Kuss Quartetts aufeinander. Mark Andres »Sieben Stücke für Streichquartett«, dem Kuss Quartett gewidmet, kommen hier in einer überarbeiteten Fassung zur Uraufführung.Eine Musik im Entschwinden – an der Grenze des Hörbaren schimmern instrumentale und vokale Gesten im Halbdunkel. Mit »Terra memoria« von Kaija Saariaho steht auch das zweite Streichquartett unserer Porträtkomponistin auf dem Festivalprogramm. Das Stück trägt die Widmung »den Verstorbenen« und stellt Objektivität und Subjektivität des... Read full text

Keywords: World Premiere

Info & Ticket (www.koelner-philharmonie.de)

Musicians

Kuss Quartett

Ensemble

Program

Tactus für Streichquartett Uraufführung Kompositionsauftrag von Scuola Normale Superiore di Pisa und ACHT BRÜCKEN \| Musik für Köln, unterstützt durch das Istituto Italiano di Cultura Colonia	Mauro Montalbetti
Códices für Streichquartett	Francisco Coll
Sieben Stücke für Streichquartett Fassung von 2025 Uraufführung	Mark Andre
Terra memoria für Streichquartett	Kaija Saariaho

Give feedback

Last update: Sat, Feb 1, 2025, 10:09

Similar events

These events are similar in terms of concept, place, musicians or the program.

Hamburg Philharmonic State Orchestra / Nils Mönkemeyer / Kent Nagano

Sun, May 5, 2024, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Boglárka Pecze (Bass clarinet), Nils Mönkemeyer (Viola), Edicson Ruiz (Double bass), Kent Nagano (Conductor)

The Russian composer Vladimir Tarnopolski is certainly no stranger to contemporary music. His works have been performed at many major festivals over recent decades. He has received various prizes and released many of his works on CD. As a professor of composition at the Moscow State Tchaikovsky Conservatory, he has also passed on his knowledge to a whole generation of young composers. »Im Dunkel vor der Dämmerung« (»In the Dark before Dawn«) is the title of a new work commissioned by the Hamburg Philharmonic State Orchestra and premiered in this concert. »Sinfonia Eroica« was the title Ludwig van Beethoven gave his third symphony in 1804, a »heroic symphony composed to celebrate the memory of a great man«. Whether or not this »great man« was to be little Napoleon? At first it was, in all likelihood. But Beethoven probably decided to leave out any corresponding dedication, since the Corsican’s personal coronation as emperor was, in the composer’s eyes, a bitter betrayal of the republican ideas of the French Enlightenment. Was Beethoven himself perhaps the hero? An innovator in the context of music history? Whatever the answer, he certainly breaks new ground with his »Eroica«.

Info (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Nils Mönkemeyer / Kent Nagano

Mon, May 6, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Boglárka Pecze (Bass clarinet), Nils Mönkemeyer (Viola), Edicson Ruiz (Double bass), Kent Nagano (Conductor)

The Russian composer Vladimir Tarnopolski is certainly no stranger to contemporary music. His works have been performed at many major festivals over recent decades. He has received various prizes and released many of his works on CD. As a professor of composition at the Moscow State Tchaikovsky Conservatory, he has also passed on his knowledge to a whole generation of young composers. »Im Dunkel vor der Dämmerung« (»In the Dark before Dawn«) is the title of a new work commissioned by the Hamburg Philharmonic State Orchestra and premiered in this concert. »Sinfonia Eroica« was the title Ludwig van Beethoven gave his third symphony in 1804, a »heroic symphony composed to celebrate the memory of a great man«. Whether or not this »great man« was to be little Napoleon? At first it was, in all likelihood. But Beethoven probably decided to leave out any corresponding dedication, since the Corsican’s personal coronation as emperor was, in the composer’s eyes, a bitter betrayal of the republican ideas of the French Enlightenment. Was Beethoven himself perhaps the hero? An innovator in the context of music history? Whatever the answer, he certainly breaks new ground with his »Eroica«.

Info (www.elbphilharmonie.de)

NDR Elbphilharmonie Orchestra / Stefan Asbury

Fri, May 17, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Stefan Asbury (Conductor), Stepan Simonian (Piano), Moisés Santos Bueno (Drums)

Born in Teheran, Sara Abazari is one of today’s leading voices in her country’s contemporary music. Her two latest compositions, which were recently premiered in the Berlin Philharmonie and the Konzerthaus, are directly connected with the movement »Woman, Life, Freedom« and the prominent role of women in Iran. »in solidum« is a piece that was premiered in its first version in autumn 2023; the new, large-scale orchestral work by the composer, who studied in Cologne and Vienna, is now being performed by the NDR Elbphilharmonie Orchestra. With Galina Ustwolskaja (1919-2006), the NDR Elbphilharmonie Orchestra preesents one of the 20th century’s most uncompromising composers after the interval. Ms Ustwolskaja gained a reputation for her visionary and always highly unusual combinations of instruments: »Dies irae« is scored for eight double basses, piano and a large, resonant wooden block, which the percussionist beats with enigmatic hammer blows. Performances of the work produce the picture, precisely calculated by the composer, of an archaic ritual that evokes a set of metaphors between death, protest and apotheosis: this is a »breakthrough piece«, a musical onslaught on all conventional boundaries, and indisputably Ustwolskaja’s most famous work. The evening opens with Edgar Varèse’s virtuoso piece »Intégrales« for wind instruments and percussion, one of the founding documents of 20th century music. Written for the avant-garde »International Composers’ Guild«, which was founded in 1921 by Carlos Salzedo and Varèse himself, »Intégrales« was given its first performance in March 1925 in New York’s Aeolian Hall.

Info (www.elbphilharmonie.de)

Exile Orchestra MRIYA

Sun, Aug 25, 2024, 19:30

Elbphilharmonie, Kleiner Saal (Hamburg)

Ukrainisches Exilorchester Mriya (der Traum), Valeriy Sokolov (Violin), Kateryna Suprun (Viola), Vincent Kozlovsky (Conductor)

To mark Ukraine’s Independence Day, the exile orchestra MRIYA will perform an extraordinary concert with works by German and Ukrainian composers. The ensemble was founded in March 2022 by professional musicians who had to flee to Germany to escape the horrors of the Russian war of aggression and, under the direction of violinist Kateryna Suprun, founded an ensemble that grew into the MRIYA exile orchestra with the support of the Hamburg-based funding organisation Culture Connects e. V.. With around 80 concerts in venues such as the Berlin Philharmonie, the Gewandhaus Leipzig and the Laeiszhalle Hamburg, the orchestra has established an excellent reputation.

Info (www.elbphilharmonie.de)

ensemble reflektor / David Orlowsky / Katharina Wincor

Tue, Aug 27, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

ensemble reflektor, David Orlowsky (Clarinet), Katharina Wincor (Conductor)

In this concert, clarinettist David Orlowsky is both soloist and composer. Together with ensemble reflektor, he premieres his own clarinet concerto »Shadow Dancer«, which was inspired by a quote from the famous psychiatrist C. G. Jung: »Anyone who perceives his shadow and his light simultaneously sees himself from two sides and thus gets in the middle.«

Info (www.elbphilharmonie.de)

Philharmonic Academy

Tue, Sep 10, 2024, 19:30

Elbphilharmonie, Kleiner Saal (Hamburg)

Mitglieder des Philharmonischen Staatsorchesters Hamburg

Two world premieres meet with a good old friend in the 3rd Academy Concert. Things kick off with Stefan Schäfer, principal double bass of the Hamburg Philharmonic State Orchestra, besides being a passionate chamber musician and composer. His »Reflections on a Good Morrow« is a work commissioned by the orchestra. After something new there is something familiar to follow: Wolfgang Amadeus Mozart and his »Nachtmusique«. A demanding work where Mozart – yet again – exceeded the expectations of his day, composing chamber music with an almost symphonic flair.

Info (www.elbphilharmonie.de)

Festival Concert BDLO100

Sat, Oct 5, 2024, 19:30

Elbphilharmonie, Großer Saal (Hamburg)

Landesjugendorchester Hamburg, Norsk Ungdomssymfoniorkester, Johannes Witt (Conductor), Torodd Wigum (Conductor), Bundesamateurorchester, Judith Kubitz (Conductor)

The festival concert will take place exactly on the 100th anniversary of the German Association of Amateur Orchestras. In addition to the Federal Amateur Orchestra as the sonorous representative of German amateur orchestras, the Hamburg State Youth Orchestra will also be performing with The Norwegian Youth Symphony Orchestra, which is celebrating its 50th anniversary this year.

Info (www.elbphilharmonie.de)

120 years of Hamburger Orchestergemeinschaft

Sun, Nov 10, 2024, 11:00

Laeiszhalle, Großer Saal (Hamburg)

Hamburger Orchestergemeinschaft, Aditi Smeets (Soprano), Maria Grazia Milani (Mezzo-Soprano), Cornelia Monske (Drums), Wolf Tobias Maximilian Müller (Conductor)

As Hamburg’s oldest amateur symphony orchestra, the Hamburger Orchestergemeinschaft from 1904 organises at least two concerts a year. Time and again, the orchestra gives young, very talented conductors and soloists the opportunity to gain experience with public performances in large concert halls. For the anniversary concert, the orchestra under the direction of Wolf Tobias M. Müller showcases its musical breadth with a colourful bouquet of overtures and arias from Mozart to Puccini as well as Schubert’s »Unfinished« Symphony. To celebrate the anniversiary, a new percussion concerto by Fredrik Schwenk will be premiered.

Info (www.elbphilharmonie.de)

Chineke! Orchestra / Isata Kanneh-Mason / Kevin John Edusei

Mon, Nov 11, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Chineke! Orchestra, Isata Kanneh-Mason (Piano), Kevin John Edusei (Conductor)

More ethnic diversity in the world of classical music is the aim of the Chineke! Orchestra, which is made up mainly of Black musicians. It made its celebrated debut at the Elbphilharmonie in 2022. Now it returns under the baton of its long-time companion Kevin John Edusei. The soloist is shooting star Isata Kanneh-Mason, who has already won prizes such as the Opus Klassik in her young career. Together they perform Prokofiev’s Third Piano Concerto, which bounces cheerfully between percussive elements, opulent orchestral passages and gentle chamber-music sequences, giving the soloist ample opportunity to shine. »Prisms, Cycles, Leaps« by Derrick Skye refers to the search for beauty in life and nature through a variety of experiences. Musical elements from the Balkans, Ghana and Hindustani music combine to create electrifying polyrhythmic melodies. Borrowings from jazz, funk, pop and hip-hop are promised by the first performance of a new work by British composer Brian Nabors, who already caused a stir with the press at the previous Chineke! concert: »Brian Nabors’s ›Pulse‹ offered the tutti the chance to juggle with the motif ideas in a cool way, which swirled around so colourfully that they seemed to be lining up to play a Hollywood soundtrack.«

Info (www.elbphilharmonie.de)

NDR Elbphilharmonie Orchestra / Janine Jansen / Sakari Oramo

Sun, Nov 24, 2024, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Janine Jansen (Violin), Sakari Oramo (Conductor)

As head of the BBC Symphony Orchestra and the Royal Stockholm Philharmonic Orchestra, Sakari Oramo regularly commutes between the UK and Sweden. He brings works from both countries with him to Hamburg. One is criminally underestimated in Germany and therefore played far too rarely, and another one has never been performed before. However, the programme opens with an excursion to the south: to Giuseppe Verdi and his overture from »La forza del destino«.

Info (www.elbphilharmonie.de)