Set your preferred locations for a better search. You can sign up here.

Stations: Stockhausen & Rihm

Date & Time
Tue, Jun 3, 2025, 19:30
Karlheinz Stockhausen – and Wolfgang Rihm? Was there something? You bet. In the early summer of 1972, Rihm finished school and had a state examination in composition and music theory in his pocket. Rihm was just twenty and his goal was clear: to study composition. And only Stockhausen in Cologne was an option. He replies politely, invites him, but immediately makes his reservations clear in writing. It had to be »clear that you have no other plans for at least... Read full text

Keywords: Contemporary

Artistic depiction of the event

Musicians

Saskia OgilvieCello
Adrian HegerPiano
Michael PattmannPercussion
Kathinka PasveerSound

Program

Gesang der JünglingeKarlheinz Stockhausen
Klavierstück VKarlheinz Stockhausen
Klavierstück IXKarlheinz Stockhausen
Zyklus für einen SchlagzeugerKarlheinz Stockhausen
Kontakte (Fassung für elektronische Klänge)Karlheinz Stockhausen
Paraphrase für Violoncello, Schlagzeug und KlavierWolfgang Rihm
Give feedback
Last update: Thu, Nov 21, 2024, 15:06

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Stations: Rihm & Stockhausen

Wed, Jun 4, 2025, 20:00
Bunker Feldstraße, resonanzraum St. Pauli (Hamburg)
Ensemble Resonanz, Jeroen Berwaerts (Trumpet), Adrian Heger (Piano), Per Rundberg (Piano), Michael Pattmann (Percussion)
Rihm and Stockhausen’s first meeting took place in the summer of 1972. Stockhausen, 24 years his senior, had already seen a lot of talented young people, but was quite taken with Wolfgang Rihm and his youthful self-confidence when he applied for his composition class at the age of barely twenty. And so Rihm, who had been taking professional composition lessons for a long time, regularly travelled from his new home in Cologne to Kürten, 25 km away, where the master held his classes. He would later say that this time was a time of self-discovery and self-examination as a composer.
Artistic depiction of the event

For Wolfgang Rihm – I

Tue, Mar 8, 2022, 20:00
Georg Nigl (Bariton), Olga Pashchenko (Piano), Jörg Widmann (Clarinet), Bavarian Radio Chorus, Solist*nnen des Symphonieorchesters des Bayerischen Rundfunks
musica viva is celebrating Wolfgang Rihm’s 70th birthday with a week of concerts. Since the 1970s, when he burst upon Germany’s music scene as an enfant terrible, Rihm has embodied the unconditionality of the creative act. It is thus no accident that his 1978 essay on pain and pleasure bore the title Ins eigene Fleisch (“mortifying the flesh”) and dealt with the close bond between mind and body. The same applies to the quintet studies he wrote for composer-clarinettist Jörg Widmann, his former student and perhaps even his soul-mate, who will present them with soloists from the BRSO in Munich’s recital hall.
Artistic depiction of the event

Kirill Petrenko conducts Bruckner and Rihm

Sat, Sep 14, 2024, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor)
Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.
Artistic depiction of the event

Kirill Petrenko conducts Bruckner and Rihm

Fri, Sep 13, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor)
Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.
Artistic depiction of the event

Kirill Petrenko conducts Bruckner and Rihm

Thu, Sep 12, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor)
Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.
Artistic depiction of the event

Simone Young conducts Bruckner and Rihm

Sun, Dec 8, 2024, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Simone Young (Conductor), Vida Miknevičiūtė (Soprano)
When Simone Young conducts Bruckner, she prefers to perform the original versions of his symphonies: “Perhaps they are not as perfect as the later versions,” she explains. “But they have a modernity that the later ones lack.” In this concert, she presents the original version of the Second Symphony from 1872, and combines it with Wolfgang Rihm’s one-act opera Das Gehege. This dark and enigmatic piece depicts a woman who, on the eve of German reunification, frees an eagle from captivity, tries to seduce it, and ultimately kills it.
Artistic depiction of the event

Simone Young conducts Bruckner and Rihm

Sat, Dec 7, 2024, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Simone Young (Conductor), Vida Miknevičiūtė (Soprano)
When Simone Young conducts Bruckner, she prefers to perform the original versions of his symphonies: “Perhaps they are not as perfect as the later versions,” she explains. “But they have a modernity that the later ones lack.” In this concert, she presents the original version of the Second Symphony from 1872, and combines it with Wolfgang Rihm’s one-act opera Das Gehege. This dark and enigmatic piece depicts a woman who, on the eve of German reunification, frees an eagle from captivity, tries to seduce it, and ultimately kills it.
Artistic depiction of the event

Simone Young conducts Bruckner and Rihm

Fri, Dec 6, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Simone Young (Conductor), Vida Miknevičiūtė (Soprano)
When Simone Young conducts Bruckner, she prefers to perform the original versions of his symphonies: “Perhaps they are not as perfect as the later versions,” she explains. “But they have a modernity that the later ones lack.” In this concert, she presents the original version of the Second Symphony from 1872, and combines it with Wolfgang Rihm’s one-act opera Das Gehege. This dark and enigmatic piece depicts a woman who, on the eve of German reunification, frees an eagle from captivity, tries to seduce it, and ultimately kills it.
Artistic depiction of the event

The Leonkoro Quartet plays Beethoven, Mendelssohn and Rihm

Fri, Oct 11, 2024, 20:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Leonkoro Quartet (String Quartet), Jonathan Schwarz (Violin), Amelie Wallner (Violin), Mayu Konoe (Viola), Lukas Schwarz (Cello)
The Leonkoro Quartet has enjoyed a meteoric rise to success. Founded in 2019, the ensemble is already at home on international concert stages, making its celebrated Philharmonie debut in February 2024. “The Leonkoro Quartet’s risk-conscious power of intensity is legendary. Its virtuosity is unbelievably natural,” wrote the Tagesspiegel afterwards. The young musicians return this season – with an energetic string quartet by our composer in residence Wolfgang Rihm, who died in July of this year, a wonderfully melodic opus by Felix Mendelssohn, and a key work from Beethoven’ s late oeuvre.
Artistic depiction of the event

Philharmonic chamber music String quartets and quintets by Korngold, Rihm and Bruckner

Wed, Oct 30, 2024, 20:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Philharmonisches Streichquartett (String Quartet), Dorian Xhoxhi (Violin), Helena Madoka Berg (Violin), Tobias Reifland (Viola), Christoph Heesch (Cello), Amihai Grosz (Viola)
The String Quintet in F major is the only major chamber music work by Anton Bruckner, whose 200th birthday will be celebrated in 2024. The Philharmonic String Quartet and Amihai Grosz, principal violist of the Berliner Philharmoniker, present the piece in this concert. The evening will open with Erich Wolfgang Korngold’s Second String Quartet, which has a distinctive Viennese lilt. A constant in this season’s Philharmonic Chamber Music concerts is the music of our composer in residence Wolfgang Rihm. Here you can hear his dark, finely-spun Grave, written in memory of violist Thomas Kakuska.