Set your preferred locations for a better search. You can sign up here.

Kirill Petrenko conducts Bruckner and Rihm

Date & Time
Sat, Sep 14, 2024, 19:00
Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.

Keywords: Contemporary, Musikfest Berlin, Symphony Concert

Artistic depiction of the event

Musicians

Berliner PhilharmonikerOrchestra
Kirill PetrenkoConductor

Program

Symphony No. 5 in B flat majorAnton Bruckner
Give feedback
Last update: Thu, Nov 21, 2024, 18:47

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Kirill Petrenko conducts Bruckner and Rihm

Fri, Sep 13, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor)
Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.
Artistic depiction of the event

Kirill Petrenko conducts Bruckner and Rihm

Thu, Sep 12, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor)
Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.
Artistic depiction of the event

Simone Young conducts Bruckner and Rihm

Sun, Dec 8, 2024, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Simone Young (Conductor), Vida Miknevičiūtė (Soprano)
When Simone Young conducts Bruckner, she prefers to perform the original versions of his symphonies: “Perhaps they are not as perfect as the later versions,” she explains. “But they have a modernity that the later ones lack.” In this concert, she presents the original version of the Second Symphony from 1872, and combines it with Wolfgang Rihm’s one-act opera Das Gehege. This dark and enigmatic piece depicts a woman who, on the eve of German reunification, frees an eagle from captivity, tries to seduce it, and ultimately kills it.
Artistic depiction of the event

Simone Young conducts Bruckner and Rihm

Sat, Dec 7, 2024, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Simone Young (Conductor), Vida Miknevičiūtė (Soprano)
When Simone Young conducts Bruckner, she prefers to perform the original versions of his symphonies: “Perhaps they are not as perfect as the later versions,” she explains. “But they have a modernity that the later ones lack.” In this concert, she presents the original version of the Second Symphony from 1872, and combines it with Wolfgang Rihm’s one-act opera Das Gehege. This dark and enigmatic piece depicts a woman who, on the eve of German reunification, frees an eagle from captivity, tries to seduce it, and ultimately kills it.
Artistic depiction of the event

Simone Young conducts Bruckner and Rihm

Fri, Dec 6, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Simone Young (Conductor), Vida Miknevičiūtė (Soprano)
When Simone Young conducts Bruckner, she prefers to perform the original versions of his symphonies: “Perhaps they are not as perfect as the later versions,” she explains. “But they have a modernity that the later ones lack.” In this concert, she presents the original version of the Second Symphony from 1872, and combines it with Wolfgang Rihm’s one-act opera Das Gehege. This dark and enigmatic piece depicts a woman who, on the eve of German reunification, frees an eagle from captivity, tries to seduce it, and ultimately kills it.
Artistic depiction of the event

Kirill Petrenko conducts the Karajan Academy

Fri, May 17, 2024, 20:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Karajan-Akademie der Berliner Philharmoniker (Ensemble), Kirill Petrenko (Conductor)
Kirill Petrenko feels a special bond with the Karajan Academy’s new generation of orchestral musicians. Now the Berliner Philharmoniker’s chief conductor will be conducting the ensemble in Felix Mendelssohn’s “Italian” Symphony, a work filled with sunshine, clarity and energy. Chamber music precedes it on the programme: Mendelssohn’s miraculous Octet for strings and the sumptuous Quintet that Jörg Widmann – the current season’s Composer in Residence – composed for the Karajan Academy in 2006 when he won the Claudio Abbado Prize.
Artistic depiction of the event

Kirill Petrenko and Vilde Frang

Fri, Nov 8, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Vilde Frang (Violin)
At times melancholic and rugged, at others with a dance-like lightness: Antonín Dvořák’s Seventh Symphony presents a broad spectrum of contrasting moods, infused with the unmistakable colouring of Czech folk music. Kirill Petrenko also conducts Erich Wolfgang Korngold’s Violin Concerto with Vilde Frang as the soloist. Exiled from his native Vienna, Korngold brought his lush late romantic harmonic language to Hollywood; in this piece, his film music can be heard again and again. Sergei Rachmaninov’s mystical tone poem The Isle of the Dead takes us into yet another hypnotic sound world.
Artistic depiction of the event

Kirill Petrenko and Vilde Frang

Thu, Nov 7, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Vilde Frang (Violin)
At times melancholic and rugged, at others with a dance-like lightness: Antonín Dvořák’s Seventh Symphony presents a broad spectrum of contrasting moods, infused with the unmistakable colouring of Czech folk music. Kirill Petrenko also conducts Erich Wolfgang Korngold’s Violin Concerto with Vilde Frang as the soloist. Exiled from his native Vienna, Korngold brought his lush late romantic harmonic language to Hollywood; in this piece, his film music can be heard again and again. Sergei Rachmaninov’s mystical tone poem The Isle of the Dead takes us into yet another hypnotic sound world.
Artistic depiction of the event

Kirill Petrenko and Vilde Frang

Wed, Nov 6, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Vilde Frang (Violin)
At times melancholic and rugged, at others with a dance-like lightness: Antonín Dvořák’s Seventh Symphony presents a broad spectrum of contrasting moods, infused with the unmistakable colouring of Czech folk music. Kirill Petrenko also conducts Erich Wolfgang Korngold’s Violin Concerto with Vilde Frang as the soloist. Exiled from his native Vienna, Korngold brought his lush late romantic harmonic language to Hollywood; in this piece, his film music can be heard again and again. Sergei Rachmaninov’s mystical tone poem The Isle of the Dead takes us into yet another hypnotic sound world.
Artistic depiction of the event

Simon Rattle conducts Bruckner and Widmann

Sat, Jun 1, 2024, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Sir Simon Rattle (Conductor), Stefan Dohr (French horn)
Bruckner’s Sixth Symphony has long been one of the composer’s underrated works. According to Sir Simon Rattle, this is because it doesn’t offer what people usually expect of a Bruckner symphony. It is shorter, more transparent and less solemn than usual, “a piece full of humour and daring”. Bruckner himself seems to have seen it that way, for he whimsically declared the Sixth to be his “boldest”. To open the programme, Simon Rattle conducts the world premiere of a horn concerto written by Jörg Widmann, this season’s Composer-in-Residence, for our principal horn-player Stefan Dohr.