| Duved Dunayevsky | Guitar |
| Daniel Garlitsky | Violin |
| Pierre Richeux | Guitar |
| Andrea Soria | Guitar |
| Scott Koehler | Double Bass |
| George Gershwin | |
| Hoagy Carmichael | |
| Cole Porter | |
| Irving Berlin | |
| Original Compositions | |
| Classical Repertoire(Swing adaptations) |
These events are similar in terms of concept, place, musicians or the program.
Cristian Măcelaru and the Orchestre National de France bring French flair to the Rhine with Maurice Ravel's Boléro, his piano concerto, and Stravinsky's "The Firebird." The program also features Ravel's jazz-influenced piano concerto, a fitting prelude to Ravel's 150th birthday in 2025.
Debussy’s shimmering, pictorial score finds resonance with the work of Olivier Messiaen, a great colourist of orchestral material, at his best in Chronochromie, rich with the sounds of nature.
Tugan Sokhiev conducts the Orchestre Philharmonique de Radio France, in tandem with Jean-Frédéric Neuburger, for this pairing of concertante pieces by Haydn and Stravinsky.
Pure symphonic ecstasy, with two monuments in the canon that demand a fully engaged, inventive and visionary orchestra—here, the Orchestre Philharmonique de Radio France under the baton of he who served as its musical director from 2000 to 2015.
There is often talk of underrated works by great composers: masterpieces that are only honoured after the death of their creators. But overrated works? Maurice Ravel considered his Boléro to be such a work. »I have only made one masterpiece, that is the Boléro; unfortunately, it contains no music,« he once said laconically. You can disagree and be pleased that Cristian Măcelaru is presenting the work with his Orchestre National de France in this ProArte concert. And that’s not all: in addition to the famous Boléro, the proven Ravel specialists from Paris are also bringing Ravel’s jazz-influenced piano concerto to Hamburg, interpreted by Beatrice Rana, who has played her way into the hearts of local audiences in recent seasons. A fitting prelude to the Ravel Year 2025, in which the 150th birthday of the composer with the unbeatable sense of orchestral colour will be celebrated.
Whenever Sol Gabetta takes the stage at the Albert Concerts, excitement fills the air. This world-class cellist's passion is contagious, her expressive playing matched by captivating expressions. This year, she shares the stage with the exceptionally talented Tarmo Peltokoski. Together, they'll perform Bloch's "Schelomo," a piece Gabetta cherishes for its ability to showcase the cello's versatility. Peltokoski complements this with Bruckner's Symphony No. 4, a tribute to the composer's 200th birthday. The program also includes Debussy's "Prélude à l'après-midi d'un faune."
Cellist Sol Gabetta performs with Tarmo Peltokoski, the new principal conductor of the Orchestre national du Capitole de Toulouse. Peltokoski, a rising star conductor, credits Wagner's music for his career choice. The concert with Gabetta will have a connection to Wagner, despite not featuring any of Wagner's compositions.
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