Set your preferred locations for a better search. You can sign up here.

Philips Symphony Orchestra plays Glière and Rachmaninoff

Date & Time
Sat, Nov 2, 2024, 20:15
The Concertgebouw is right at the heart of Dutch music. That is why we love to welcome the best amateur orchestras and choirs of the Netherlands. To an amateur musician a performance at the Concertgebouw is always special, often marking the end of an extensive period of rehearsals. Please note: although these concerts are of a high standard, they are not performed by professional ensembles.

Keywords: Symphony Concert

Artistic depiction of the event

Musicians

Philips Symfonie Orkest
Txemi EtxebarriaConductor
José Luis Sogorb JoverFrench horn

Program

HendriksThe Playful Garden
GlièreHorn Concerto in B-flat major, op. 91
Sergei RachmaninoffSymphony No. 2 in e minor, op. 27
Give feedback
Last update: Fri, Nov 22, 2024, 12:40

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event
Finished

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Wed, Mar 12, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
Artistic depiction of the event
Finished

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Thu, Mar 13, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
Artistic depiction of the event
Finished

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Fri, Mar 14, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
Artistic depiction of the event
Finished

Kyiv Symphony Orchestra plays Schumann’s “Rhenish” Symphony

Sun, Oct 27, 2024, 20:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Kyiv Symphony Orchestra (Orchestra), Felix Krieger (Conductor), Dmytro Udovychenko (Violin)
The Kyiv Symphony Orchestra’s programme shows us two opposing sides of Robert Schumann. The composer’s Third Symphony, his ”Rhenish“, is vital, rapturous and enthusiastic, and is considered the epitome of the Romantic symphony. His violin concerto, with its dark and melancholic profundity, is completely different. The solo part will be performed by Dmytro Udovychenko, winner of the 2024 Queen Elisabeth Competition. The Kyiv Symphony Orchestra, for which the Berliner Philharmoniker took on patronage in 2023, will open the concert with Svyatoslav Lunyov’s sensual and flowing string piece Tristium.
Artistic depiction of the event
This season
In Amsterdam

Anna Fedorova & Greek Youth Symphony Orchestra: Rachmaninoff

Wed, Aug 6, 2025, 20:00
Greek Youth Symphony Orchestra, Dionysis Grammenos (Conductor), Anna Fedorova (Piano)
The SummerConcerts powered by VriendenLoterij presents two months of wonderful concerts, from classical to jazz and from pop to film music. Top musicians from the Netherlands and around the world bring you all your favourite classical pieces, as well as video game music and hits from Broadway musicals.We also present a host of young talent in our summer concerts, including youth orchestras from Greece, Australia and Cuba, and top young classical soloists. After many of the concerts, we offer a meet-and-greet with the artists in an informal setting, or an afterparty with DJ in the Entrance Hall. In one of the world’s finest concert halls, there’s something for everyone this summer at The Concertgebouw!
Artistic depiction of the event
This season
In Amsterdam

Stravinsky's Firebird and Alexander Malofeev plays Rachmaninoff

Sat, Oct 11, 2025, 20:15
Netherlands Philharmonic, Aziz Shokhakimov (Conductor), Alexander Malofeev (Piano)
The Netherlands Philharmonic is one of the most versatile cultural organisations in The Netherlands. The orchestra organises a diverse concert program in The Royal Concertgebouw Amsterdam and is a welcome guest on foreign stages and festivals. The Netherlands Philharmonic brings classical music to life at the highest level and collaborates closely with international guest soloists and conductors. It takes great pleasure in welcoming and developing new musical talent. Lorenzo Viotti is the principal conductor of Dutch National Opera and the Netherlands Philharmonic.
Artistic depiction of the event
This season
In Amsterdam

Stravinsky's Firebird and Alexander Malofeev plays Rachmaninoff

Mon, Oct 13, 2025, 20:15
Netherlands Philharmonic, Aziz Shokhakimov (Conductor), Alexander Malofeev (Piano)
The Netherlands Philharmonic is one of the most versatile cultural organisations in The Netherlands. The orchestra organises a diverse concert program in The Royal Concertgebouw Amsterdam and is a welcome guest on foreign stages and festivals. The Netherlands Philharmonic brings classical music to life at the highest level and collaborates closely with international guest soloists and conductors. It takes great pleasure in welcoming and developing new musical talent. Lorenzo Viotti is the principal conductor of Dutch National Opera and the Netherlands Philharmonic.
Artistic depiction of the event
This season
In Amsterdam

Nicolas van Poucke plays Rachmaninoff and Debussy

Sat, Nov 29, 2025, 20:15
Nicolas van Poucke (Piano)
Rachmaninoff's Études-tableaux, op. 33 are musical 'picture studies', vivid evocations of visual imagery. The composer deliberately left them untitled, allowing both the performer and the audience the freedom to interpret the images the music conjures. What remains unmistakable, however, is the grandeur and emotional depth of these pieces - passionate yet melancholic - making them a perfect showcase for Van Poucke's virtuosity and imaginative artistry.Debussy’s Préludes book IDebussy’s Préludes are musical impressions that relocate the audience into a world of delicate nuance and rich symbolism, with each piece painting a unique, poetic scene. Unlike Rachmaninoff in his Études-Tableaux, Debussy did title his Préludes but intentionally placed the titles at the end of each piece, allowing the music to be experienced freely before any associations were formed. With his refined technique and vivid musicality, Van Poucke brings Debussy’s enigmatic soundscape to life, ensuring that every note tells a story. Dutch newspaper Parool noted: 'There are not many pianists who know how to approach this musically and psychologically complex world with such naturalness'.
Artistic depiction of the event
Finished

Concertgebouw Orchestra plays Bruckner and Messiaen

Thu, Jan 16, 2025, 20:15
Concertgebouw Orchestra, Simone Young (Conductor)
Anton Bruckner was a deeply religious organist, as well as a composer whose highly personal sound was far ahead of its time. The same was true of Olivier Messiaen a century later. Simone Young forges a musical and spiritual bond between Bruckner’s Sixth Symphony and Messiaen’s exquisite symphonic meditations on the Ascension.The Sixth Symphony is shorter, lighter in tone and less monumental than Bruckner’s other symphonies. ‘Die Sechste ist die keckste’ (the Sixth is the sauciest), Bruckner himself once wrote. Perhaps most remarkable is the third movement: instead of the lively, Ländler-like folk dances that characterise his scherzos, Bruckner wrote a rather dark and eerie movement here, with a theme from his Fifth appearing in the Trio. Conductor Simone Young: ‘In his symphonies, Bruckner lived the drama and the emotions he could not find in his personal life.’
Artistic depiction of the event
Finished

Concertgebouw Orchestra plays Bruckner and Messiaen

Sun, Jan 19, 2025, 14:15
Concertgebouw Orchestra, Simone Young (Conductor)
Anton Bruckner was a deeply religious organist, as well as a composer whose highly personal sound was far ahead of its time. The same was true of Olivier Messiaen a century later. Simone Young forges a musical and spiritual bond between Bruckner’s Sixth Symphony and Messiaen’s exquisite symphonic meditations on the Ascension.The Sixth Symphony is shorter, lighter in tone and less monumental than Bruckner’s other symphonies. ‘Die Sechste ist die keckste’ (the Sixth is the sauciest), Bruckner himself once wrote. Perhaps most remarkable is the third movement: instead of the lively, Ländler-like folk dances that characterise his scherzos, Bruckner wrote a rather dark and eerie movement here, with a theme from his Fifth appearing in the Trio. Conductor Simone Young: ‘In his symphonies, Bruckner lived the drama and the emotions he could not find in his personal life.’