Orgelpräsentation für Familien

Johann Adam Hiller, successor to Johann Sebastian Bach, praised Bach as the strongest piano and organ player of his time. Bach is not only a great church musician and organ composer but also intensively explored the harpsichord, performing concerts with his sons for three or four solo keyboard instruments at the Zimmermann coffee house in Leipzig. The Bach Festival for the chest organ will feature four organists showcasing this rich sound with up to four organs.

Info (www.theater-essen.de)

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Insight Organ with Thomas Cornelius

Tue, Mar 5, 2024, 19:00

KörberHaus, Körber Saal

Thomas Cornelius (Organ), Thomas Cornelius (Moderator)

As the name suggests, »Insight Organ« focuses on the »king of instruments«. How does an organ work? What is a windchest, what is a stop? Just a couple of the many questions that organist Thomas Cornelius answers clearly at this discussion concert in Hamburg’s Körber Haus. The handful of organ pipes that he has with him and the organ samples on his computer enable him to give a deep insight into how this many-faceted instrument works. If you attended his course, you are sure to discover completely new sides to the king of instruments at your next organ concert: the Elbphilharmonie organ can be heard in all its splendour on 11 March 2024, with Zuzana Ferjenčíková operating the manuals and the pedalboard. The Elbphilharmonie’s »Insight« events give people deeper insights into musical phenomena. Experts in different fields explain aspects from their day-to-day work clearly and entertainingly and are happy to answer the public’s questions.

Info (www.elbphilharmonie.de)

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Zuzana Ferjenčíková, organ

Mon, Mar 11, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Zuzana Ferjenčíková (Organ)

When a composer writes a work they have a clear idea or vision of how they want it to sound. Sometimes though, other tonal ideas emerge in retrospect, or history decides that a work can, in fact, sound quite different. That is the moment for the arranger to step in and tailor a new »tonal garment« for the piece, as it were. In the case of Franz Liszt’s symphonic poems, for instance, this was done by his contemporary Alexander Winterberger and the modern visionary Jean Guillou. Winterberger turned the piano variations on »Weinen, Klagen, Sorgen, Zagen« into a veritable organ work – so successfully, in fact, that the original piano version is hardly ever played nowadays. Guillou, on the other hand, himself a first-rate virtuoso, took Liszt’s vision of the Orpheus saga and expanded on it to create a fabulous orgy of sound for organ. Now the Slovak organist and former Guillou student Zuzana Ferjenčíková is just the right person to perform this repertoire. Blessed with a phenomenal technique and driven by an incessant inner passion, she breathes new life into these arrangements at her Elbphilharmonie debut – which includes Sergei Rachmaninov’s famous »Isle of the Dead« and keyboard works by Mozart, one of which Ferjenčíková has arranged herself. Finally, Guillou’s truly titanic fantasy on Hyperion, the divine messenger of light, is an original work written for the organ.>

Info (www.elbphilharmonie.de)