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Insight Organ with Thomas Cornelius

Date & Time
Tue, Mar 5, 2024, 19:00
As the name suggests, »Insight Organ« focuses on the »king of instruments«. How does an organ work? What is a windchest, what is a stop? Just a couple of the many questions that organist Thomas Cornelius answers clearly at this discussion concert in Hamburg’s Körber Haus. The handful of organ pipes that he has with him and the organ samples on his computer enable him to give a deep insight into how this many-faceted instrument works. If you attended his... Read full text

Keywords: Organ Concert

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Thomas CorneliusOrgan, Moderator

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Last update: Thu, Nov 21, 2024, 15:06

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Wed, May 21, 2025, 19:00
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Thu, Sep 26, 2024, 12:15
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Ligita Sneibe (Organ)
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Philharmonie Berlin, Main Auditorium (Berlin)
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Both create music through the flow of air, and yet they could hardly be more different: the powerful, large organ and the intimate, modest flute. In this concert, Thomas Ospital, organist of St Eustache Church in Paris, and Emmanuel Pahud, principal flautist of the Berliner Philharmoniker, demonstrate how well the two instruments go together – with dreamy, often highly virtuosic works by Jehan Alain, Camille Saint-Saëns and Frank Martin. The full splendour of the organ’s sound comes into its own in the transcription of Saint-Saëns’ Danse macabre as well as in Liszt's Consolation and his variations on Johann Sebastian Bach’s “Weinen, Klagen, Sorgen, Zagen”.
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Organ matinee with Anders S Börjesson

Thu, Feb 20, 2025, 12:15
Anders S Börjesson (Organ)
Through Konserthuset’s popular organ matinée subscription, audiences get to hear Sweden’s leading organists play the building’s organ – one of the largest in Europe, with 6,100 pipes. Anders S. Börjesson has been the organist at Mariestad Cathedral since 2011, where he gives organ concerts every week. He was trained in Gothenburg by Mikael Wahlin, but also in Paris by Sophie-Veronique Cauchefer-Choplin, organist at Saint-Sulpice, one of Paris's largest churches.Börjesson is also a composer, and we will hear his Paraphrase on Alice Tegnér's The Squirrel Sits in the Spruce Tree and Chorale Treatments. Additionally, well-known rock songs by the bands Metallica and Queen arranged for organ. The concert opens with Canadian Rachel Laurin's (born in 1961) both evocative and dramatic Prelude and Fugue, and we also get to hear the captivating March in C major by Frenchman Louis Lefébure-Wély (1817–1870).***You are welcome to eat or drink something before or after the organ concert. The bar in the Main Foyer is open at 11.45–12.15 and 13.15–14.15, offering a variety of delicious food and drinks in our beautiful surroundings.
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Mon, Mar 11, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Zuzana Ferjenčíková (Organ)
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Mon, Apr 22, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Iveta Apkalna (Organ)
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Karol Mossakowski, Organ

Tue, Dec 10, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Karol Mossakowski (Organ)
France and Germany – today, these two countries are best friends. The long-standing rivalry between them has, however, not only led to many a disagreement in politics. Even in the field of organ music, they took different paths for a long time: in France, people celebrated sound and tone colour; in Germany, virtuosity and counterpoint. Karol Mossakowski showcases the best of both worlds: a sedate organ symphony in the style of Widor, sound magic in the style of Fauré and visionary music in the style of Alain – all of them first-rate musical gems. Fauré clad the myth of Pelléas and Mélisande in subtle, highly sensitive sounds, Alain paved the way for the 21st century with his organ music widening the musical horizon. Not for nothing are the moving Litanies on the foundation of human existence some of the most widely played organ works of all for instance. Mendelssohn and Liszt are bywords for the German Romantic school. The variations sérieuses as well as the Mephisto Waltzes had originally been written for piano, but the art of arrangement has a long tradition especially in organ circles. What is not playable will be made playable – that is the motto here. After all, compared with pianists, organists also have two feet and an enormous pool of tonal colours at their disposal. Karol Mossakowski will also make use of this when he pursues another tradition cultivated by organists: improvisation. Here too, he is a true master of his trade.