Concert PulseOrchestra Festival
Date & Time
Thu, Apr 3, 2025, 10:00
Musicians
To be updated... |
Program
To be updated... |
Last update: Sat, Mar 15, 2025, 04:12
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In 1986, a 14-year-old Japanese violinist from the Juilliard School of Music in New York, who was still relatively unknown in Europe at the time, made her way to Schleswig-Holstein to perform three sonata recitals. Midori’s brilliantly successful debut was followed by almost 30 acclaimed performances at the Schleswig-Holstein Music Festival over the years – and so of course her name cannot be missing from the programme of the 40th edition of the festival. The pianist and conductor Christoph Eschenbach, who is closely associated with her, also took part in 1986 and can be described as a true veteran, having given over 200 concerts at the festival since then. In his reserved and distinguished manner, he has shaped the fortunes of the festival – and in particular the festival orchestra, of which he has been Principal Conductor since 2004 – like no other. The 85-year-old conductor describes the international orchestra as his wellspring of youth: every summer he meets highly talented, enthusiastic young instrumentalists here. And they are particularly looking forward to rehearsing Bruckner’s Fifth Symphony, one of the maestro’s favourite pieces, for the festival’s anniversary.
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The Fifth Symphony is a work with which Anton Bruckner fought for public recognition. In it, he reveals himself to be a gifted musical architect, bringing together voluptuous melodies, solemn chorales and sophisticated contrapuntal structures to create a symphonic monument. Kirill Petrenko conducts Bruckner with the Berliner Philharmoniker for the first time.
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'Mahler's beauty always hurts', conductor Iván Fischer said recently. Tonight he conducts his own Budapest Festival Orchestra in Mahler's Symphony No. 2, full of passion, lyricism and brightly shining melodies. Mahler is in good hands with Fischer and the Budapest Festival Orchestra. Fischer knows like no other how to get Mahler's music flowing, there is no composer he understands better. As early as 2006, Fischer and the orchestra recorded Mahler's Symphony No. 2. 'Impressive', wrote Gramophone.He who calls us gives us eternal life - sings the choir towards the end of Mahler's Symphony No. 2. In this emotionally charged work, Mahler expresses his ideas about life after death. Bliss and melancholy are both given space. Pure, insinuatingly and moving.