Set your preferred locations for a better search. You can sign up here.

Nijinsky Gala L

Date & Time
Sun, Jul 20, 2025, 18:00
The grand finale of the Hamburg Ballet-Days and of the season will be the "Nijinsky Gala L". The annual gala which is always dedicated to a dance-specific or ballet-historical theme features dancers of the Hamburg Ballet and internationally acclaimed guest stars. Audiences will have the opportunity to see excerpts of various ballets by Demis Volpi, John Neumeier and other choreographers.

Keywords: Ballet

Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event

Musicians

Hamburg BallettEnsemble
Philharmonisches Staatsorchester HamburgOrchestra

Program

Nijinsky Gala L
Give feedback
Last update: Sun, Jan 26, 2025, 23:15

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Nijinsky

Wed, Jun 11, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event

Nijinsky

Fri, Jun 13, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event

Nijinsky

Thu, Jun 19, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event

Nijinsky

Fri, Jun 20, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event

Nijinsky

Tue, Jul 15, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event

Operetten Gala

Thu, May 1, 2025, 20:00
Gewandhaus Leipzig, Mendelssohn-Saal (Leipzig)
Mima Millo (Soprano), Sarah Vautour (Soprano), Patrick Vogel (Tenor), Anna Tepretmez (Piano), Melih Tepretmez (Bariton), Berliner Operetten Ensemble (Orchestra)
Ein beschwingter Konzertabend erwartet Sie! Das Berliner Operettenensemble präsentiert die schönsten Operetten von Strauss, Lehár, Kálmán in den schönsten Konzerthäusern Deutschlands. In einer außergewöhnlichen Kombination aus historischer Kulisse und hochkarätigen Solist*innen der Komischen Oper, Deutschen Oper und Staatsoper Berlin bieten wir Ihnen eine unterhaltsame Sammlung der schönsten Melodien aus „Die Fledermaus“, „Gräfin Mariza“, „Im weißen Rössl“ und weiteren Schätzen der Operettengeschichte. Mit Klasse und Authentizität brillieren die Solist*innen in ihren Rollen und nehmen sie mit in eine Welt voller Emotionen und Leidenschaft. Abgerundet wird die Darbietung von einfühlsamer Klavierbegleitung.
Info & Ticket (www.gewandhausorchester.de)
Artistic depiction of the event

Twinkle Concert L / Geschöpft!

Sat, Mar 9, 2024, 14:00
Elbphilharmonie, Kleiner Saal (Hamburg)
Lin Chen (Percussion), Lin Chen (Composition), Lini Gong (Voice), Lini Gong (Composition), Heike Klockmeier (Puppeteer), Stephan von Löwis (Idea), Stephan von Löwis (Concept)
»Geschöpft« takes the audience away to the wonderful sound world of China. There, legend has it, a woman with a snake tail – Nü Wua – created animals and people, and fought fires and floods, in the distant past. The story is brought to life with Lin’s instruments, Lini’s wonderful voice and Heike’s puppetry.
Info (www.elbphilharmonie.de)
Artistic depiction of the event

Twinkle Concert L / Geschöpft!

Sun, Mar 10, 2024, 14:00
Elbphilharmonie, Kleiner Saal (Hamburg)
Lin Chen (Percussion), Lin Chen (Composition), Lini Gong (Voice), Lini Gong (Composition), Heike Klockmeier (Puppeteer), Stephan von Löwis (Idea), Stephan von Löwis (Concept)
»Geschöpft« takes the audience away to the wonderful sound world of China. There, legend has it, a woman with a snake tail – Nü Wua – created animals and people, and fought fires and floods, in the distant past. The story is brought to life with Lin’s instruments, Lini’s wonderful voice and Heike’s puppetry.
Info (www.elbphilharmonie.de)
Artistic depiction of the event

Twinkle Concert L / SPLASH!

Sat, Apr 20, 2024, 14:00
Elbphilharmonie, Kleiner Saal (Hamburg)
Alina Loewenich (Recorder), Alina Loewenich (Performance), Alina Loewenich (Music), Tobias Gubesch (Clarinet), Tobias Gubesch (Performance), Tobias Gubesch (Music), Leonhard Spies (Guitar), Leonhard Spies (Performance), Leonhard Spies (Music), Silas Eifler (Double bass), Silas Eifler (Performance), Silas Eifler (Music), Tina Jücker (Art Director), Tina Jücker (Directing), Claus Overkamp (Art Director), Claus Overkamp (Directing), Joshua Koch (Lighting design), Katrin Lehmacher (Props), Regina Rösing (Props)
»SPLASH!« is all about water. Water is the source of life – and it can be an elemental power or an enormous amount of fun. But water is also a valuable and limited resource. In this music theatre performance, the musicians create a variety of sound spaces, and invite you to playfully engage with the theme of water.
Info (www.elbphilharmonie.de)