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Mass in B minor

Date & Time
Fri, Dec 12, 2025, 20:15
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of... Read full text

Keywords: Vocal Music

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Musicians

Richard EgarrConductor
Johanna IhrigSopraan 1
Mary BevanSopraan 2
Helen CharlestonAlt
Guy CuttingTenor
Matthew BrookBas

Program

Johann Sebastian Bach
Mis in b klein, ‘Hohe Messe’, BWV 232
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Last update: Sat, Mar 8, 2025, 21:30

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Sat, Oct 12, 2024, 15:00
Norrköping Symphony Orchestra, Fredrik Malmberg (Conductor), Eric Ericson Chamber Choir, Kathrin Lorenzen (Soprano), Anna Zander (Mezzo-Soprano), Morten Grove Frandsen (Alto), Thomas Volle (Tenor), Karl Peter Eriksson (Bass)
Johann Sebastian Bach's Mass in B minor is one of the truly great masterpieces in music history. Compiled from music he had composed for various occasions over a period of 25 years. Here we find both the magnificent Sanctus, which he composed for Christmas in 1724 when he was new to the job as cantor in Leipzig, and the Osanna written in 1749 by an elderly, almost blind Bach. The Mass in B minor is something of a culmination of Bach's fantastic work.We hear the Eric Ericson Chamber Choir together with the Norrköping Symphony Orchestra conducted by Fredrik Malmberg. Soloists include soprano Anna Zander, who has a special focus on early music, and Kathrin Lorenzen, who won the prestigious Soloist Prize earlier this year.The Eric Ericson Chamber Choir was founded in 1945 by the then 27-year-old Eric Ericson and has since then held a central place in Swedish and international music life. The choir belongs to the absolute top tier of professional ensembles internationally, and since 2003, Eric Ericson's Chamber Choir has had a close collaboration with the Royal Stockholm Philharmonic Orchestra at the Concert Hall.Please note: The concert includes an intermission.
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Sun, Dec 14, 2025, 15:00
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
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Mass in B minor

Tue, Dec 16, 2025, 20:00
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
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Wed, Dec 17, 2025, 19:30
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
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Thu, Dec 18, 2025, 20:15
Amare, Amare Concertzaal (Den Haag)
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
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Fri, Dec 19, 2025, 20:00
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
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Sat, Dec 20, 2025, 20:00
Theaters Tilburg, Concertzaal (Tilburg)
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
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Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
Artistic depiction of the event
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Vladimir Jurowski conducts Bach’s Mass in B Minor

Sun, Jan 28, 2024, 20:00
Vladimir Jurowski (Conductor), Julia Lezhneva (Sopran 1), Alice Lackner (Sopran 2), Hugh Cutting (Altus), Patrick Grahl (Tenor), Christian Immler (Basso), RIAS Kammerchor Berlin (Choir), Gregor Meyer (Chorus Master), Rundfunk-Sinfonieorchester Berlin
The concert will be broadcast live on rbbKultur.Due to construction work, access to the Konzerthaus is currently restricted. Please note the following information:
Artistic depiction of the event
Finished

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Tue, Jan 28, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Le Concert des Nations, La Capella Nacional de Catalunya, Giulia Bolcato (Soprano), Elionor Martínez (Soprano), Lara Morger (Mezzo-Soprano), David Fischer (Tenor), Matthias Winckhler (Bass), Jordi Savall (Conductor)
It is considered one of the great unfinished works in the history of music: Wolfgang Amadeus Mozart’s »Great Mass« in C minor. He probably composed it following his wedding to singer Constanze Weber; unlike with his Requiem, at least Mozart’s death did not prevent the completion of the mass. Although remaining fragmentary, this outstanding mass setting is touching to this day due to its direct expressive power. With his Le Concert des Nations established in 1989, Catalan gambist, music researcher and conductor Jordi Savall had already often been a guest in Hamburg. As an expert in early music and historical performance practice, he consistently gives the audience new listening experiences – in particular with frequently played works. Because Savall is not only interested in music from the Middle Ages and the Renaissance, but he also elicits new aspects from the seemingly well-known classics. The ensemble and its conductor recently demonstrated this in 2021, for instance, with their Beethoven cycle; now, they tackle Mozart’s »Great Mass«.