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Classical Concerts at
Phil

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Upcoming Concerts

Concerts at Phil in season 2024/25 or later

Artistic depiction of the event
This season
In Haarlem

Mass in B minor

Sun, Dec 21, 2025, 15:00
Phil, Grote Zaal (Haarlem)
Richard Egarr (Conductor), Johanna Ihrig (Sopraan 1), Mary Bevan (Sopraan 2), Helen Charleston (Alt), Guy Cutting (Tenor), Matthew Brook (Bas)
Sublime, outsized, all-embracing. Only superlatives will suffice to describe Bach’s Mass in B minor. At the end of his life, Bach brought his best and most beautiful pieces together in a single Mass. That was how Bach wanted to be remembered, and the Mass in B minor is his musical testament. Sublime, outsized, all-embracing“In between the awe-inspiring ‘Kyrie’ and the jubilant ‘Dona nobis pacem’ come nine totally unique arias and duets, fourteen impressive choral sections and a broad range of instrumental solos. The British conductor Richard Egarr is leading the ensemble on this Christmas tour. Egarr says, “Some musical compositions are simply greater than any performance can realise: Beethoven’s Missa Solemnis and Bach’s Mass in B minor are two such examples. These transcendental masterpieces were deliberately created as messages of hope for posterity, and as a challenge for us to attain the same artistic heights. It’s always a supremely humbling joy to make that journey with Bach in this sublime creation.”
Artistic depiction of the event
This season
In Haarlem

Bach's inspiration

Sun, May 17, 2026, 15:00
Phil, Grote Zaal (Haarlem)
Johanna Soller (Conductor), Carine Tinney (Soprano), Alex Potter (Alto), Daniel Johannsen (Tenor), Matthias Winckhler (Bass)
How can a text inspire a composer? And what happens if you give three composers the same poem as a source for their music? Conductor Johanna Soller shows us the result in a programme of beautiful music by Bach and the contemporary composer Gregor A. Mayrhofer.A brand-new cantata“In 1726, after years of unimaginable creativity and zest for work, Bach suddenly takes things a bit easier. He composes less, but what he does write has one particular source of inspiration: an anthology of poems from the beginning of the eighteenth century, by Duke Ernst Ludwig of Saxe-Meiningen. In 1726, Bach also performs many cantatas by his cousin Johann Ludwig Bach. And what was Johann Ludwig’s source of inspiration? That same anthology of poems. Now, 300 years later, the young German composer Gregor A. Mayrhofer takes a fresh look at the poetry, to create a brand-new cantata, written especially for this programme.