Mysterium - Bruckners Achte

Mysterium - Bruckners Achte + Livestream

Philippe Jordan, music director of the Vienna State Opera, is renowned for his interpretations of large-scale symphonic works. Especially in Bruckner's anniversary year, his conducting will transform the Austrian composer's music into a grand symphonic narrative, reflecting influences such as Wagner. Bruckner's Eighth Symphony, a work he called "Mysterium", promises to reveal some of its secrets under Jordan's baton.

Bruckners romantic Symphony No. 4 and Schumann's Piano Concerto

The Netherlands Philharmonic is one of the most versatile cultural organisations in The Netherlands. The orchestra organises a diverse concert program in The Royal Concertgebouw Amsterdam and is a welcome guest on foreign stages and festivals. The Netherlands Philharmonic brings classical music to life at the highest level and collaborates closely with international guest soloists and conductors. It takes great pleasure in welcoming and developing new musical talent. Lorenzo Viotti is the principal conductor of Dutch National Opera and the Netherlands Philharmonic.

Titans Rising & Attaignant Flötenconsort: "O Magnum Mysterium"

The Titans Rising Ensemble and the Attaignant Consort explore the wonders of Christmas through Renaissance music. Following their June concert, they present the second part of their series with Kultur Büro Elisabeth. The evening begins with a champagne reception at 6 pm, followed by a 30-minute concert at 6:30 pm.

Pablo Heras-Casado dirigiert Anton Bruckners f-Moll-Messe

Pablo Heras-Casado dirigiert Anton Bruckners f-Moll-Messe

After personal and professional setbacks drove Bruckner to the brink of madness in 1867, the organist suffered a nervous breakdown. Recovering in an asylum, he returned to composing and created his "Great" f-minor Mass, a work of symphonic scale and profound expressiveness. The SWR Vokalensemble, WDR Rundfunkchor Köln, and SWR Symphonieorchester reunite with conductor Pablo Heras-Casado this season for a performance of Bruckner's final mass setting.

Pablo Heras-Casado dirigiert Anton Bruckners f-Moll-Messe

After personal and professional setbacks drove Bruckner to the brink of madness in 1867, the organist suffered a nervous breakdown. Recovering in an asylum, he returned to composing and created his "Great" f-minor Mass, a work of symphonic scale and profound expressiveness. The SWR Vokalensemble, WDR Rundfunkchor Köln, and SWR Symphonieorchester reunite with conductor Pablo Heras-Casado this season for a performance of Bruckner's final mass setting.

Pablo Heras-Casado dirigiert Anton Bruckners f-Moll-Messe

After personal and professional setbacks drove Bruckner to the brink of madness in 1867, the organist suffered a nervous breakdown. Recovering in an asylum, he returned to composing and created his "Great" f-minor Mass, a work of symphonic scale and profound expressiveness. The SWR Vokalensemble, WDR Rundfunkchor Köln, and SWR Symphonieorchester reunite with conductor Pablo Heras-Casado this season for a performance of Bruckner's final mass setting.

NDR Elbphilharmonie Orchestra / Kirill Gerstein / Omer Meir Wellber

Omer Meir Wellber’s conducting is »a miracle of transparency and rigour« according to the Süddeutsche Zeitung. The Israeli conductor has held a number of posts, including chief conductor of the BBC Philharmonic Orchestra, and he will be assuming the position of general music director at the Hamburg State Opera in 2025. Those who’d like to see the globetrotter in action in the Hanseatic city before then now have their chance. The unconventional conductor – who once inserted a techno interlude into an acclaimed Verdi production at the Bavarian State Opera – gave his debut with the NDR Elbphilharmonie Orchestra in 2019. And he is now back on the conductor’s stand here for the third time. As an introduction to the programme, Wellber has chosen a work that was originally conceived as incidental music for a play: Gabriel Fauré’s »Pelléas et Mélisande«. Shortly after composing it, Fauré revised his opulent music for Maeterlinck’s Symbolist fairy-tale to create an independent orchestral work. The suite featuring the famous »Sicilienne« is followed by Maurice Ravel’s Piano Concerto in G major, which »was written in the spirit of Mozart’s and Saint-Saënsʼs concertos,« as the composer himself emphasised. That, however, does not mean that Ravel neglected his own tonal language – he opens the concerto with a spirited lash of the whip and Spanish sounds. Jazz harmonies and rhythms then increasingly come to the foreground. The soloist tasked with performing this virtuosic score is the American pianist Kirill Gerstein – a popular guest with the NDR Elbphilharmonie Orchestra for many years now. The concert comes to a close with Franz Schubert’s Third Symphony. Schubert composed the masterpiece in just a few days when he was only 18 years old. With that level of productivity, it is no surprise that the composer, despite his early death at the age of 31, still managed to leave behind an impressive oeuvre. The theatre critic Eduard Hanslick described Schubert’s Symphony No. 3 as »a work of youth and of youth’s gleefully raucous zeal «.

Haydn-Orchester / Sarah Christian / Rida Murtada

The Haydn-Orchester Hamburg is regarded as one of northern Germany’s top amateur orchestras. Founded in 1977, Rida Murtada has occupied the position of musical director since 2003. The orchestra performs biannually at the Laeiszhalle.

NDR Elbphilharmonie Orchestra / Kirill Gerstein / Omer Meir Wellber

Omer Meir Wellber’s conducting is »a miracle of transparency and rigour« according to the Süddeutsche Zeitung. The Israeli conductor has held a number of posts, including chief conductor of the BBC Philharmonic Orchestra, and he will be assuming the position of general music director at the Hamburg State Opera in 2025. Those who’d like to see the globetrotter in action in the Hanseatic city before then now have their chance. The unconventional conductor – who once inserted a techno interlude into an acclaimed Verdi production at the Bavarian State Opera – gave his debut with the NDR Elbphilharmonie Orchestra in 2019. And he is now back on the conductor’s stand here for the third time. As an introduction to the programme, Wellber has chosen a work that was originally conceived as incidental music for a play: Gabriel Fauré’s »Pelléas et Mélisande«. Shortly after composing it, Fauré revised his opulent music for Maeterlinck’s Symbolist fairy-tale to create an independent orchestral work. The suite featuring the famous »Sicilienne« is followed by Maurice Ravel’s Piano Concerto in G major, which »was written in the spirit of Mozart’s and Saint-Saënsʼs concertos,« as the composer himself emphasised. That, however, does not mean that Ravel neglected his own tonal language – he opens the concerto with a spirited lash of the whip and Spanish sounds. Jazz harmonies and rhythms then increasingly come to the foreground. The soloist tasked with performing this virtuosic score is the American pianist Kirill Gerstein – a popular guest with the NDR Elbphilharmonie Orchestra for many years now. The concert comes to a close with Franz Schubert’s Third Symphony. Schubert composed the masterpiece in just a few days when he was only 18 years old. With that level of productivity, it is no surprise that the composer, despite his early death at the age of 31, still managed to leave behind an impressive oeuvre. The theatre critic Eduard Hanslick described Schubert’s Symphony No. 3 as »a work of youth and of youth’s gleefully raucous zeal «.