Musiktheaterwerkstatt II
Date & Time
Sat, Jul 5, 2025, 19:00Keywords: Admission Free, Musiktheater
Musicians
To be updated... |
Program
To be updated... |
Keywords: Admission Free, Musiktheater
To be updated... |
To be updated... |
These events are similar in terms of concept, place, musicians or the program.
Verdi's comic opera "Falstaff" is the focus of directing students. Students regularly explore both famous and lesser-known works, offering their unique perspectives. Disguise and deception are central as the women trick the lustful and broke Falstaff. The opera's libretto is based on Shakespeare's "Merry Wives of Windsor".
Verdi's comic opera "Falstaff" is the focus of directing students. Students regularly explore both famous and lesser-known works, offering their unique perspectives. Disguise and deception are central as the women trick the lustful and broke Falstaff. The opera's libretto is based on Shakespeare's "Merry Wives of Windsor".
Handel's baroque magic opera "Rinaldo" and Verdi's opera comedy "Falstaff" are the experimental fields for directing students. In their productions, directing and singing students regularly dedicate themselves to both great traditional works of the opera world and lesser-known music theatre, showing the audience their perspectives on this repertoire.
Handel's baroque magic opera "Rinaldo" and Verdi's opera comedy "Falstaff" are the experimental fields for directing students. In their productions, directing and singing students regularly dedicate themselves to both great traditional works of the opera world and lesser-known music theatre, showing the audience their perspectives on this repertoire.
Gesangstudierende MitwirkendeLeonie Haupt, Milena Wilke, Christina Constanze Polker RegieCorinna von Rad Projektleitung RegieProf. Byron Knutson, Peter Meiser Musikalische Leitung
Gesangstudierende MitwirkendeKundry Rymon, Juntao Ye RegieClaus Unzen Projektleitung RegieProf. Byron Knutson, Peter Meiser Musikalische Leitung
„I am discovering the music as I do it“ – Paul Motian
„I am discovering the music as I do it“ – Paul Motian
Musik der Hoch- und Spätromantik, dazu ein Werk der Gegenwart. Christian Thielemann spannt in seinem ersten Konzert als neuer Generalmusikdirektor den Bogen von Mendelssohn über Schönberg bis zu dem jungen kanadischen Komponisten Samy Moussa, dessen farbenreiches Orchesterstück Elysium unter seiner Leitung 2021 in der Sagrada Familia in Barcelona zur Uraufführung gebracht worden ist. Igor Levit ist der Solist von Mendelssohns 1837 komponiertem 2. Klavierkonzert mit seinen ernsten wie lyrischen Tönen, während Schönbergs zu Beginn des 20. Jahrhunderts nach dem Drama von Maurice Maeterlinck entstandene, opulent besetzte Tondichtung Pelleas und Melisande seine Verwurzelung in der spätromantischen Klang- und Ausdruckswelt demonstriert.