Musiktheaterwerkstatt II

Musiktheaterwerkstatt II

Verdi's comic opera "Falstaff" is the focus of directing students. Students regularly explore both famous and lesser-known works, offering their unique perspectives. Disguise and deception are central as the women trick the lustful and broke Falstaff. The opera's libretto is based on Shakespeare's "Merry Wives of Windsor".

Musiktheaterwerkstatt I

Handel's baroque magic opera "Rinaldo" and Verdi's opera comedy "Falstaff" are the experimental fields for directing students. In their productions, directing and singing students regularly dedicate themselves to both great traditional works of the opera world and lesser-known music theatre, showing the audience their perspectives on this repertoire.

Musiktheaterwerkstatt I

Handel's baroque magic opera "Rinaldo" and Verdi's opera comedy "Falstaff" are the experimental fields for directing students. In their productions, directing and singing students regularly dedicate themselves to both great traditional works of the opera world and lesser-known music theatre, showing the audience their perspectives on this repertoire.

Abon­ne­ment­kon­zert II

Musik der Hoch- und Spätromantik, dazu ein Werk der Gegenwart. Christian Thielemann spannt in seinem ersten Konzert als neuer Generalmusikdirektor den Bogen von Mendelssohn über Schönberg bis zu dem jungen kanadischen Komponisten Samy Moussa, dessen farbenreiches Orchesterstück Elysium unter seiner Leitung 2021 in der Sagrada Familia in Barcelona zur Uraufführung gebracht worden ist. Igor Levit ist der Solist von Mendelssohns 1837 komponiertem 2. Klavierkonzert mit seinen ernsten wie lyrischen Tönen, während Schönbergs zu Beginn des 20. Jahrhunderts nach dem Drama von Maurice Maeterlinck entstandene, opulent besetzte Tondichtung Pelleas und Melisande seine Verwurzelung in der spätromantischen Klang- und Ausdruckswelt demonstriert.

Kam­mer­kon­zert II

For more than six decades, the chamber concerts by musicians from the Staatskapelle have been a constant feature of the Staatsoper programme. This season, ensembles have come together to select music from different periods, styles and cultures under the theme of ‘playing together’. On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites.

Kinderkonzert II

Kinderkonzert II

Kinderkonzert II

Kinderkonzert II

Mu­se­ums­kon­zert II

Since 2010, ensembles from the Staatskapelle have been playing at the Bode Museum, a jewel in Berlin's museum landscape. Matinee concerts lasting just over an hour in the Gobelin Hall with music from past centuries can easily lead into further hours in the museum - for example, during an exhibition visit or a culinary finale in the stylish museum café.