Musik der Zeit - Mann / Frau / Einhorn / Seen | ACHT BRÜCKEN | Musik für Köln

Musik der Zeit – Musik und Verlangen

Johannes Maria Staud's drum concerto for Christoph Sietzen, portrait artist of the 2024/2025 season, captures the shimmer of reality. A highly virtuosic pleasure on sought-after and found instruments, from drums to flowerpots. The protagonists in Gordon Kampe's "Lyrical Symphony" are "delighted to devour": inhumanly heightened desire dominates the music. Nicolas A. Huber devotes himself to the perfection of the number 4.

Musik der Zeit - Children of Europe

German premiere.

Musik der Zeit – Fern vertraut

Exceptional violinist Arabella Steinbacher inspired Luxembourgish composer Georges Lentz to create an ethereal violin concerto. Its sound expands through the Philharmonie like starlight under the Australian Outback sky, Lentz's composing location. Olga Neuwirth's "Masaot" delves into a river of memories and associations, music as both home and foreign land. Georges Aperghis' eighth Etude ignites a new celebration of orchestral virtuosity.

Musik der Zeit - Schöpfungen im Frühling | Wittener Tage für neue Kammermusik

Musik der Zeit – Pierre Boulez zum 100.

When the significant French composer and conductor Pierre Boulez passed away in 2016, Austrian composer Olga Neuwirth recalled her mentor in an obituary, remembering his way of "looking at music in a completely different way". Neuwirth composed a new piece for orchestra and electronics, electro-acoustic sounds that also repeatedly interested Boulez. The WDR Symphony Orchestra, conducted by guest conductor Jonathan Nott, performs Boulez's shimmering and floating sound portrait of the great symbolist poet Stéphane Mallarmé, "Pli selon pli".

Musik der Zeit - Gastspiel Venedig | Biennale Musica

Musik der Zeit - Gastspiel Hamburg | Elbphilharmonie Visions

German premiere.

Akademie für Alte Musik Berlin

In their first joint programme, Akamus and the up-and-coming star of the countertenor scene Carlo Vistoli dedicate themselves to key works of church music: Vivaldi set religious texts such as the psalm ‘Nisi Dominus’ to music with bittersweet sadness and operatic verve. The Venetian composer's ‘Stabat mater’, on the other hand, is one of the darkest baroque settings of the pain of Mary, the ‘Mater dolorosa’ and mother of Jesus. ‘I have had enough’ is also one of Bach's most moving cantatas.

Akademie für Alte Musik Berlin

In their first joint programme, Akamus and the award-winning Basel vocal ensemble Voces Suaves present musical highlights from the generation of German composers before Johann Sebastian Bach and thus the impressive musical world into which he was born. The programme includes works by the extended Bach family as well as by composers who are largely unknown today and who preceded the later Thomaskantor in his important positions in Mühlhausen, Weimar and Leipzig. From the oeuvre of Johann Sebastian Bach, the double-choir motet ‘Der Geist hilft unser Schwachheit auf’ will be performed..

Akademie für Alte Musik Berlin, RIAS Kammerchor Berlin

Really old and extremely lively: For many seasons now, the Akademie für Alte Musik Berlin has been demonstrating how thrilling music from the 17th to the early 19th century can sound in its own series at the Konzerthaus Berlin.Bach's „St Matthew Passion“ was premiered for the second time in 1829 - in the Singakademie building in Berlin, which is now home to the Maxim Gorki Theatre. The conductor was Felix Mendelssohn-Bartholdy, who was only twenty years old. He paved the way for a Bach renaissance with the version he arranged and shortened. In the era of Viennese Classicism, Bach's music had simply hardly ever been performed. The Passion, however, which was first presented to the congregation of St Thomas' Church in Leipzig in 1727, is one of the most haunting musical depictions of the story of the crucifixion.