Set your preferred locations for a better search. You can sign up here.

Mozarts Zauber

Date & Time
Sun, Mar 16, 2025, 16:00
As a young student, Joseph Moog was offered a contract by a renowned record company but declined. Wanting to take his time, today he is considered one of the most interesting performers of his generation. He impresses not only with his virtuosity but also with his courageous and individual program designs and pianistic rarities. He's known for his passion for classics, like Mozart's popular Piano Concerto in C Major, K. 467, which will be featured with the brilliant Cassation and the g-minor Symphony.

A summary from original text in German | Read the original

Keywords: Symphony Concert

Info & Ticket (www.koelner-philharmonie.de)
Artistic depiction of the event

Musicians

Joseph MoogPiano
Kölner KammerorchesterEnsemble
Christoph PoppenConductor

Program

Serenade D-Dur KV 100 (62a)Wolfgang Amadeus Mozart
Konzert für Klavier und Orchester C-Dur KV 467Wolfgang Amadeus Mozart
Sinfonie g-Moll KV 550Wolfgang Amadeus Mozart
Give feedback
Last update: Mon, Dec 30, 2024, 17:01

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Mozarts »Große g-Moll«

Thu, Apr 27, 2023, 19:00
Alte Oper (Frankfurt am Main)
Emmanuel Tjeknavorian, beleuchtet und präsentiert:
Mozart's Symphony No. 40, K. 550, is his most famous. Viennese conductor and violinist Emmanuel Tjeknavorian, Artist in Residence, is uniquely qualified to present this masterpiece in the Spotlight concert. Born and musically raised in Vienna, he embodies the Mozartian spirit. He'll discuss this symphony in G minor, which, with Nos. 39 and 41, forms a famous triad crowning Mozart's symphonic work. Its mastery and emotional richness, with characteristic dark tones, make it one of Mozart's most expressive works, exploring themes of darkness and resignation.
Info (www.hr-sinfonieorchester.de)
Artistic depiction of the event

Vollendung – Mozarts letzte Sinfonien

Fri, Dec 6, 2024, 20:00
Kölner Philharmonie (Köln)
WDR Sinfonieorchester (Ensemble), Adam Fischer (Conductor)
In just a few summer weeks, Wolfgang Amadeus Mozart hastily composed three major symphonies, unaware they would be his last. These works are often seen as a culmination of his creative power, even theorized as a single three-chapter work. Each symphony explores different moods: joyful grandeur in E-flat major, tragic drama in G minor, and soaring power in the "Jupiter" Symphony.
Info (www.koelner-philharmonie.de)
Artistic depiction of the event

Vollendung - Mozarts letzte Sinfonien + Livestream

Sat, Dec 7, 2024, 20:00
Kölner Philharmonie (Köln)
WDR Sinfonieorchester (Orchestra), Adam Fischer (Conductor)
In a few summer weeks, Wolfgang Amadeus Mozart hastily composed three large symphonies, unaware they would be his last. These symphonies are often seen as a culmination of his creative power. Some theorize they form a single work in three chapters, expressing different moods: joyful grandeur, tragic drama, and overwhelming power.
Info (www1.wdr.de)
Artistic depiction of the event

Mozarts Klavierkonzert Nr. 21 | Schuberts Große C-Dur-Sinfonie

Thu, Feb 13, 2025, 20:00
Kölner Philharmonie (Köln)
Angela Hewitt (Piano), Brussels Philharmonic (Ensemble), Kazushi Ono (Conductor)
Schubert's Great C Major Symphony, unearthed by Robert Schumann, premiered posthumously in 1839 at Leipzig's Gewandhaus, conducted by Felix Mendelssohn Bartholdy. Mozart's Piano Concerto KV 467, featuring Angela Hewitt, also celebrates C major, "our harmonic home."
Info & Ticket (www.koelner-philharmonie.de)
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Kirill Gerstein / Omer Meir Wellber

Thu, Apr 18, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Kirill Gerstein (Piano), Omer Meir Wellber (Conductor)
Omer Meir Wellber’s conducting is »a miracle of transparency and rigour« according to the Süddeutsche Zeitung. The Israeli conductor has held a number of posts, including chief conductor of the BBC Philharmonic Orchestra, and he will be assuming the position of general music director at the Hamburg State Opera in 2025. Those who’d like to see the globetrotter in action in the Hanseatic city before then now have their chance. The unconventional conductor – who once inserted a techno interlude into an acclaimed Verdi production at the Bavarian State Opera – gave his debut with the NDR Elbphilharmonie Orchestra in 2019. And he is now back on the conductor’s stand here for the third time. As an introduction to the programme, Wellber has chosen a work that was originally conceived as incidental music for a play: Gabriel Fauré’s »Pelléas et Mélisande«. Shortly after composing it, Fauré revised his opulent music for Maeterlinck’s Symbolist fairy-tale to create an independent orchestral work. The suite featuring the famous »Sicilienne« is followed by Maurice Ravel’s Piano Concerto in G major, which »was written in the spirit of Mozart’s and Saint-Saënsʼs concertos,« as the composer himself emphasised. That, however, does not mean that Ravel neglected his own tonal language – he opens the concerto with a spirited lash of the whip and Spanish sounds. Jazz harmonies and rhythms then increasingly come to the foreground. The soloist tasked with performing this virtuosic score is the American pianist Kirill Gerstein – a popular guest with the NDR Elbphilharmonie Orchestra for many years now. The concert comes to a close with Franz Schubert’s Third Symphony. Schubert composed the masterpiece in just a few days when he was only 18 years old. With that level of productivity, it is no surprise that the composer, despite his early death at the age of 31, still managed to leave behind an impressive oeuvre. The theatre critic Eduard Hanslick described Schubert’s Symphony No. 3 as »a work of youth and of youth’s gleefully raucous zeal «.
Info (www.elbphilharmonie.de)
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Kirill Gerstein / Omer Meir Wellber

Sun, Apr 21, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Kirill Gerstein (Piano), Omer Meir Wellber (Conductor)
Omer Meir Wellber’s conducting is »a miracle of transparency and rigour« according to the Süddeutsche Zeitung. The Israeli conductor has held a number of posts, including chief conductor of the BBC Philharmonic Orchestra, and he will be assuming the position of general music director at the Hamburg State Opera in 2025. Those who’d like to see the globetrotter in action in the Hanseatic city before then now have their chance. The unconventional conductor – who once inserted a techno interlude into an acclaimed Verdi production at the Bavarian State Opera – gave his debut with the NDR Elbphilharmonie Orchestra in 2019. And he is now back on the conductor’s stand here for the third time. As an introduction to the programme, Wellber has chosen a work that was originally conceived as incidental music for a play: Gabriel Fauré’s »Pelléas et Mélisande«. Shortly after composing it, Fauré revised his opulent music for Maeterlinck’s Symbolist fairy-tale to create an independent orchestral work. The suite featuring the famous »Sicilienne« is followed by Maurice Ravel’s Piano Concerto in G major, which »was written in the spirit of Mozart’s and Saint-Saënsʼs concertos,« as the composer himself emphasised. That, however, does not mean that Ravel neglected his own tonal language – he opens the concerto with a spirited lash of the whip and Spanish sounds. Jazz harmonies and rhythms then increasingly come to the foreground. The soloist tasked with performing this virtuosic score is the American pianist Kirill Gerstein – a popular guest with the NDR Elbphilharmonie Orchestra for many years now. The concert comes to a close with Franz Schubert’s Third Symphony. Schubert composed the masterpiece in just a few days when he was only 18 years old. With that level of productivity, it is no surprise that the composer, despite his early death at the age of 31, still managed to leave behind an impressive oeuvre. The theatre critic Eduard Hanslick described Schubert’s Symphony No. 3 as »a work of youth and of youth’s gleefully raucous zeal «.
Info (www.elbphilharmonie.de)
Artistic depiction of the event

Igor Levit / Berliner Barock Solisten

Tue, Apr 23, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Igor Levit (Piano), Berliner Barock Solisten
When Igor Levit takes his seat at the keyboard, one thing is for sure: you’ll hear the pieces on the programme as never before. The German-Russian pianist makes his very own mark, often as unexpected as it is brilliant, on every work he plays, whisking even veteran repertoire warhorses into the here and now. In this concert Levit is accompanied by the Berliner Barock Solisten in music by two composers who can be described without exaggeration as pinnacles of music history: Johann Sebastian Bach and his son Carl Philipp Emanuel Bach. The most famous of the Bach sons made a no less illustrious career for himself than his father, and was admired by fellow composers like Mozart, Beethoven and Haydn. In this cleverly thought-out programme, Levit and the Berlin ensemble create a father-son dialogue along entirely modern lines.
Info (www.elbphilharmonie.de)
Artistic depiction of the event

Bergen Philharmonic Orchestra / Alexej Gerassimez / Edward Gardner

Wed, Apr 24, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Bergen Philharmonic Orchestra, Alexej Gerassimez (Percussion), Edward Gardner (Conductor)
Percussion as a solo instrument is still a newcomer to the traditional classical repertoire – and at the same time it is a cosmos entirely its own, shimmering in a thousand colours. The young musician Alexej Gerassimez from Essen, Germany, brings this cosmos impressively to life. The award-winning percussionist is a true all-rounder, switching genres effortlessly with an equal command of jazz grooves and of the complex rhythms of contemporary music. A perfect candidate for Finnish composer Kalevi Aho’s sparkling percussion concerto, which was first performed in 2012. Aho called the work »Sieidi«, the Sami word for a sacred rock or mountain. After the interval, the Bergen Philharmonic Orchestra climbs an orchestral summit in the shape of Dvořák’s »New World« Symphony. Since its New York premiere in 1893, the composer’s Ninth has been an absolute audience favourite.
Info (www.elbphilharmonie.de)
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Thomas Hampson / Alan Gilbert

Fri, Apr 26, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Prager Philharmonischer Chor, Thomas Hampson (Bariton), Lukáš Vasilek (Choir rehearsal), Alan Gilbert (Conductor)
»Peace, peace on Earth!« Arnold Schönberg’s message in his choral work »Friede auf Erden« is unequivocal. But it’s also an illusion: the composer was not the only one to admit as much after he had completed the score. Recent events in the political arena make this plain to us all. But the improbability of achieving peace on earth makes it all the more important to repeat these words as often as possible. And this prompted Alan Gilbert to choose this Late Romantic work to open the Hamburg International Music Festival 2024. »War and Peace« is the motto this time, taken from Leo Tolstoy’s famous and timeless novel. The opening concert with the NDR Elbphilharmonie Orchestra sees the return to the Elbphilharmonie of star baritone Thomas Hampson to sing Kurt Weill’s »Walt Whitman Songs«, which he wrote in American exile in 1941, shortly after the attack on Pearl Harbor. Whitman – whom Weill regarded as the USA’s first original poetic talent – wrote the song texts, some defiant, some moving, during the American Civil War. The concert comes to an end with Charles Ives’s Fourth Symphony, described by Alan Gilbert as the »big bang of modern American music«. With this 1925 work, the great pioneer of musical collages made his boldest dreams come true: how many different tempos, keys and rhythms can be played at the same time without total chaos resulting? Ives’s exciting score supplies a spectacular answer to this question. Performing the symphony is a great challenge for any orchestra – so great that the composer never lived to hear the four-movement piece played in its entirety. Now Alan Gilbert and his musicians join forces with the Prague Philharmonic Choir in this musical adventure.
Info (www.elbphilharmonie.de)