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Maria Stuarda

Date & Time
Thu, Feb 26, 2026, 19:00
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani... Read full text

Keywords: Opera

Artistic depiction of the event

Musicians

Stefano MontanariMusical Director
Alice MeregagliaChorleitung
Raffaella LupinacciElisabetta
Mariangela SiciliaMaria Stuarda
Elizaveta KulaginaAnna Kennedy
Oleksiy PalchykovRoberto, Graf von Leicester
Ilia KazakovGiorgio Talbot, Graf von Shrewsbury
Chao DengLord Guglielmo Cecil
Chor der Hamburgischen StaatsoperChorus
Philharmonisches Staatsorchester HamburgOrchestra

Program

Gaetano DonizettiMaria Stuarda
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Last update: Sat, Mar 8, 2025, 21:35

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Artistic depiction of the event
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Stefano Montanari (Musical Director), Alice Meregaglia (Chorleitung), Raffaella Lupinacci (Elisabetta), Mariangela Sicilia (Maria Stuarda), Elizaveta Kulagina (Anna Kennedy), Oleksiy Palchykov (Roberto), Oleksiy Palchykov (Graf von Leicester), Ilia Kazakov (Giorgio Talbot), Ilia Kazakov (Graf von Shrewsbury), Chao Deng (Lord Guglielmo Cecil), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Artistic depiction of the event
This season
In Hamburg

Maria Stuarda

Wed, Mar 4, 2026, 18:30
Stefano Montanari (Musical Director), Alice Meregaglia (Chorleitung), Raffaella Lupinacci (Elisabetta), Mariangela Sicilia (Maria Stuarda), Elizaveta Kulagina (Anna Kennedy), Oleksiy Palchykov (Roberto), Oleksiy Palchykov (Graf von Leicester), Ilia Kazakov (Giorgio Talbot), Ilia Kazakov (Graf von Shrewsbury), Chao Deng (Lord Guglielmo Cecil), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Artistic depiction of the event
This season
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Maria Stuarda

Sat, Mar 14, 2026, 18:30
Stefano Montanari (Musical Director), Alice Meregaglia (Chorleitung), Raffaella Lupinacci (Elisabetta), Mariangela Sicilia (Maria Stuarda), Elizaveta Kulagina (Anna Kennedy), Oleksiy Palchykov (Roberto), Oleksiy Palchykov (Graf von Leicester), Ilia Kazakov (Giorgio Talbot), Ilia Kazakov (Graf von Shrewsbury), Chao Deng (Lord Guglielmo Cecil), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele