Set your preferred locations for a better search. You can sign up here.

lautten compagney BERLIN: "Der Tod Jesu"

Date & Time
Sat, Apr 19, 2025, 18:00
For many years, Carl Heinrich Graun's "The Death of Jesus" was a staple of Berlin's concert life, performed nearly continuously during Easter since its 1755 premiere. By the late 19th century, Bach's Passions eclipsed Graun's oratorio, leading to its obscurity. This Sophienkirche concert, part of the 2025 Easter Festival, offers a rediscovery of this forgotten masterpiece.

A summary from original text in German | Read the original

Keywords: Early Music, Passionsoratorium, Vocal Music

Artistic depiction of the event
Give feedback
Last update: Sat, Feb 22, 2025, 11:06

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event
This season
In Hamburg

Rolando Villazón / lautten compagney BERLIN

Wed, May 28, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Rolando Villazón (Tenor), lautten compagney BERLIN
»My soul must sing itself happy,« says tenor Rolando Villazón. He is one of the leading artists of our time and inspires audiences around the world with uniquely captivating performances full of energy and dedication. There is no city in the world that he has not yet sung in, no festival at which he has not been a star guest. Rolando Villazón is not only a gifted world tenor, director and head of the Salzburger Mozartwoche, but also a cultural ambassador for Mexico, caricaturist, novelist and presenter. He recently delighted ProArte audiences with his Latin American song recital alongside harpist Xavier de Maistre. He now returns to ProArte’s »Great Voices« series with the period ensemble lautten compagney BERLIN: together they take us on a moving musical journey into the world of Claudio Monteverdi and his subtle compositional miniatures from 17th century Venice.
Artistic depiction of the event
Finished

Monteverdi-Chor Hamburg / lauttencompagney Berlin / Antonius Adamske

Tue, Sep 10, 2024, 19:30
Elbphilharmonie, Großer Saal (Hamburg)
Monteverdi-Chor Hamburg, lautten compagney BERLIN, Hanna Zumsande (Soprano), Alice Lackner (Mezzo-Soprano), Martin Platz (Haute-contre), Mirko Ludwig (Tenor), Henryk Böhm (Bass), Antonius Adamske (Conductor)
Who doesn’t know the Eurovision anthem with the opening bars of Marc-Antoine Charpentier’s »Te Deum«! The renowned Monteverdi Choir Hamburg, together with soloists and the lautten compagney Berlin under the direction of Antonius Adamske, presents the entire work in its original historical sound – with timpani and trumpets.
Artistic depiction of the event
Finished

Windsbacher Knabenchor / lautten compagney BERLIN / Ludwig Böhme

Sat, Dec 7, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
Windsbacher Knabenchor, Musiker:innen der lautten compagney BERLIN, Ludwig Böhme (Director)
A top-class boys’ choir and an OPUS Klassik prizewinner go on a pre-Christmas voyage of discovery. The Windsbachers and the lautten compagney naturally have Advent and Christmas music in their luggage – well-known but also unknown songs in settings by Michael Praetorius, Johann Sebastian Bach, Felix Mendelssohn Bartholdy, Johannes Brahms, Max Reger and many others. A number of exciting new arrangements have been created especially for this programme and this instrumentation, as well as for the CD recently released by the two ensembles on SONY.
Artistic depiction of the event
Tonight
In Berlin

Jazz at Berlin Philharmonic »Berlin ‒ Berlin«

Wed, Mar 12, 2025, 20:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Lucia Cadotsch Trio "Speak Low" (Ensemble), Lucia Cadotsch (Vocals), Petter Eldh (Bass), Otis Sandsjö (Tenor Saxophone), Julia Hülsmann Quartett (Jazz Ensemble), Julia Hülsmann (Piano), Uli Kempendorff (Saxophon), Marc Muellbauer (Double bass), Heinrich Köbberling (Drums), Kurt Rosenwinkel Trio (Jazz Trio), Kurt Rosenwinkel (Guitar), Doug Weiss (Double bass), Nicola Andrioli (Piano)
In homage to a city where so much is possible: All three ensembles in this concert have their artistic home in Berlin – and also enjoy successful international careers. Singer Lucia Cadotsch and her trio ‘Speak Low’ captivate with their gentle, feather-light, unpretentious music, while the quartet of pianist and composer Julia Hülsmann is characterised by a style that is both intense and subtle. Kurt Rosenwinkel, who has worked with musicians such as Eric Clapton, Gary Burton and Brad Mehldau, is one of the most important voices on the Berlin and global jazz scene as a guitarist, composer and producer.
Artistic depiction of the event
Next month
In Hamburg

Carl-Philipp-Emanuel-Bach-Chor Hamburg / Akademie für Alte Musik Berlin / Hansjörg Albrecht

Sun, Apr 20, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Carl-Philipp-Emanuel-Bach-Chor Hamburg, Akademie für Alte Musik Berlin, Hansjörg Albrecht (Director)
The Magnificat by Carl Philipp Emanuel Bach, in which Mary expresses her love for God, but in which Mary is also celebrated as the epitome of love among mankind, forms the jubilant prelude to the final concert of this year’s International Bach Festival Hamburg with its youthful fire. In this concert, father and son face each other. Can the younger one stand up to the comparison with the older one? Can the son emancipate himself from the father with whom he was trained and learnt? The performers for this musical comparison are the Carl-Philipp-Emanuel-Bach-Choir Hamburg, the Akademie für Alte Musik Berlin and Hansjörg Albrecht.
Artistic depiction of the event
Finished

Musikfest Berlin: Konzerthausorchester Berlin, Joana Mallwitz

Sat, Sep 14, 2024, 20:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Joana Mallwitz (Conductor), Sarah Aristidou (Soprano), Tamara Stefanovich (Piano), Christina Bauer (Sound design)
For the second time in a row, the Konzerthausorchester and chief conductor Joana Mallwitz will be guests at the Musikfest. The solo parts in both works on the programme will be sung by the French-Cypriot soprano Sarah Aristidou, who has made a name for herself particularly in the field of contemporary music. In 1971, composer Luigi Nono met with artists and politicians in Chile, including Luciano Cruz Aguayo, one of the leaders of the Revolutionary Left. Back in Italy, he learnt of the young man's accidental death. Nono then composed a kind of ‘secular requiem’ for the activist, which was intended not only to convey grief but also the motivation to continue his social struggle. To this end, the composer set a memorial poem by Julio Huasi to Luciano, which was also given the title ‘Como una ola de fuerza y luz’ (Like a wave of strength and light). Among Mahler's symphonies, No. 4 is comparatively straightforward in terms of instrumentation and length. There is ‘much laughter’ in it, the composer assured us in a letter after its completion in 1901. However, the feeling that hilarity and horror exist side by side and that the idyll is not to be trusted creeps in as soon as the retuned solo violin plays in the second movement. And if you listen very carefully to the text of the ambiguous Wunderhorn song ‘Das himmlische Leben’, you will learn that, at least for the ox and lamb, heaven in the land of milk and honey is not full of violins, as a German saying goes.
Artistic depiction of the event
Finished

AKADEMIE FÜR ALTE MUSIK BERLIN & CHRISTOPHER AINSLIE

Fri, Feb 14, 2025, 19:30
Ainslie Christopher (Countertenor), Members of the Akademie für Alte Musik Berlin and Students of the Barenboim-Said Akademie (Ensemble)
Countertenor Christopher Ainslie—who made his debut with the Boulez Ensemble last season—and the Akademie für Alte Musik Berlin present a selection of arias from the operas of George Frideric Handel that celebrate the joys and sorrows of love. The musicians are joined by students of the Barenboim-Said Akademie who will work with the ensemble for first-hand training in historical performance practice. Instrumental pieces by Handel’s London contemporaries frame the operatic excerpts.
Artistic depiction of the event
Finished

Walking concert Gärten der Welt Berlin

Sun, May 19, 2024, 14:00
Gabriele Bastian (Oboe), Rudolf Döbler (Flute), Gudrun Vogler (Oboe), Barbara Pflanzelt (Clarinet), Sung Kwon You (Bassoon), Anne Mentzen (Horn), Enrico Palascino (Violin), Rodrigo Bauzá (Violin), Gernot Adrion (Viola), Georg Boge (Cello), Jonathan Bucka (Trumpet), Simone Gruppe (Trumpet), Uwe Holjewilken (Horn), Edgar Manyak (Trombone), Jörg Lehmann (Bassposaune), Rundfunk-Sinfonieorchester Berlin
On Pentecost Sunday, the Rundfunk-Sinfonieorchester Berlin will swarm out into the countryside to make music in the open air in the Gardens of the World. The park not only offers a refuge for flora from all over the world, but is also a charming place to recharge your batteries musically on a personal walk between the continents.In addition to a work by Boris Filanovsky, which is literally composed for a passing audience, various ensembles of the orchestra, spread across the extensive grounds, create small musical oases, sometimes entertaining, sometimes contemplative or as if from another world.The concert is included in park admission.Boris Filanovsky „Arkhitekton Lambda“ At the “Gräserband” crossroads next to the “Promenade Aquatica” water gardens Approx. 2.00 – 2.35 pmAbout the piece: Arkhitekton is the general name for three-dimensional cubist abstractions developed by Kazimir Malevich. Malevich labelled them in Greek letters and regarded them as a three-dimensional version of the “movement of painterly masses and planes”.In a spatial composition, the listener is usually either at the intersection of sound streams or has to move from one isolated sound object to another. Here, however, the orchestra appears as a complex body of sound that cannot be heard in its entirety from a single point, so that the listener has to move around and gradually change the acoustic focus. The result can therefore hardly be described as a musical work; here we are dealing with a kind of analogy to the “movement of painterly masses and planes” that I have tried to unfold in time and sound.Paul Hindemith “Little Chamber Music for Flute, Oboe, Clarinet, Horn and Bassoon op 24 No.2” In the flower theatre Approx. 2.45 pm & 3.25 pm (15 min. each)Benjamin Britten „Metamorphosen nach Ovid“ In the Chinese garden by the stone boat Approx. 2.45 pm & 3.25 pm (15 min. each) Joseph Hadyn „Lerchen Quartett“ In the Renaissance garden Approx. 3.05 pm & 3.45 pm (20 min. each) Brass Quintet Meadow next to the Japanese Garden Approx. 3.05 pm & 3.45 pm (20 min. each)
Artistic depiction of the event
Finished

Musikfest Berlin 2024

Fri, Sep 6, 2024, 20:00
Kazuki Yamada (Conductor), Julian Prégardien (Tenor), Deutsches Symphonie-Orchester Berlin
Many people consider Julian Prégardien a Frenchman, but in fact he comes from a clan of tenors from Frankfurt. He first sang to praise the Lord as a choirboy; as a teenager, he was crazy about the rock band Nirvana. But he ultimately could not escape the family genes: a Berliner by choice, he has become a modern singer with a melts-in-your-mouth tenor voice. At the Musikfest Berlin he will transform into Mahler’s wayfarer in love, yearning for the »blue eyes of my beloved«, as it says in one of the songs.