Klassik airleben

Klassik airleben

The Gewandhaus Orchestra invites you to the 15th festive season finale in the picturesque Rosental. Experience the unique atmosphere of this open-air concert, a highlight of every Gewandhaus season. Celebrate the unifying power of music with the orchestra, friends, and family. In the afternoon, families can enjoy activities and instrument try-outs, and there will also be craft activities and small concerts. Thanks to the commitment of sponsors such as Porsche Leipzig, this open-air concert is free of charge.

Klassik am Odeonsplatz

Attracting around 8,000 visitors on site and considerably more via TV and radio, Klassik am Odeonsplatz is one of the highlights of every BRSO season. For this year’s program, Sir Simon Rattle has chosen excerpts from Wagner’s Walküre, of which Brahms probably would have approved. In his opinion, there were “wonderful things” in it, and said about one performance: “In the Second Act, I drink a glass of beer, deliberately lie down for half an hour, and afterwards I feel refreshed again.” Brahms wrote his Second Symphony during a summer holiday on Lake Wörthersee. It’s the perfect piece for a wonderful Munich open-air concert – possibly with a glass of beer to celebrate the new BRSO chief conductor’s first season.

Klassik am Odeonsplatz

At least since Rhythm Is It! and his staged reading of the St Matthew Passion, Simon Rattle has been considered a multi-media trailblazer in new forms of musical outreach. Now the designated head of the BRSO will give his début at “Klassik am Odeonsplatz” with an exciting evening of film scores. The programme features Korngold, Rósza, Raksin and John Williams, stylistic trendsetters in a genre that has itself long entered the classical repertoire. As early as 1989 Rattle first conducted the soundtrack to Henry V, and in 2006 he performed the score of Tom Tykwer’s Perfume at the helm of the Berlin Philharmonic. Odeonsplatz listeners will be treated to Korngold’s Robin Hood (1938) and Rózsa’s Ben Hur Suite (1959), both of which won Oscars, as well as Rósza’s Violin Concerto (1953), the basis of the film score to Billy Wilder’s The Private Life of Sherlock Holmes. The soloist is the young violinist Veronika Eberle. And it goes without saying that Hollywood’s éminence grise John Williams will also be there – with such classics as Star Wars, Harry Potter and Indiana Jones.

Klassik am Odeonsplatz

Wiener Klassik

Haydn's "Missa in angustiis," his only mass in a minor key, reflects the turbulent times of the Napoleonic Wars. Beethoven's Symphony No. 2, written as his deafness began, is surprisingly playful and full of contrast. Mozart's Symphony No. 1, composed at the age of eight, reveals a composer brimming with energy, imagination, and original ideas.

Wiener Klassik

Haydn's "Missa in angustiis," his only mass in a minor key, reflects the turbulent times of the Napoleonic Wars. Beethoven's Symphony No. 2, written as his deafness began, is surprisingly playful and full of contrast. Mozart's Symphony No. 1, composed at the age of eight, reveals a composer brimming with energy, imagination, and original ideas.

Bock auf Klassik?!

Happy Hour - Klassik um Sieben

The WDR Symphony Orchestra's "Happy Hour - Classical at Seven" series offers sixty minutes of top-class classical music. This concert, conducted by Roderick Cox, features Samuel Barber's first symphony, a dark, "Nordic" work compared to Sibelius. Sibelius's fifth symphony, inspired by the Finnish landscape and circling swans, will also be performed.