Kanemaki-Chöre

Date & Time

Sun, Jun 16, 2024, 11:00

Venue

The universal language of music: it can be heard in Beethoven’s »Ode to Joy« as well as in Orff’s »Carmina Burana«. Both works utilise impressive, sometimes magical imagery. In the juxtaposition, we experience values such as freedom, peace and solidarity, but also the ups and downs of human life with the alternation of happiness and prosperity, the fleeting nature of life, the joy of the return of spring and the dangers of drinking, gluttony, gambling and lust.

Keywords: Symphony Concert, Vocal Music

Info & Ticket (www.elbphilharmonie.de)

Musicians

Kanemaki-Chor Hamburg
Johannes-Brahms-Chor Hamburg
Chorensemble Goethe
Deutsch–Japanisches Jubiläums–Orchester	Orchestra
Kinder- und Jugendsingschule St. Michaelis
Chinesischer Kinderchor Hamburg
Chor der japanischen Schule Hamburg
Virginia Ferentschik	Soprano
Frederike Schulten	Alto
Gustavo Eda	Tenor
Laurence Kalaidijan	Bariton
Kazuo Kanemaki	Director

Program

Carmina Burana / Cantiones profanae für Soli, Chor und Orchester	Carl Orff
Tegami	Angela Aki
Frère Jacques »Bruder Jakob« / Kanon	Anonymus
Symphony No. 9 in D minor, Op. 125	Ludwig van Beethoven

Give feedback

Last update: Sat, Nov 23, 2024, 10:27

Similar events

These events are similar in terms of concept, place, musicians or the program.

NDR Elbphilharmonie Orchestra / Alan Gilbert

Fri, May 3, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Rundfunkchor Berlin, Susanna Phillips (Soprano), Gerhild Romberger (Alto), Maximilian Schmitt (Tenor), Michael Nagy (Bariton), Dominique Horwitz (Narrator), Alan Gilbert (Conductor)

It only lasts seven minutes, but it is nonetheless monumental: Arnold Schoenberg’s melodrama »Ein Überlebender aus Warschau« (A Survivor from Warsaw). Schoenberg had readopted the Jewish faith, and he wrote the piece, which opens with a fierce trumpet signal, in 1947 to commemorate the uprising in the Warsaw Ghetto. The score mixes the narrative of a man hiding in the sewers with German commands, martial rhythms – and finally the hopeful Hebrew words »Schma Yisrael«, which the Jews use to prepare for death. The part of the narrator is taken by Dominique Horwitz, himself the son of Jewish parents. The French-German actor and chansonnier is in great demand for performances of literary works of music, from Tom Waits’s »Black Rider« to Stravinsky’s »Histoire du soldat«. And the soloists in the second part of the programme likewise have resounding names: among them are the American soprano Susanna Phillips, alto Gerhild Romberger and baritone Michael Nagy. »War and Peace« is the motto of the Hamburg International Music Festival, and chief conductor Alan Gilbert and his NDR Elbphilharmonie Orchestra place the emphasis on a work of hope and brotherly love: Beethoven’s world-famous Ninth Symphony. The overwhelming finale culminates in Friedrich Schiller’s lines »All men shall be brothers«, which win the day against all the powers of destruction. Beethoven not only touched a nerve in his own time by ending the symphony with a large-scale chorus of rejoicing: nowadays, everyone is familiar with the melody in the guise of the European anthem. Even the playing time of a compact disc, when the CD format was introduced, was geared to enable Beethoven’s oversized Ninth to be played without a break.

Info (www.elbphilharmonie.de)

NDR Elbphilharmonie Orchestra / Alan Gilbert

Sun, May 5, 2024, 18:00

Elbphilharmonie, Großer Saal (Hamburg)

It only lasts seven minutes, but it is nonetheless monumental: Arnold Schoenberg’s melodrama »Ein Überlebender aus Warschau« (A Survivor from Warsaw). Schoenberg had readopted the Jewish faith, and he wrote the piece, which opens with a fierce trumpet signal, in 1947 to commemorate the uprising in the Warsaw Ghetto. The score mixes the narrative of a man hiding in the sewers with German commands, martial rhythms – and finally the hopeful Hebrew words »Schma Yisrael«, which the Jews use to prepare for death. The part of the narrator is taken by Dominique Horwitz, himself the son of Jewish parents. The French-German actor and chansonnier is in great demand for performances of literary works of music, from Tom Waits’s »Black Rider« to Stravinsky’s »Histoire du soldat«. And the soloists in the second part of the programme likewise have resounding names: among them are the American soprano Susanna Phillips, alto Gerhild Romberger and baritone Michael Nagy. »War and Peace« is the motto of the Hamburg International Music Festival, and chief conductor Alan Gilbert and his NDR Elbphilharmonie Orchestra place the emphasis on a work of hope and brotherly love: Beethoven’s world-famous Ninth Symphony. The overwhelming finale culminates in Friedrich Schiller’s lines »All men shall be brothers«, which win the day against all the powers of destruction. Beethoven not only touched a nerve in his own time by ending the symphony with a large-scale chorus of rejoicing: nowadays, everyone is familiar with the melody in the guise of the European anthem. Even the playing time of a compact disc, when the CD format was introduced, was geared to enable Beethoven’s oversized Ninth to be played without a break.

Info (www.elbphilharmonie.de)

100 years of BDLO Federal Association of Amateur Music Symphony and Chamber Orchestras

Sun, May 19, 2024, 19:00

Laeiszhalle, Großer Saal (Hamburg)

Projektorchester (Consisting of the leading members of North German amateur orchestras), Projektchor (Compiled in cooperation with the Gustav Mahler Vereinigung Hamburg), Freja Sandkamm (Soprano), Dorothee Bienert (Mezzo-Soprano), Wolf Tobias Maximilian Müller (Conductor)

The State Association of North German Amateur Orchestras celebrates the 100th anniversary of the BDLO Federal Association of Amateur Music Symphony and Chamber Orchestras with Mahler’s »Resurrection Symphony«. To this day, performances of Mahler’s monumental Second Symphony are an impressive event - not only in Hamburg, where the composer once had the inspiration for the choral finale in the Michel. Together, the Gustav Mahler Association Hamburg, which has set itself the task of raising public awareness of the composer and the traditional music association, founded a project orchestra and choir especially for this concert, bringing the work of the century to the Laeiszhalle to mark the anniversary.

Info (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Julia Lezhneva / Adam Fischer

Sun, Jul 7, 2024, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Julia Lezhneva (Soprano), Adam Fischer (Conductor)

»Scena di Berenice«, which is rarely performed nowadays, was composed by Joseph Haydn during his second visit to London. The content is quintessential for a classical aria: a woman in love has been abandoned by her partner and now laments sonorously. 130 years later, a work by Béla Bartók caused a far-reaching scandal: the fiery dance pantomime called »The Miraculous Mandarin« was banned in Cologne in 1926 by the then Lord Mayor Konrad Adenauer. This is how barbaric the music seemed to the listeners. And it is indeed true: Bartók was not interested in music as edification. He wanted to depict reality. And reality in the early 20th century was often a long way from harmonious. In the second half of the concert, Gustav Mahler’s fourth and arguably most light-filled symphony takes us back to the beginning of the century. But beware: the light in the symphony is tempered with some dark shallow waters. At a children’s concert at New York’s Carnegie Hall back in 1960, the great rediscoverer of Mahler, Leonard Bernstein, said: »Well, you might not believe it, but the man who wrote all that jolly stuff was one of the most unhappy people in history!«

Info (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Julia Lezhneva / Adam Fischer

Mon, Jul 8, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Julia Lezhneva (Soprano), Adam Fischer (Conductor)

»Scena di Berenice«, which is rarely performed nowadays, was composed by Joseph Haydn during his second visit to London. The content is quintessential for a classical aria: a woman in love has been abandoned by her partner and now laments sonorously. 130 years later, a work by Béla Bartók caused a far-reaching scandal: the fiery dance pantomime called »The Miraculous Mandarin« was banned in Cologne in 1926 by the then Lord Mayor Konrad Adenauer. This is how barbaric the music seemed to the listeners. And it is indeed true: Bartók was not interested in music as edification. He wanted to depict reality. And reality in the early 20th century was often a long way from harmonious. In the second half of the concert, Gustav Mahler’s fourth and arguably most light-filled symphony takes us back to the beginning of the century. But beware: the light in the symphony is tempered with some dark shallow waters. At a children’s concert at New York’s Carnegie Hall back in 1960, the great rediscoverer of Mahler, Leonard Bernstein, said: »Well, you might not believe it, but the man who wrote all that jolly stuff was one of the most unhappy people in history!«

Info (www.elbphilharmonie.de)

Bundesjugendorchester / World Youth Choir / Tan Dun

Mon, Sep 2, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Bundesjugendorchester, World Youth Choir – Der Weltjugendchor, Iris Hendrickx (Soprano), Jo-Pei Weng (Alto), Xavier Moreno (Tenor), Johannes Schendel (Bass), Tan Dun (Conductor)

Tan Dun is considered one of the most impressive and influential composers of our time – a crossover artist who combines classical and modern elements in his music and creates a connection between East and West. His work »Choral Concerto: Nine«, inspired by Ludwig van Beethoven’s Symphony No. 9 and composed to mark the 250th anniversary of his birth in 2020, now celebrates its German premiere at the Schleswig-Holstein Music Festival.

Info (www.elbphilharmonie.de)

SWR Symphonieorchester / Pablo Heras-Casado

Wed, Sep 18, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

SWR Symphonieorchester, SWR Vokalensemble, WDR Rundfunkchor, Christina Landshamer (Soprano), Sophie Harmsen (Alto), Daniel Behle (Tenor), Franz-Josef Selig (Bass), Pablo Heras-Casado (Conductor)

Anton Bruckner was extremely critical of his compositions throughout his lifetime – with just a few exceptions: he described his Sixth Symphony as his »boldest« and the »Te Deum« as the »pride of his life«. It is absolutely fitting, then, that the world-renowned conductor Pablo Heras-Casado should be congratulating the composer on his 200th birthday with this programme performed by a large orchestra! The »Te Deum« is a mighty creation in praise of God, with an orchestra performing alongside an organ, choir and four vocal soloists. They include the sought-after soprano Christina Landshamer and the bass Franz-Josef Selig, who recently impressed Hamburg audiences in Wagner’s »Flying Dutchman« at the State Opera. Bruckner most likely wanted to impress even divine powers with the five-part work but, that aside, has certainly been inspiring audiences down here on earth ever since the premiere. We can only guess as to what exactly Bruckner found so bold about his Sixth Symphony, but there are many possible reasons: the succinct rhythm right at the start, the energy of which is perpetuated throughout the entire first movement. Or perhaps it alludes to the third movement, which swings back and forth between spooky sequences and blaring brass. Viewed as a whole, the symphonies are among Bruckner’s most »secular« works, making them the perfect counterpart to the Te Deum.

Info (www.elbphilharmonie.de)

Orchestra Leonore / Philharmonischer Chor München / Daniele Giorgi

Sun, Oct 27, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Orchestra Leonore, Philharmonischer Chor München, Nika Gorič (Soprano), Natalya Boeva (Mezzo-Soprano), Matthew Swensen (Tenor), Roberto Lorenzi (Bass), Daniele Giorgi (Conductor)

Top musicians from the most important European orchestras and outstanding chamber ensembles united in an elite orchestra: Orchestra Leonore, founded and conducted by Daniele Giorgi. In cooperation with the Philharmonischer Chor München and with renowned vocal soloists, Orchestra Leonore will present Beethoven’s monumental Symphony No. 9 on this evening.

Info (www.elbphilharmonie.de)

Deutsche Philharmonie Berlin / Igor Budinstein

Fri, Nov 8, 2024, 20:00

Laeiszhalle, Großer Saal (Hamburg)

Deutsche Philharmonie Berlin, Nadja Korovina (Soprano), Karin Lasa (Alto), Hans-Georg Priese (Tenor), Igor Storozhenko (Bass), Igor Budinstein (Conductor)

The Deutsche Philharmonie Berlin came together in 2018 under the direction of Boris Lichtmann. It consists of internationally renowned musicians. The dynamic orchestra currently works under the baton of Igor Budinstein and pursues a high musical standard. The main focus of this promising symphony orchestra is Viennese classical music.

Info (www.elbphilharmonie.de)

120 years of Hamburger Orchestergemeinschaft

Sun, Nov 10, 2024, 11:00

Laeiszhalle, Großer Saal (Hamburg)

Hamburger Orchestergemeinschaft, Aditi Smeets (Soprano), Maria Grazia Milani (Mezzo-Soprano), Cornelia Monske (Drums), Wolf Tobias Maximilian Müller (Conductor)

As Hamburg’s oldest amateur symphony orchestra, the Hamburger Orchestergemeinschaft from 1904 organises at least two concerts a year. Time and again, the orchestra gives young, very talented conductors and soloists the opportunity to gain experience with public performances in large concert halls. For the anniversary concert, the orchestra under the direction of Wolf Tobias M. Müller showcases its musical breadth with a colourful bouquet of overtures and arias from Mozart to Puccini as well as Schubert’s »Unfinished« Symphony. To celebrate the anniversiary, a new percussion concerto by Fredrik Schwenk will be premiered.

Info (www.elbphilharmonie.de)