Hamburg Philharmonic State Orchestra / Julia Lezhneva / Adam Fischer

Date & Time

Mon, Jul 8, 2024, 20:00

Venue

»Scena di Berenice«, which is rarely performed nowadays, was composed by Joseph Haydn during his second visit to London. The content is quintessential for a classical aria: a woman in love has been abandoned by her partner and now laments sonorously. 130 years later, a work by Béla Bartók caused a far-reaching scandal: the fiery dance pantomime called »The Miraculous Mandarin« was banned in Cologne in 1926 by the then Lord Mayor Konrad Adenauer. This is how barbaric the music... Read full text

Keywords: Symphony Concert, Vocal Music

Info & Ticket (www.elbphilharmonie.de)

Musicians

Philharmonisches Staatsorchester Hamburg
Julia Lezhneva	Soprano
Adam Fischer	Conductor

Program

Berenice, che fai / Kantate Hob. XXIVa:10	Joseph Haydn
Suite from »The Miraculous Mandarin«, Sz 73	Béla Bartók
Symphony No. 4 in G major for Large Orchestra and Soprano	Gustav Mahler

Give feedback

Last update: Thu, Nov 21, 2024, 15:06

Similar events

These events are similar in terms of concept, place, musicians or the program.

Hamburg Philharmonic State Orchestra / Julia Lezhneva / Adam Fischer

Sun, Jul 7, 2024, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Julia Lezhneva (Soprano), Adam Fischer (Conductor)

»Scena di Berenice«, which is rarely performed nowadays, was composed by Joseph Haydn during his second visit to London. The content is quintessential for a classical aria: a woman in love has been abandoned by her partner and now laments sonorously. 130 years later, a work by Béla Bartók caused a far-reaching scandal: the fiery dance pantomime called »The Miraculous Mandarin« was banned in Cologne in 1926 by the then Lord Mayor Konrad Adenauer. This is how barbaric the music seemed to the listeners. And it is indeed true: Bartók was not interested in music as edification. He wanted to depict reality. And reality in the early 20th century was often a long way from harmonious. In the second half of the concert, Gustav Mahler’s fourth and arguably most light-filled symphony takes us back to the beginning of the century. But beware: the light in the symphony is tempered with some dark shallow waters. At a children’s concert at New York’s Carnegie Hall back in 1960, the great rediscoverer of Mahler, Leonard Bernstein, said: »Well, you might not believe it, but the man who wrote all that jolly stuff was one of the most unhappy people in history!«

Info (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Kent Nagano

Sun, Jan 12, 2025, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Karen Cargill (Mezzo-Soprano), Stuart Skelton (Tenor), Pierre-Laurent Aimard (Piano), Kent Nagano (Conductor)

Bringing Gustav Mahler’s »Das Lied von der Erde« to the stage always takes us on a path down into the depths of late-Romantic turn-of-the-century aesthetics. Of course it is poetry that forms the foundation of the work – albeit thoroughly dubious due to the fact that the words have been translated back and forth so many times from the Old Chinese. So the six songs, the last of which is by far the most weighty, therefore do indeed need to be read primarily in terms of the music and regarded as Mahler’s unofficial Ninth Symphony, as it were. He did allude himself to this way of looking at the work – and also stressed that »Das Lied von der Erde« was »probably the most personal thing ... I have done so far.«

Info (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Kent Nagano

Mon, Jan 13, 2025, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Karen Cargill (Mezzo-Soprano), Stuart Skelton (Tenor), Pierre-Laurent Aimard (Piano), Kent Nagano (Conductor)

Bringing Gustav Mahler’s »Das Lied von der Erde« to the stage always takes us on a path down into the depths of late-Romantic turn-of-the-century aesthetics. Of course it is poetry that forms the foundation of the work – albeit thoroughly dubious due to the fact that the words have been translated back and forth so many times from the Old Chinese. So the six songs, the last of which is by far the most weighty, therefore do indeed need to be read primarily in terms of the music and regarded as Mahler’s unofficial Ninth Symphony, as it were. He did allude himself to this way of looking at the work – and also stressed that »Das Lied von der Erde« was »probably the most personal thing ... I have done so far.«

Info (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Kent Nagano

Sun, Jun 29, 2025, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Audi Jugendchorakademie, Mojca Erdmann (Soprano), Evan Hughes (Bariton), Kent Nagano (Conductor)

In this concert, which concludes Kent Nagano’s ten-year tenure as General Music Director, two essential strands of his concert dramaturgy for Hamburg come together. On the one hand the reference back to tradition, and the Hamburg-based composer Johannes Brahms to be precise, whose four symphonies have been performed by the Hamburg Philharmonic State Orchestra both in its Hamburg concerts and on tour in recent years. And then sounds of the present day, in the form of pioneering world premieres. A brief review conjures up performances of Widmann’s ARCHE, Dusapin’s »Waves«, and Shepherd’s »On a Clear Day«, to name just a few outstanding new works. This concert – a crowning finale and farewell at the same time – sees the premiere of a new symphony by the young Argentinian composer Alex Nante, in his inimitably dreamlike, spiritual sound language.

Info & Ticket (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Kent Nagano

Mon, Jun 30, 2025, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Audi Jugendchorakademie, Mojca Erdmann (Soprano), Evan Hughes (Bariton), Kent Nagano (Conductor)

In this concert, which concludes Kent Nagano’s ten-year tenure as General Music Director, two essential strands of his concert dramaturgy for Hamburg come together. On the one hand the reference back to tradition, and the Hamburg-based composer Johannes Brahms to be precise, whose four symphonies have been performed by the Hamburg Philharmonic State Orchestra both in its Hamburg concerts and on tour in recent years. And then sounds of the present day, in the form of pioneering world premieres. A brief review conjures up performances of Widmann’s ARCHE, Dusapin’s »Waves«, and Shepherd’s »On a Clear Day«, to name just a few outstanding new works. This concert – a crowning finale and farewell at the same time – sees the premiere of a new symphony by the young Argentinian composer Alex Nante, in his inimitably dreamlike, spiritual sound language.

Info & Ticket (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Kent Nagano

Sun, Feb 2, 2025, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Chor der Liatoshynskyi Capella, Katharina Konradi (Soprano), Ida Aldrian (Soprano), Seungwoo Simon Yang (Tenor), Jóhann Kristinsson (Bass), Jens Harzer (Narrator), Bogdan Plish (Choir rehearsal), Kent Nagano (Conductor)

The programme for the 6th Philharmonic Concert includes a world premiere that reflects our times. Jörg Widmann, who has been in close artistic contact with Kent Nagano, particularly since the great success of his ARCHE for the opening of the Elbphilharmonie, has recently written a decidedly peaceful work in view of the global wars: »Cantata in tempore belli«. Jens Harzer takes on the role of narrator. Ida Aldrian sings the alto part.

Info & Ticket (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Kent Nagano

Mon, Feb 3, 2025, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

The programme for the 6th Philharmonic Concert includes a world premiere that reflects our times. Jörg Widmann, who has been in close artistic contact with Kent Nagano, particularly since the great success of his ARCHE for the opening of the Elbphilharmonie, has recently written a decidedly peaceful work in view of the global wars: »Cantata in tempore belli«. Jens Harzer takes on the role of narrator. Ida Aldrian sings the alto part.

Info & Ticket (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Andreas Staier

Sun, Sep 15, 2024, 11:00

Elbphilharmonie, Kleiner Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Andreas Staier (Harpsichord), Andreas Staier (Director)

The innately humanistic sound ideal of Johann Sebastian Bach and his son Carl Philipp Emanuel Bach meets the youthful, romantic gesture of Felix Mendelssohn: the 4th Academy Concert continues the series of Bach’s Brandenburg Concertos that began with the 1st Academy Concert. It is music so popular and widely admired that it was launched into space on a data disk aboard the »Voyager 2« space probe in 1977. Now it is back in Hamburg. His Symphony No. 6, nicknamed the »Hamburg Symphony« is a clear sign that Carl Philipp Emanuel Bach has no reason to be disconcerted by any overbearing legacy of his famous father.

Info (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Kent Nagano

Sun, Sep 29, 2024, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, LauschWerk, Kent Nagano (Conductor)

The 2024/25 season of the Hamburg Philharmonic State Orchestra – the final season for General Music Director Kent Nagano – begins with the sound of infinity rather than with any instruments. In György Ligeti’s groundbreaking »Lux aeterna«, written in 1966, the LauschWerk choir sings with a polyphony at full power – with soprano, alto, tenor and bass dividing into no fewer than 16 voices to capture the »eternal light« in sound. »As a self-contained composition, ›Lux aeterna‹ naturally has a beginning and an end,« said the Hungarian composer, who later taught at the Hamburg University of Music and Drama for many years. »And although the entire habitus of the music is static, gradual shifts do occur. The idea of infinity is evoked; the impression is created that the music was already there even before we started hearing it, and that it will always continue, even when we no longer hear it.«

Info (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra / Kent Nagano

Mon, Sep 30, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, LauschWerk, Kent Nagano (Conductor)

The 2024/25 season of the Hamburg Philharmonic State Orchestra – the final season for General Music Director Kent Nagano – begins with the sound of infinity rather than with any instruments. In György Ligeti’s groundbreaking »Lux aeterna«, written in 1966, the LauschWerk choir sings with a polyphony at full power – with soprano, alto, tenor and bass dividing into no fewer than 16 voices to capture the »eternal light« in sound. »As a self-contained composition, ›Lux aeterna‹ naturally has a beginning and an end,« said the Hungarian composer, who later taught at the Hamburg University of Music and Drama for many years. »And although the entire habitus of the music is static, gradual shifts do occur. The idea of infinity is evoked; the impression is created that the music was already there even before we started hearing it, and that it will always continue, even when we no longer hear it.«

Info (www.elbphilharmonie.de)