Keywords: Chamber Music, Morning Concert, Morning Concerts, Movies, Musical Theater, Recital
| Ulrike Petersen | Violin |
| Josua Petersen | Cello |
| Levin Petersen | Piano |
| Woldemar Bargiel | Klaviertrio Nr. 2 Es-Dur op. 20 |
| Robert Schumann | „Kinderszenen“ op. 15 - für Klavier sowie in Bearbeitungen für Violine bzw. Violoncello und Klavier |
| Clara Schumann | Klaviertrio g-Moll op. 17 |
These events are similar in terms of concept, place, musicians or the program.
In addition to the eternally young classic of the narrow string octet literature by 16-year-old Felix Mendelssohn, the eight KHO string players, led by our first concertmaster Suyeon Kim, will perform a work by 19-year-old George Enescu, a The contemporary of Béla Bartók composed a key work in his own individual style: folk melodies from his native Romania meet Brahmsian Romanticism and Parisian fin de siècle.
Originating from South Africa, Germany and France, the members of the Franz Trio came together at the Konzerthaus in 2017 and have been performing with us regularly ever since. The program of their first concert together included a trio by their namesake Franz Schubert. This season, they have been joined by additional orchestra members: principal piccolo player Daniel Werner, principal oboist Szilvia Pápai and principal harpist Ronith Mues. Violist Ernst-Martin Schmidt on the program: “Three composers in three countries come up with enchantingly beautiful chamber music in the war year 1916: Max Reger writes his 2nd String Trio, Claude Debussy and Arnold Bax are inspired by the delicate combination of flute, viola and harp. Benjamin Britten's Phantasy Quartet for oboe and strings from 1932 and Jean Françaix's String Trio from 1933 bear witness to the witty, original chamber music created in England and France a generation later. This colourful program opens with a Fantasia by the forefather of English music, Henry Purcell. Max Reger struggles with him to the best of his ability to achieve mastery in the art of polyphonic composition.”
The programme that contrabassist Igor Prokopets has put together with four string colleagues for our matinee two days before Christmas ranges from unusual duos to orchestral symbiosis in a quintet. Each piece combines the eight strings of two string instruments differently: sometimes very high with very low in the “sophisticated Piazzolla arrangement, in which the double bass also becomes a percussionist and the violin literally celebrates the tango” (Prokopets). Sometimes as a neighborly encounter between violin and viola, which instead of the original piano trace a short piece from Bartók's great Hungarian journey in 1905 in “Seven Romanian Dances”. Or with violin and cello, who take on the famous Passacaglia from Handel's G minor suite for harpsichord. Igor Prokopets could tell a lot about Giovanni Bottesini, whose “Gran Quintetto” forms the finale: As a musician, the Italian found his way to the lowest string instrument at an early age and wrote numerous pieces to suit it, including three concertos that are still popular today. He later became a conductor and even conducted the world premiere of Verdi's “Aida” in Cairo - but his heart definitely belonged to the double bass!
What's even more beautiful than a cello? Ten cellos! Chamber music is one of the great joys of life for our orchestra musicians. Here, seven members of our cello group and our orchestra academy come together with their colleague Sheku Kanneh-Mason, who is our current artist in residence, for a musically diverse programme.
The Konzerthausorchester invites families to the Great Hall on Sundays at 11.00 - croissants and hot chocolate included! A musician always leads through the program. They reveal secrets from everyday life in the orchestra and invite you to join in. Meanwhile, younger siblings between the ages of 3 and 6 are very welcome at the “Musical childcare”.
Individuality finding harmonious expression in an ensemble – this is the quintessence of the Vogler Quartet, which has been pursuing a unique global career with an unchanged line-up since its formation in 1985. With an intelligent approach to chamber music, outstanding playing technique and interpretive sensitivity, Tim Vogler, Frank Reinecke, Stefan Fehlandt and Stephan Forck have created an unmistakable string quartet sound which consistently offers new insights into the genre. The group has had a concert series at the Konzerthaus Berlin since 1993.
Concert Pulse