K&K Philharmoniker / Soloists / Matthias & Max Kendlinger

Chamber music with Berliner Philharmoniker soloists

Four soloists from the Berliner Philharmoniker and the pianist Eric Le Sage take us on a foray through the chamber-music repertoire from Viennese Classical to Modern. Along with such famous works as Beethoven’s “Gassenhauer” Piano Trio, there will also be discoveries – for example, the charming Sicilienne, which was long attributed to Mozart's contemporary Maria Theresia von Paradis, and the young Anton Webern’s highly-romantic pieces for cello and piano. The climax of the programme comes with its concluding work, Schoenberg’s visionary Chamber Symphony No. 1.

Matthias Pintscher

musica viva: Matthias Hermann

A feast of sound for Helmut Lachenmann: The horn section and the BRSO, conducted by Matthias Hermann, will present the world premiere of the final version of My Melodies. The composition opens up an enormous range of performing possibilities and reveals new dimensions of sound, transforming the music to an “object of observation” and the concert hall to a “place of adventure” (Lachenmann). Pierre-Laurent Aimard and Yuko Kakuta will perform Lachenmann’s Got Lost: a highly virtuosic piece in which verses by Friedrich Nietzsche and Fernando Pessoa are juxtaposed with a short note about a lost laundry basket. The three texts are “stripped of their emotive, poetic, mundane diction […], and sent into a constantly changing intervallic field of sound, resonance, and movement” (Lachenmann).

Symphonischer Chor Hamburg / Neue Philharmonie Hamburg / Matthias Janz

Francis Poulenc had a mischievous streak in his neck. Contemporaries accused him of lacking seriousness in his Gloria – and indeed, movements two and four are quite jokey. He was called a »monk and rascal« because he was also capable of serious inner reflection. He considered his music to be as cheerful and pious as monks playing soccer, which he had once observed. The other movements of the Gloria show other typical characteristics of Francis Poulenc’s music: heroic sound with timpani and trumpets at the beginning, intimate sounds with woodwinds, solo singing and choir in the third movement and a large, softer sound in the finale. Poulenc himself said: »I believe I have brought the best and most credible aspect of myself into my choral music.«