JÖRG WIDMANN, ANTOINE TAMESTIT & SIR ANDRÁS SCHIFF

Sir András Schiff

Sir András Schiff

András Schiff is a master of the Germanic repertoire, especially the works of Bach, which he has performed tirelessly for half a century. He now tackles The Art of Fugue, a score as monumental as it is enigmatic.

Portrait Concert Sir András Schiff

One of András Schiff’s maxims is: »It’s important to be able to listen.« This principle applies especially to chamber music, which has always been a matter close to his heart. Because it is precisely this togetherness, and this listening and responding to each other, that are for him the most beautiful form of making music. Schiff now delivers precisely those kinds of moments of musical bliss with close musical friends such as the tenor Julian Prégardien and the cellist Julia Hagen. For the programme, Schiff has selected Romantic works by his favourite composers. These include Franz Schubert the prince of song and Robert Schumann, whose 1840 »Eichendorff« lieder cycle is on the programme. The programme also features Schumann’s Violin Sonata No. 2, which was premiered in Leipzig in 1852, and the Piano Quartet No. 1 by Schumann’s friend Brahms, which was premiered in Hamburg in 1861.

Cappella Andrea Barca / Sir András Schiff

András Schiff in his own garden, exploring with relish Bach’s Triple Concerto for flute, violin and harpsichord and the enchanted paths of two of Mozart’s most awe-inspiring piano concertos.

Chamber Orchestra of Europe / Sir András Schiff

»There are orchestras, good ones, great ones, and then there is the Chamber Orchestra of Europe«, said Sir András Schiff once. The pianist first got to know the orchestra in 1985. And over the course of their many concerts together, Schiff discovered a passion for conducting. From the piano, he now conducts a classical and Romantic programme in which Joseph Haydn meets his admirer Johannes Brahms. From Haydn the Viennese classicist we have the Sinfonia Concertante for oboe, bassoon, violin, violoncello and orchestra, a piece that was enthusiastically received at its London premiere in 1792. With his orchestral variations on a small (choral) theme from a Haydn divertimento, Brahms wrote his first great orchestral work in 1873, after sketches for a symphony had been incorporated into his first piano concerto in the 1850s. The work, which Sir András Schiff has repeatedly reinterpreted throughout his career, sounds correspondingly symphonic. With all these great pieces, Schiff and the Chamber Orchestra of Europe celebrate almost 40 years of musical friendship!

Orchestra of the Age of Enlightenment / Sir András Schiff

The career of Sir András Schiff, one of the world’s leading pianists, has already lasted over half a century. You can frequently also experience the all-round musician as a conductor and he regularly collaborates with the Orchestra of the Age of Enlightenment. Schiff and this orchestra share an interest in historically informed interpretations. In 2021, the perfectly matched duo documented its artistic connection in an acclaimed recording of Brahms’ piano concertos and now presents works by two composers who embody the very essence of German Romanticism: Robert Schumann and Felix Mendelssohn-Bartholdy. The renown of Robert Schumann’s piano concerto is so great to this day that hardly anyone knows the other works he composed for piano and orchestra. Anyone who wants to change this can let themselves be inspired by Schumann’s »Allegro appassionato« at the start of the concert, which exhausts the whole spectrum of romantic moods from the greatest tenderness to gloomier drama and, as an aside, lights a real firework of pianistic brilliance. Afterwards, Sir András Schiff swaps the keys for the baton and conducts excerpts from Mendelssohn’s »A Midsummer Night’s Dream« – a string of pearls of perfectly drawn scenes and character sketches whose elegance and casual sophistication is consistently astonishing. We come full circle when Schiff returns to the piano in order to conclude the evening with Schumann’s piano concerto, which is quite rightly one of the most popular perennials of the concert repertoire!