Set your preferred locations for a better search. You can sign up here.

Jeanine De Bique, Maarten Engeltjes & PRJCT Amsterdam: Handel

Date & Time
Tue, Mar 11, 2025, 20:15
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall... Read full text

Keywords: Early Music, Vocal Music

Artistic depiction of the event

Musicians

PRJCT Amsterdam
Jeanine De BiqueSoprano
Maarten EngeltjesCountertenor, Conductor

Program

Ouverture in e kl.t.Georg Friedrich Händel
Great God! Who, yet but darkly known - So shall this hand thy altars raiseGeorg Friedrich Händel
Regard, oh son, my flowing tearsGeorg Friedrich Händel
I will magnify thee, oh God my KingGeorg Friedrich Händel
Great victor, at your feet I bowGeorg Friedrich Händel
MenuettoGeorg Friedrich Händel
Pompe vane di morte!Georg Friedrich Händel
Dove sei? amato beneGeorg Friedrich Händel
Spietati, io vi giuraiGeorg Friedrich Händel
Scacciata dal suo nidoGeorg Friedrich Händel
Ritorna, oh caro e dolce mio tesoro!Georg Friedrich Händel
Io t'abbraccio, è più che morte aspro e forteGeorg Friedrich Händel
Taci! Che fia? Giulio che miri?Georg Friedrich Händel
V'adoro, pupilleGeorg Friedrich Händel
Se in fiorito ameno pratoGeorg Friedrich Händel
Se pietà di me non sentiGeorg Friedrich Händel
Al lampo dell' armi quest' alma guerrieraGeorg Friedrich Händel
Da tempeste il legno infrantoGeorg Friedrich Händel
Caro! [Bella!] più amabile beltàGeorg Friedrich Händel
Give feedback
Last update: Wed, Nov 27, 2024, 10:03

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Händel: Jephtha

Sat, Dec 21, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Monteverdi-Chor Hamburg, Concerto Köln, Benedikt Kristjánsson (Tenor), Louise Kemény (Soprano), Henriette Gödde (Mezzo-Soprano), Nicholas Tamagna (Countertenor), Henryk Böhm (Bass), Antonius Adamske (Conductor)
Rousing dynamics, magnificent choruses and beguiling arias: »Jephtha« is the last of George Frideric Handel’s oratorios. He composed this grandiose late work in London almost blindfolded. The Monteverdi Choir Hamburg, which is very familiar with Handel’s choral works, will be joined by renowned soloists led by Icelandic star tenor Benedikt Kristjánsson and Concerto Köln under the direction of Antonius Adamske. The work and the cast promise an emotional concert evening. By the way: Handel’s tragic story of Jephtha fortunately ends well! This is thanks to the librettist Thomas Morell, who ensured that Jephtha’s daughter, who is doomed to be sacrificed, is saved by an angel.
Artistic depiction of the event

Handel: Solomon

Thu, May 15, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Vokalensemble, FestspielOrchester Göttingen, Lena Sutor-Wernich (Mezzo-Soprano), James Way (Tenor), Isaak Lee (Tenor), Armin Kolarczyk (Bariton), Francesca Lombardi Mazzulli (Soprano), Carlotta Colombo (Soprano), George Petrou (Director)
Even before George Frideric Handel began his oratorio »Solomon«, he apparently knew that he would have more musicians than usual at his disposal for the premiere. And so Handel took every liberty in his composition, writing for a large wind section, additional strings and powerful double choirs. The subject is made for legendary (sonic) richness: Handel places the biblical King Solomon at the centre of the action and thus the most important stages in the life of the wise ruler – the first act opens with grandiose choruses of joy at the building of the temple in Jerusalem. The second act is full of drama, in which King Solomon has to decide between two women who are fighting over a child. In a touching aria, the composer reveals the real mother’s renounced love. And in the finale, none other than the Queen of Sheba appears to philosophise with King Solomon about the power of music.
Artistic depiction of the event

Handel: The Resurrection

Mon, Apr 1, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Les Musiciens du Louvre, Caroline Jestaedt (Soprano), Ana Maria Labin (Mary Magdalene), Astrid Nordstad (Mary Cleophas), James Platt (Bass), James Way (John the Evangelist), Marc Minkowski (Conductor)
The British Guardian called the ensemble Les Musiciens du Louvre »one of the best orchestras in the world«. Founded in 1982 by the conductor and oboist Marc Minkowski, it is not the Louvre’s official orchestra – no such ensemble exists. But the reference to the world-famous Parisian museum already illustrates the musicians’ mission: to bring the art of earlier centuries to life at the highest level. Appropriately enough, their forthcoming guest appearance in Hamburg at Easter features a Handel oratorio about the Resurrection of Christ. Composer George Frideric Handel found himself in a double bind in 1708. Firstly, the Pope had imposed a complete ban on opera performances because he feared a series of earthquakes meant that the end of the world was imminent, and restricted sinful entertainment in favour of religious art. This was a problem for Handel, who was an opera man to the core, both artistically and financially. Secondly, he wanted to present a piece about the Resurrection punctually for the Easter weekend, but having Jesus Christ appear on stage in person was an even greater taboo than opera per se. Pragmatic as ever, Handel arrived at the following solution: in his original oratorio »La Resurrezione«, angels and the Devil, apostles and Mary Magdalene debate about the Crucifixion. And in the end, the music itself turned out quite operatic after all.
Artistic depiction of the event

Netherlands Handel Society: the Messiah

Wed, Dec 18, 2024, 19:30
Koor van de Nederlandse Händelvereniging, Holland Symfonie Orkest, Rick Muselaers (Conductor), Eva Kroon (Mezzo-Soprano), Lucas van Lierop (Tenor), Frederik Bergman (Bass-Bariton), Wybe Kooijmans (Organ), David Jansen (Harpsichord), Merel van Geest (Soprano)
The Concertgebouw is right at the heart of Dutch music. That is why we love to welcome the best amateur orchestras and choirs of the Netherlands. To an amateur musician a performance at the Concertgebouw is always special, often marking the end of an extensive period of rehearsals. Please note: although these concerts are of a high standard, they are not performed by professional ensembles.
Artistic depiction of the event

Amsterdam Baroque Orchestra / Ton Koopman

Mon, Jun 23, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Amsterdam Baroque Orchestra & Choir, Hana Blažíková (Soprano), Alex Potter (Alto), Tilman Lichdi (Tenor), Klaus Mertens (Bass), Ton Koopman (Conductor)
Wait a moment, these are the first sounds of the »Christmas oratorio« which starts this concert in the middle of summer! Yes and no: Johann Sebastian Bach often ›recycled‹ his own music and used pieces he considered particularly successful, repeatedly in very different works. Ton Koopman, expert in historical Bach performance practice, has selected three secular cantatas by the Baroque master, which celebrate name-days and birthdays of the Saxon elector prince family and include so many well-known arias and chants. On these occasions, Bach did not set to music any sacred, but secular texts. Characters from classical mythology appear here, convey good wishes to the gods and praise them. For the composer, these compositions which were performed in the open air in beer gardens in summer and in coffee houses in the winter are part of his Leipzig engagements. Two of the cantatas even bear the subheading »Dramma per Musica« – festive miniature operas with virtuoso arias, studded with outstanding soloists. Ton Koopman, who is giving his Elbphilharmonie debut with this concert, is, with his Amsterdam Baroque Orchestra & Choir, one of the world’s best Bach interpreters, awarded with numerous prizes. The conductor, organist and harpsichordist fully dedicated himself to the composer: »To me, Bach is the most brilliant composer in the history of music! What affects me with Bach is the tremendous balance between sense and sensibility – his music goes straight to the heart. A day without Bach is inconceivable to me!«
Artistic depiction of the event

Dame Sarah Connolly sings opera aria’s by Händel

Sun, Jan 26, 2025, 15:00
Il Gardellino, Korneel Bernolet (Conductor), Dame Sarah Connolly (Mezzo-Soprano)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Artistic depiction of the event

Ton Koopman & Amsterdam Baroque Orchestra: Handel's Esther

Sun, Oct 27, 2024, 20:15
Amsterdam Baroque Orchestra & Choir, Ton Koopman (Conductor), Julia Lezhneva (Soprano), Maarten Engeltjes (Countertenor), Andreas Wolf (Bass)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Artistic depiction of the event

KCOV Amsterdam sings Bach's St Matthew Passion

Sun, Mar 30, 2025, 19:30
KCOV Amsterdam, Het Promenade Orkest, Nieuw Vocaal Amsterdam, Frank Hameleers (Conductor), Lauren Armishaw (Soprano), Dave ten Kate (Altus), Leon van Liere (Evangelist), Gerben Houba (Tenor), Frans Fiselier (Christus), Sven Weyens (Bass), Matthias Havinga (Organ)
The Concertgebouw is right at the heart of Dutch music. That is why we love to welcome the best amateur orchestras and choirs of the Netherlands. To an amateur musician a performance at the Concertgebouw is always special, often marking the end of an extensive period of rehearsals. Please note: although these concerts are of a high standard, they are not performed by professional ensembles.
Artistic depiction of the event

Toonkunstkoor Amsterdam sings Bach's St Matthew Passion

Fri, Apr 18, 2025, 19:30
Toonkunstkoor Amsterdam, Concertgebouw Chamber Orchestra, Roder Jongenskoor, Boudewijn Jansen (Conductor), Nikki Treurniet (Soprano), Rosina Fabius (Mezzo-Soprano), Seil Kim (Evangelist), Berend Eijkhout (Christus), William Knight (Tenor), Joris van Baar (Bass)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Artistic depiction of the event

Handel / Mozart: Messiah

Sun, Mar 17, 2024, 19:00
Laeiszhalle, Großer Saal (Hamburg)
Hamburger Oratorienchor, Symphoniker Hamburg, Hanna Zumsande (Soprano), Marlene Lichtenberg (Alto), Michael Connaire (Tenor), Dávid Csizmár (Bariton), Thekla Jonathal (Director)
With the oratorio »The Messiah« by George Frideric Handel, the Hamburger Oratorienchor performs one of the most popular works of sacred music in the Christian West with a large cast and accompanied by the Symphoniker Hamburg shortly before Easter. Composed by Handel in 1741, the three-part oratorio was adapted by Mozart in 1789 for performance in princely private rooms, and parts of it were rearranged. It was already a common practice in the Baroque era, but also in Mozart’s time, to arrange works for the respective performance, taking into account the instrumentation and quality of the respective orchestra. Mozart’s arrangement is an example of the listening habits of his time, and he took advantage of the new possibilities for orchestration, since some wind instruments had developed technically.