Set your preferred locations for a better search. You can sign up here.

Händel: Jephtha

Date & Time
Sat, Dec 21, 2024, 20:00
Rousing dynamics, magnificent choruses and beguiling arias: »Jephtha« is the last of George Frideric Handel’s oratorios. He composed this grandiose late work in London almost blindfolded. The Monteverdi Choir Hamburg, which is very familiar with Handel’s choral works, will be joined by renowned soloists led by Icelandic star tenor Benedikt Kristjánsson and Concerto Köln under the direction of Antonius Adamske. The work and the cast promise an emotional concert evening. By the way: Handel’s tragic story of Jephtha fortunately ends... Read full text

Keywords: Early Music, Vocal Music

Artistic depiction of the event
Give feedback
Last update: Sat, Nov 23, 2024, 10:27

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Handel: Solomon

Thu, May 15, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Vokalensemble, FestspielOrchester Göttingen, Lena Sutor-Wernich (Mezzo-Soprano), James Way (Tenor), Armin Kolarczyk (Bariton), Francesca Lombardi Mazzulli (Soprano), Carlotta Colombo (Soprano), George Petrou (Director)
Even before George Frideric Handel began his oratorio »Solomon«, he apparently knew that he would have more musicians than usual at his disposal for the premiere. And so Handel took every liberty in his composition, writing for a large wind section, additional strings and powerful double choirs. The subject is made for legendary (sonic) richness: Handel places the biblical King Solomon at the centre of the action and thus the most important stages in the life of the wise ruler – the first act opens with grandiose choruses of joy at the building of the temple in Jerusalem. The second act is full of drama, in which King Solomon has to decide between two women who are fighting over a child. In a touching aria, the composer reveals the real mother’s renounced love. And in the finale, none other than the Queen of Sheba appears to philosophise with King Solomon about the power of music.
Artistic depiction of the event

Handel: The Resurrection

Mon, Apr 1, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Les Musiciens du Louvre, Caroline Jestaedt (Soprano), Ana Maria Labin (Mary Magdalene), Astrid Nordstad (Mary Cleophas), James Platt (Bass), James Way (John the Evangelist), Marc Minkowski (Conductor)
The British Guardian called the ensemble Les Musiciens du Louvre »one of the best orchestras in the world«. Founded in 1982 by the conductor and oboist Marc Minkowski, it is not the Louvre’s official orchestra – no such ensemble exists. But the reference to the world-famous Parisian museum already illustrates the musicians’ mission: to bring the art of earlier centuries to life at the highest level. Appropriately enough, their forthcoming guest appearance in Hamburg at Easter features a Handel oratorio about the Resurrection of Christ. Composer George Frideric Handel found himself in a double bind in 1708. Firstly, the Pope had imposed a complete ban on opera performances because he feared a series of earthquakes meant that the end of the world was imminent, and restricted sinful entertainment in favour of religious art. This was a problem for Handel, who was an opera man to the core, both artistically and financially. Secondly, he wanted to present a piece about the Resurrection punctually for the Easter weekend, but having Jesus Christ appear on stage in person was an even greater taboo than opera per se. Pragmatic as ever, Handel arrived at the following solution: in his original oratorio »La Resurrezione«, angels and the Devil, apostles and Mary Magdalene debate about the Crucifixion. And in the end, the music itself turned out quite operatic after all.
Artistic depiction of the event

Netherlands Handel Society: the Messiah

Wed, Dec 18, 2024, 19:30
Koor van de Nederlandse Händelvereniging, Holland Symfonie Orkest, Rick Muselaers (Conductor), Eva Kroon (Mezzo-Soprano), Lucas van Lierop (Tenor), Frederik Bergman (Bass-Bariton), Wybe Kooijmans (Organ), David Jansen (Harpsichord), Merel van Geest (Soprano)
The Concertgebouw is right at the heart of Dutch music. That is why we love to welcome the best amateur orchestras and choirs of the Netherlands. To an amateur musician a performance at the Concertgebouw is always special, often marking the end of an extensive period of rehearsals. Please note: although these concerts are of a high standard, they are not performed by professional ensembles.
Artistic depiction of the event

Dame Sarah Connolly sings opera aria’s by Händel

Sun, Jan 26, 2025, 15:00
Il Gardellino, Korneel Bernolet (Conductor), Dame Sarah Connolly (Mezzo-Soprano)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Artistic depiction of the event

Jeanine De Bique, Maarten Engeltjes & PRJCT Amsterdam: Handel

Tue, Mar 11, 2025, 20:15
PRJCT Amsterdam, Jeanine De Bique (Soprano), Maarten Engeltjes (Countertenor), Maarten Engeltjes (Conductor)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Artistic depiction of the event

Handel / Mozart: Messiah

Sun, Mar 17, 2024, 19:00
Laeiszhalle, Großer Saal (Hamburg)
Hamburger Oratorienchor, Symphoniker Hamburg, Hanna Zumsande (Soprano), Marlene Lichtenberg (Alto), Michael Connaire (Tenor), Dávid Csizmár (Bariton), Thekla Jonathal (Director)
With the oratorio »The Messiah« by George Frideric Handel, the Hamburger Oratorienchor performs one of the most popular works of sacred music in the Christian West with a large cast and accompanied by the Symphoniker Hamburg shortly before Easter. Composed by Handel in 1741, the three-part oratorio was adapted by Mozart in 1789 for performance in princely private rooms, and parts of it were rearranged. It was already a common practice in the Baroque era, but also in Mozart’s time, to arrange works for the respective performance, taking into account the instrumentation and quality of the respective orchestra. Mozart’s arrangement is an example of the listening habits of his time, and he took advantage of the new possibilities for orchestration, since some wind instruments had developed technically.
Artistic depiction of the event

Händel: »Der Messias«

Tue, Oct 8, 2024, 19:00
Laeiszhalle, Großer Saal (Hamburg)
Carl-Philipp-Emanuel-Bach-Chor Hamburg, Dresdner Kapellsolisten, Hanna Zumsande (Soprano), Julia Böhme (Alto), Patrick Grahl (Tenor), Konstantin Wolff (Bass), Hansjörg Albrecht (Harpsichord), Hansjörg Albrecht (Director)
George Frideric Handel, a true European, a superstar of the Baroque era, composed music in abundance – including the »Messiah« with the world-famous »Hallelujah«. At the Laeiszhalle, the Carl-Philipp-Emanuel-Bach-Choir Hamburg, together with the Dresdner Kapellsolisten and renowned soloists, will perform it as a prelude to the new season – as a sing along!
Artistic depiction of the event

Sol per te / The most beautiful operas by Georg Friedrich Händel

Fri, Oct 18, 2024, 19:30
Krzysztof Garstka (Conductor), Krzysztof Garstka (Harpsichord), Olga Pasiecznik (Soprano), Anna Radziejewska (Mezzo-Soprano), Zespół Instrumentów Dawnych Polskiej Opery Królewskiej Capella Regia Polona
“Sol per te” is the most famous love duet between Flavia and Lepido from Georg Friedrich Händel's opera Silla – and just one of the many famous duets by the master of the genre – which will be performed this evening by outstanding female soloists: Olga Pasiecznik and Anna Radziejewska with Early Instrument Ensemble of the Polish Royal Opera Capella Regia Polona. In the emotional Io t'abbraccio from the opera Rodelinda, the title character confesses her feelings for Bertarid, as do Cleopatra and Caesar in Caro! Bella! from the opera Giulio Cesare, while in the dramatic duet Per le porte dell tormento, Rosmene and Tirinto confront turbulent passions in the opera Imeneo. This last one Händel wrote humorously, in the style of a musical comedy, in which he treated the dramatic dilemmas between heart and duty with a wink. This, in turn, influenced the music, balancing pathos and playfulness, which is rare in Händel's operas. The programme for the evening will be complemented by outstanding instrumental compositions by the German-British Baroque master. Alexandra KozowiczConcert duration: approximately 80 minutes
Artistic depiction of the event

Leonardo García Alarcón conducts the Concertgebouw Orchestra in Bach and Handel

Fri, Oct 11, 2024, 20:15
Concertgebouw Orchestra, Leonardo García Alarcón (Conductor), Andreas Wolf (Bass)
The Concertgebouw Orchestra takes flight in Baroque music when Leonardo García Alarcón is conducting. After his impressive first appearance in 2022, the charismatic Argentine conductor returns, weaving works by Johann Sebastian Bach and George Frideric Handel’s Music for the Royal Fireworks into a festive whole, just as Bach himself would do on Friday evenings at Leipzig’s Café Zimmermann. Andreas Wolf’s rich, round bass is heard in a number of phenomenal arias from the secular cantatas (chamber operas) which Bach wrote in the same period.To celebrate the signing of the treaty of Aix-la-Chapelle, King George II organised a massive fireworks display. Despite it all going up in flames and the crowds fleeing, Handel’s Music for the Royal Fireworks, written for the occasion, was an instant success and even saved the monarch’s reputation. Still very popular to this day, particularly for its well-loved second movement – the peaceful Air for strings – is Bach’s Third Orchestral Suite. Pure bliss!
Artistic depiction of the event

Leonardo García Alarcón conducts the Concertgebouw Orchestra in Bach and Handel

Sun, Oct 13, 2024, 14:15
Concertgebouw Orchestra, Leonardo García Alarcón (Conductor), Andreas Wolf (Bass)
The Concertgebouw Orchestra takes flight in Baroque music when Leonardo García Alarcón is conducting. After his impressive first appearance in 2022, the charismatic Argentine conductor returns, weaving works by Johann Sebastian Bach and George Frideric Handel’s Music for the Royal Fireworks into a festive whole, just as Bach himself would do on Friday evenings at Leipzig’s Café Zimmermann. Andreas Wolf’s rich, round bass is heard in a number of phenomenal arias from the secular cantatas (chamber operas) which Bach wrote in the same period.To celebrate the signing of the treaty of Aix-la-Chapelle, King George II organised a massive fireworks display. Despite it all going up in flames and the crowds fleeing, Handel’s Music for the Royal Fireworks, written for the occasion, was an instant success and even saved the monarch’s reputation. Still very popular to this day, particularly for its well-loved second movement – the peaceful Air for strings – is Bach’s Third Orchestral Suite. Pure bliss!