Jakub Hrůša, Daniil Trifonov

Date & Time

Sat, Nov 2, 2024, 20:00

Venue

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

»Yes, just love him, love him so much – but don’t forget that he achieved poetic freedom after years of study, go back to the foundation of his work, don’t prove his genius through the last symphony!« Schumann said this about Beethoven – and it is indeed the case that the Symphony No. 4, which Jakub Hrůša has chosen for this programme, is often treated somewhat like a Cinderella among the nine symphonies. Quite wrongly, because it is an equally... Read full text

Keywords: Symphony Concert

Info & Ticket (www.bamberger-symphoniker.de)

Musicians

Jakub Hrůša	Conductor
Daniil Trifonov	Piano

Program

Konzert für Klavier und Orchester in g-moll op. 33	Antonín Dvořák
Symphonie Nr. 4 B-Dur op. 60	Ludwig van Beethoven

Give feedback

Last update: Fri, Nov 22, 2024, 12:39

Similar events

These events are similar in terms of concept, place, musicians or the program.

Orchestra dell’Accademia Nazionale di Santa Cecilia / Daniil Trifonov / Jakub Hrůša

Mon, May 13, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Orchestra dell’Accademia Nazionale di Santa Cecilia, Daniil Trifonov (Piano), Jakub Hrůša (Conductor)

The unconventional star pianist Daniil Trifonov settled in New York many years ago. And in addition to his place of residence, he also shares his Russian roots with George Gershwin alias Jacob Gershovitz: Gershwin’s parents once emigrated from St Petersburg to America. His famous Concerto in F major contains clear echoes of jazz, but it is set in the classical solo-concerto form, and is the first work to be orchestrated in its entirety by the composer. The 1925 premiere in Carnegie Hall was a bombastic success for Gershwin, who was only 27 at the time. The same applies to Sergei Rachmaninov’s »Symphonic Dances«, which he wrote in 1940 on Long Island as his last work in exile. The solo role given to the saxophone in the first movement is undoubtedly more than a chance reference to jazz, which could be heard all over New York at the time.

Info (www.elbphilharmonie.de)

Gewandhausorchester, Jakub Hrůša Dirigent

Thu, Jun 19, 2025, 19:30

Gewandhaus Leipzig, Großer Saal (Leipzig)

Gewandhausorchester (Orchestra), Jakub Hrůša (Conductor), Preisträgerinnen und Preisträger des Bach-Wettbewerbs Leipzig 2025 (Piano), Jonathan Müller (Trumpet)

The most valuable prize in music competitions is always the amazed and participating audience. This was no different 75 years ago, when the Bach world commemorated the 200th anniversary of the composer's death and the Bach Competition was held for the first time in Leipzig, the site of the central celebrations. Brahms, a connoisseur and admirer of Bach's music, paid homage to it in various ways. Honegger's Symphony No. 2, written during the occupation of Paris in 1941, reflects the composer's distress over the world war. The finale, infused with Bach-like polyphony, culminates in a trumpet fanfare and a chorale melody radiating hope and reconciliation.

Info & Ticket (www.gewandhausorchester.de)

Gewandhausorchester, Jakub Hrůša Dirigent

Fri, Jun 20, 2025, 19:30

Gewandhaus Leipzig, Großer Saal (Leipzig)

Gewandhausorchester (Orchestra), Jakub Hrůša (Conductor), Preisträgerinnen und Preisträger des Bach-Wettbewerbs Leipzig 2025 (Piano), Jonathan Müller (Trumpet)

The most valuable prize in music competitions is always the amazed and participating audience. This was no different 75 years ago, when the Bach world commemorated the 200th anniversary of the composer's death and the Bach Competition was held for the first time in Leipzig, the site of the central celebrations. Brahms, a connoisseur and admirer of Bach's music, paid homage to it in various ways. Honegger's Symphony No. 2, written during the occupation of Paris in 1941, reflects the composer's distress over the world war. The finale, infused with Bach-like polyphony, culminates in a trumpet fanfare and a chorale melody radiating hope and reconciliation.

Info & Ticket (www.gewandhausorchester.de)

Jakub Hrůša & Julia Fischer

Sun, Apr 16, 2023, 17:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor), Julia Fischer (Violin)

Aristotle once said that "The beginning is half of the whole." This concert will present a brand-new creation by Johannes X. Schachtner, who was born in 1985 into a Bavarian family of musicians. This young composer already has an extensive catalogue of works to his credit and collaborates with international artists such as the acclaimed violinist Julia Fischer, for whom the violin concerto we commissioned was written. The concerto refers explicitly to our roots in Prague, nodding to the Bohemian musical tradition that we have continued to cultivate under our principal conductor Jakub Hrůša. The forms adopted by Czech composers such as Dvořák and Janáček have inspired Schachtner to write a sequence of several connected movements rather than employ the traditional classical-romantic solo concerto structure. Jazz influences can be heard in the concerto, too – we can’t wait for its premiere! Dvořák's most famous contribution to the symphonic genre is marked by a similar sense of a new beginning: his cultural mission for his sojourn in the "New World" was to create an American national music – for in contrast to Europe with its centuries-long musical tradition, there had been no major developments in the field of classical music in the “land of unlimited possibilities”.

Info (www.bamberger-symphoniker.de)

Jakub Hrůša conducts Beethoven

Sun, Jul 2, 2023, 17:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor)

Under the baton of our Chief Conductor, we take our listeners on musical soul-searchings through emotional highs and lows: We combine two sonic legacies revolving around heroes – and there is a connection between them. As Romain Rolland said admiringly of Beethoven: »You are the embodiment of heroism in all of modern art. You give us your bravery, your faith that struggle is bliss.« Due to the political events around Napoleon, numerous myths surround Beethoven’s »Eroica«. The symphony was initially dedicated to the Frenchman – but even Prometheus, who brought fire to mankind in ancient times, is a possible candidate as the hero. And it is also possible that this instrumental journey may even retrace Beethoven's own fate. For the generations that followed, the famous Helden-Symphonie has remained a powerful memory – including for Richard Strauss, who almost a century later referred to the model in a way that was both playful and serious: »Ein Heldenleben« is set in E-flat major, like the »Eroica«, and displays autobiographical characteristics. In the meantime, Strauss even referred to it as a »heroic symphony«. The result is a very haunting work: at the beginning, the protagonist confronts his adversaries – the malicious envious and presumptuous know-it-alls and supposedly the nagging music critics of that time. For peace of mind, the hero then ultimately flees the world with his beloved mate. Strauss gave numerous hints about the detailed content of the symphonic poem – but what was important to him was its central message: »It is enough to know that it portrays a hero in combat with his enemies.«

Info (www.bamberger-symphoniker.de)

Jakub Hrůša conducts Beethoven

Sat, Sep 30, 2023, 18:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor)

Under the baton of our Chief Conductor, we take our listeners on musical soul-searchings through emotional highs and lows: We combine two sonic legacies revolving around heroes – and there is a connection between them. As Romain Rolland said admiringly of Beethoven: »You are the embodiment of heroism in all of modern art. You give us your bravery, your faith that struggle is bliss.« Due to the political events around Napoleon, numerous myths surround Beethoven’s »Eroica«. The symphony was initially dedicated to the Frenchman – but even Prometheus, who brought fire to mankind in ancient times, is a possible candidate as the hero. And it is also possible that this instrumental journey may even retrace Beethoven's own fate. For the generations that followed, the famous Helden-Symphonie has remained a powerful memory – including for Richard Strauss, who almost a century later referred to the model in a way that was both playful and serious: »Ein Heldenleben« is set in E-flat major, like the »Eroica«, and displays autobiographical characteristics. In the meantime, Strauss even referred to it as a »heroic symphony«. The result is a very haunting work: at the beginning, the protagonist confronts his adversaries – the malicious envious and presumptuous know-it-alls and supposedly the nagging music critics of that time. For peace of mind, the hero then ultimately flees the world with his beloved mate. Strauss gave numerous hints about the detailed content of the symphonic poem – but what was important to him was its central message: »It is enough to know that it portrays a hero in combat with his enemies.«

Info (www.bamberger-symphoniker.de)

Jakub Hrůša, Ivo Kahánek

Mon, Oct 7, 2024, 20:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor), Ivo Kahánek (Piano)

»I love Czech music, and I want to share what I love with other people creatively.« Jakub Hrůša once said this in an interview, and this programme is another wonderful example thereof. The pleasure of listening is also complemented by an artist from his homeland: Ivo Kahánek is the soloist in the much too rarely performed piano concerto by Dvořák – the very composer who is always close to our Chief Conductor's heart, as he put it: »This music is like mother’s milk for me.« The symphonic piano concerto from 1876, packed with folklore, flourishes from the way the pianist and orchestra toss the thematic balls to and fro in a captivating and supple way. Before this, there is a likewise endearing piece to set the mood and thus even a double anniversary: Smetana was born in the Czech Republic in 1824 and the premiere of his comic opera »The Two Widows« took place in Prague in 1874 under his baton – a work that is set somewhere in Bohemia on an aristocratic estate and features a sparkling overture. Finally, we delve into the world of Beethoven, whose compositions are (not only) part of Jakub Hrůša’s core repertoire. Schumann described his Symphony No. 4 from 1806 as a »slender Greek maiden between two Northland giants«, as it was composed between the courageous »Eroica« and the glorious Fifth. It is a friendly work with enchanting melodies, as Beethoven was madly in love with a young noblewoman at the time – which is why a contemporary commented: »While writing this symphony, his heart must have nearly burst with joy.«

Info (www.bamberger-symphoniker.de)

Jakub Hrůša, Ray Chen

Sun, Feb 9, 2025, 17:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor), Ray Chen (Violin)

»Listen carefully to all folk songs! They are a treasure trove of the most beautiful melodies and open your eyes to the nature of different cultures.« Robert Schumann once noted these wise words in his collection of »Musical House and Life Rules« – and Jakub Hrůša loves to rummage through the various treasure chests of late Romanticism with its manifold folkloristic styles. He constantly includes pieces by his beloved composer Dvořák on the programme – even the lesser-known ones, as he sees him as an artist »who is always interesting, in every work«. And so we now have the rarely performed »Heldenlied« to discover: a tone poem from 1898, which grippingly revolves around different moods from happiness to sorrow. For one of the most famous violin concertos from 1878, which we have long had on our wish list, we welcome Ray Chen, a gifted virtuoso: he loves playing with us and can now immerse himself in the emotions alongside our orchestra – because the often emotionally fragile Tchaikovsky always wanted to express »all the agony and ecstasy of love« in his music. For fans of sophisticated melodic works, we conclude with a large load of these: the Symphony No. 5 by Martinů, one of Jakub Hrůša’s favourite composers, revels in his typical soundscapes – with a rich array of colours, yearning parts, pulsating rhythms and hymn-like pathos.

Info & Ticket (www.bamberger-symphoniker.de)

Jakub Hrůša, Konstantin Krimmel

Wed, Apr 2, 2025, 20:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor), Konstantin Krimmel (Bariton)

»Mahler is a must!« That was absolutely clear to Jakub Hrůša when our journey together began in 2016 – as his late Romantic music is »genetically very close« to both him and ourselves. We have already performed five of his symphonies together in recent years. This programme includes the enchanting »Blumine« movement, which Mahler erased from his autobiographical first symphony and described himself as a »blissful infatuation«: he wrote it in 1884 as a young conductor when he had a crush on a soprano. However, his affection was not returned – and a year later, the »Lieder eines fahrenden Gesellen« (»Songs of a Travelling Companion«) emerged from his emotional misery. Together with Konstantin Krimmel, we embark on the restless wanderings of the lovesick artist. After that we say: Not only Mahler is a must. For some time now, Jakub Hrůša has also been working more intensively on Bruckner, as he has recognised that only an orchestra that »really loves this music enough« will be able to make it work. He described the phase in which we immersed ourselves in the Symphony No. 4 in the 2018/2019 season as a »blissful experience with Bruckner« – and it was deepened even further: In the 2020 pandemic, we recorded our Chief Conductor’s personal take on all three versions of the work for a phenomenal and award-winning recording. In this programme, the »Romantic« is performed in the 1878/1880 version – first in Bamberg, as is traditional, of course. Then we will once again become »travelling companions« ourselves and present the works in two of the best halls in Europe: in the Concertgebouw in Amsterdam and (for the 10th time already!) in Hamburg’s Elbphilharmonie – where we have come to love and appreciate the inspiring acoustics.

Info & Ticket (www.bamberger-symphoniker.de)

Jakub Hrůša, Bomsori Kim

Sat, May 17, 2025, 20:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor), Bomsori Kim (Violin)

»I love surprises and breaking with conventions, as long as they are subtle.« When it comes to developing dramaturgically sophisticated concert programmes, Jakub Hrůša always proves to be a creative mind and also enjoys experimenting. He is now combining two deeply profound musical creations: Charles Ives’ famous work from 1908 revolves around the question of existence. It ultimately remains unanswered in the room, and the magical piece ends on the exact same note with which Shostakovich»s Symphony No. 11 begins – so that the two compositions merge into one another impressively in our concert. The gripping symphony is subtitled »The Year 1905« and refers to the »St Petersburg Bloody Sunday« — but the work also reflects the just as tragic events of 1957 when it was written. Our Chief Conductor has selected the violin concerto by a composer who originated from his home town of Brno and had to seek refuge in exile in America: Korngold kept his head above water there by writing film music, which left traces in his violin concerto – for which we welcome Bomsori Kim as soloist. An exciting programme full of mesmerising undertow that is thought-provoking but also goes straight to the heart – especially through the conducting of Jakub Hrůša, who said of his favourite recipe: »It is important to find a balance in which you create with emotional charge and at the same time respect the craft. That’s when the best moments happen. And when the audience engages in this kind of valuable interaction, nothing stands in the way of happiness.«

Info & Ticket (www.bamberger-symphoniker.de)