Auf dem Gletscher

Auf dem Weg

FamilienKonzert mit dem Konzerthausorchester

This family concert celebrates the joys of the Christmas season with music by Shostakovich, Barber, Vaughan Williams, and others. It evokes the atmosphere of Christmas markets, gingerbread, roasted almonds, singing, bells, and snowy landscapes.

FamilienKonzert mit dem Konzerthausorchester

This family concert celebrates the joys of the Christmas season with music by Shostakovich, Barber, Vaughan Williams, and others. It evokes the atmosphere of Christmas markets, gingerbread, roasted almonds, singing, bells, and snowy landscapes.

"Der Ochse auf dem Dach - Ist das ein Beat?"

Berlin-based actress, director, and author Christine Marx, collaborating with pianist/composer Orlando Bass and saxophonist Eudes Bernstein, created a program for children and curious parents. Featuring piano and saxophone, it introduces children to rhythms and genres through stories and interactive games, exposing them to famous modern classical compositions in a child-friendly way.

"Der Ochse auf dem Dach - Ist das ein Beat?"

Berlin-based actress, director, and author Christine Marx, collaborating with pianist/composer Orlando Bass and saxophonist Eudes Bernstein, created a program for children and curious parents. Featuring piano and saxophone, it introduces children to rhythms and genres through stories and interactive games, exposing them to famous modern classical compositions in a child-friendly way.

Bock auf Klassik?!

Alles auf los

The catchy and heartwarming melodies of Jewish Klezmer music are the perfect start to the new year. Mahler's musical language, rooted in Bohemian folk music tradition, resonates with Klezmer. Uri Caine and his band, along with the Komische Oper Berlin orchestra, will evoke both tears and foot-tapping. Embrace these emotions and step confidently into 2025. Happy New Year!

Ariadne auf Naxos

"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Costumes: Elena Zaytseva Light Design: Gleb Filshtinsky Dramaturgy: Angela Beuerle, Michael Sangkuhl, Tatiana Werestchagina

Ariadne auf Naxos

"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Costumes: Elena Zaytseva Light Design: Gleb Filshtinsky Dramaturgy: Angela Beuerle, Michael Sangkuhl, Tatiana Werestchagina

Ariadne auf Naxos

"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Costumes: Elena Zaytseva Light Design: Gleb Filshtinsky Dramaturgy: Angela Beuerle, Michael Sangkuhl, Tatiana Werestchagina