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Hamburg Philharmonic State Orchestra / Kent Nagano

Date & Time
Mon, Sep 30, 2024, 20:00
The 2024/25 season of the Hamburg Philharmonic State Orchestra – the final season for General Music Director Kent Nagano – begins with the sound of infinity rather than with any instruments. In György Ligeti’s groundbreaking »Lux aeterna«, written in 1966, the LauschWerk choir sings with a polyphony at full power – with soprano, alto, tenor and bass dividing into no fewer than 16 voices to capture the »eternal light« in sound. »As a self-contained composition, ›Lux aeterna‹ naturally has a... Read full text

Keywords: Symphony Concert

Info & Ticket (www.elbphilharmonie.de)
Artistic depiction of the event

Musicians

Philharmonisches Staatsorchester Hamburg
LauschWerk
Kent NaganoConductor

Program

Symphony No. 9 in D minorAnton Bruckner
Lux aeterna für 16-stimmingen Chor a cappellaGyörgy Ligeti
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Last update: Thu, Nov 21, 2024, 15:06

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The 2024/25 season of the Hamburg Philharmonic State Orchestra – the final season for General Music Director Kent Nagano – begins with the sound of infinity rather than with any instruments. In György Ligeti’s groundbreaking »Lux aeterna«, written in 1966, the LauschWerk choir sings with a polyphony at full power – with soprano, alto, tenor and bass dividing into no fewer than 16 voices to capture the »eternal light« in sound. »As a self-contained composition, ›Lux aeterna‹ naturally has a beginning and an end,« said the Hungarian composer, who later taught at the Hamburg University of Music and Drama for many years. »And although the entire habitus of the music is static, gradual shifts do occur. The idea of infinity is evoked; the impression is created that the music was already there even before we started hearing it, and that it will always continue, even when we no longer hear it.«
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Mon, Mar 4, 2024, 20:00
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Info & Ticket (www.elbphilharmonie.de)
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Bringing Gustav Mahler’s »Das Lied von der Erde« to the stage always takes us on a path down into the depths of late-Romantic turn-of-the-century aesthetics. Of course it is poetry that forms the foundation of the work – albeit thoroughly dubious due to the fact that the words have been translated back and forth so many times from the Old Chinese. So the six songs, the last of which is by far the most weighty, therefore do indeed need to be read primarily in terms of the music and regarded as Mahler’s unofficial Ninth Symphony, as it were. He did allude himself to this way of looking at the work – and also stressed that »Das Lied von der Erde« was »probably the most personal thing ... I have done so far.«
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Info & Ticket (www.elbphilharmonie.de)
Artistic depiction of the event

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Philharmonisches Staatsorchester Hamburg, Audi Jugendchorakademie, Mojca Erdmann (Soprano), Evan Hughes (Bariton), Kent Nagano (Conductor)
In this concert, which concludes Kent Nagano’s ten-year tenure as General Music Director, two essential strands of his concert dramaturgy for Hamburg come together. On the one hand the reference back to tradition, and the Hamburg-based composer Johannes Brahms to be precise, whose four symphonies have been performed by the Hamburg Philharmonic State Orchestra both in its Hamburg concerts and on tour in recent years. And then sounds of the present day, in the form of pioneering world premieres. A brief review conjures up performances of Widmann’s ARCHE, Dusapin’s »Waves«, and Shepherd’s »On a Clear Day«, to name just a few outstanding new works. This concert – a crowning finale and farewell at the same time – sees the premiere of a new symphony by the young Argentinian composer Alex Nante, in his inimitably dreamlike, spiritual sound language.
Info & Ticket (www.elbphilharmonie.de)