Set your preferred locations for a better search. You can sign up here.

Spring

Date & Time
Thu, Mar 20, 2025, 19:30
"Everything rejoices and hopes when spring renews itself," said Friedrich Schiller. Right on time for the beginning of spring, the musicians of the Young Symphony Orchestra at the State High School for Music invite the audience on an exciting musical journey from the mid-18th to the mid-20th century. Joseph Haydn's very special Symphony in F minor, "La passione," already suggests a connection between the Easter and Passion time and Ostara - the Germanic goddess of spring, fertility, and dawn. The... Read full text

Keywords: Symphony Concert

Artistic depiction of the event

Musicians

Bruno BorralhinhoConductor
Junges Sinfonieorchester Dresden am Landesgymnasium für Musik

Program

Joseph HaydnSymphony No. 49 in F minor "La passione"
Frederick Delius"Idylle de printemps" for orchestra
Lili Boulanger"D'un matin de printemps" Tone poem
Jean Sibelius"Spring Song" Tone poem
Antonín Dvořák"The Wood Dove" Symphonic poem
Johann (son) Strauss"Roses from the South" Waltz
Give feedback
Last update: Sat, Mar 8, 2025, 21:21

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event
This season
In Schwetzingen

SPARK · Spring Special

Sat, May 3, 2025, 17:00
SPARK | DIE KLASSISCHE BAND, Andrea Ritter Blockflöte, Daniel Koschitzki Blockflöte (Melodica), Stefan Balazsovics Violine (Viola), Victor Plumettaz Violoncello, Christian Fritz Klavier
The SPARK ensemble will enrich Spargelsamstag with hits from their repertoire, including Baroque masterpieces, a tango, and film music. Their unusual instrumentation combines a piano trio with recorders and a melodica. For 18 years, they've blended classical, minimal music, and avant-garde. In 2011, they won the ECHO Klassik award. SPARK has performed throughout Germany and internationally at prestigious venues like the Barbican Centre.
Artistic depiction of the event
Next week
In Stockholm

Swedish Music Spring – Singing Guidance

Tue, Mar 18, 2025, 19:00
Konserthuset Stockholm, The Grünewald Hall (Stockholm)
KammarensembleN, Harmony of Voices, Fredrik Malmberg (Conductor), Alexandra Büchel (Soprano), Jonny Axelsson (Percussion), Jonas Nordberg (Theorbo), Hannes Meidal (Reciter)
In all three works, the vocal element takes centre stage. Soprano soloist in two of the pieces is Alexandra Büchel – one of our foremost interpreters of contemporary music, among other genres. This spring, she appears at Norrlandsoperan in the newly composed opera Älskarinnorna by Jenny Wilson, based on Elfriede Jelinek’s novel Women as Lovers (Die Liebhaberinnen).Vägar, flyktvägar (Paths, Escape Routes) for soprano and percussion by Ylva Q Arkvik is a triptych exploring themes of captivity in the past, the longing to flee from and to something new, and the magic of liberation in an unexpected moment. The poems are taken from an upcoming collection by playwright, librettist, and author Kerstin Perski. The music captures the dreamlike quality of the texts.Omnia tempus habent (Everything Has Its Time) is Arne Mellnäs’s setting of the text from Ecclesiastes. Composed for solo soprano, it conveys a consoling message in both words and music: hardship is temporary, and light will return. The piece, best performed in a venue with generous acoustics, was premiered in 1972 at Visby Cathedral by Marianne Mellnäs.Jag märker allting (I Notice Everything) by Hans Gefors is a cantata in a prologue and twelve movements, with actor Hannes Meidal as narrator, guiding us through the music. As vocal soloist, we hear countertenor Elias Aaron Johansson. Gefors weaves together lines from Strindberg’s pilgrimage play To Damascus with poems by the 20th-century Spanish poet Juan Ramón Jiménez. The work is inspired by the Baroque cantata tradition, reflected both in its structure and instrumentation: narration, countertenor, a small choir, two violins, cello, percussion, and theorbo.In collaboration with Swedish Music Spring. The concert is produced in partnership with the Society of Swedish Composers.
Artistic depiction of the event
Next week
In Dresden

Best of Classics: The Rite of Spring

Fri, Mar 21, 2025, 19:30
Jonathan Nott (Conductor), Jonathan Nott (Presentation), Dresdner Philharmonie
In the concerts of the series "Best of Classical Music," you will hear the most famous works of classical music. A brief introduction by a moderator at the beginning will provide insights into the piece and offer listening tips. Following this, the entire work will be performed. Afterwards, we would be happy to welcome you to our bar on the 1st floor, where our moderator will engage in an artist talk with the conductor. This conversation is not strictly academic - rather, we aim to take you into the personal world of our guests. About the concert: Twenty woodwinds, eight horns, five trumpets, three trombones, two tubas, five timpani, and a large percussion section alone would be enough to fill an entire football stadium with sound! In Stravinsky's "The Rite of Spring," the strings are added to the mix. However, they are not there to make noise but to play one of the most famous ballet scores of the 20th century. During its premiere in 1913, the audience was outraged and left the hall with boos. Once a scandal, this piece is now indispensable in the concert hall.
Artistic depiction of the event
Finished

NDR Elbphilharmonie Orchestra / Kirill Gerstein / Omer Meir Wellber

Thu, Apr 18, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Kirill Gerstein (Piano), Omer Meir Wellber (Conductor)
Omer Meir Wellber’s conducting is »a miracle of transparency and rigour« according to the Süddeutsche Zeitung. The Israeli conductor has held a number of posts, including chief conductor of the BBC Philharmonic Orchestra, and he will be assuming the position of general music director at the Hamburg State Opera in 2025. Those who’d like to see the globetrotter in action in the Hanseatic city before then now have their chance. The unconventional conductor – who once inserted a techno interlude into an acclaimed Verdi production at the Bavarian State Opera – gave his debut with the NDR Elbphilharmonie Orchestra in 2019. And he is now back on the conductor’s stand here for the third time. As an introduction to the programme, Wellber has chosen a work that was originally conceived as incidental music for a play: Gabriel Fauré’s »Pelléas et Mélisande«. Shortly after composing it, Fauré revised his opulent music for Maeterlinck’s Symbolist fairy-tale to create an independent orchestral work. The suite featuring the famous »Sicilienne« is followed by Maurice Ravel’s Piano Concerto in G major, which »was written in the spirit of Mozart’s and Saint-Saënsʼs concertos,« as the composer himself emphasised. That, however, does not mean that Ravel neglected his own tonal language – he opens the concerto with a spirited lash of the whip and Spanish sounds. Jazz harmonies and rhythms then increasingly come to the foreground. The soloist tasked with performing this virtuosic score is the American pianist Kirill Gerstein – a popular guest with the NDR Elbphilharmonie Orchestra for many years now. The concert comes to a close with Franz Schubert’s Third Symphony. Schubert composed the masterpiece in just a few days when he was only 18 years old. With that level of productivity, it is no surprise that the composer, despite his early death at the age of 31, still managed to leave behind an impressive oeuvre. The theatre critic Eduard Hanslick described Schubert’s Symphony No. 3 as »a work of youth and of youth’s gleefully raucous zeal «.
Artistic depiction of the event
Finished

NDR Elbphilharmonie Orchestra / Kirill Gerstein / Omer Meir Wellber

Sun, Apr 21, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Kirill Gerstein (Piano), Omer Meir Wellber (Conductor)
Omer Meir Wellber’s conducting is »a miracle of transparency and rigour« according to the Süddeutsche Zeitung. The Israeli conductor has held a number of posts, including chief conductor of the BBC Philharmonic Orchestra, and he will be assuming the position of general music director at the Hamburg State Opera in 2025. Those who’d like to see the globetrotter in action in the Hanseatic city before then now have their chance. The unconventional conductor – who once inserted a techno interlude into an acclaimed Verdi production at the Bavarian State Opera – gave his debut with the NDR Elbphilharmonie Orchestra in 2019. And he is now back on the conductor’s stand here for the third time. As an introduction to the programme, Wellber has chosen a work that was originally conceived as incidental music for a play: Gabriel Fauré’s »Pelléas et Mélisande«. Shortly after composing it, Fauré revised his opulent music for Maeterlinck’s Symbolist fairy-tale to create an independent orchestral work. The suite featuring the famous »Sicilienne« is followed by Maurice Ravel’s Piano Concerto in G major, which »was written in the spirit of Mozart’s and Saint-Saënsʼs concertos,« as the composer himself emphasised. That, however, does not mean that Ravel neglected his own tonal language – he opens the concerto with a spirited lash of the whip and Spanish sounds. Jazz harmonies and rhythms then increasingly come to the foreground. The soloist tasked with performing this virtuosic score is the American pianist Kirill Gerstein – a popular guest with the NDR Elbphilharmonie Orchestra for many years now. The concert comes to a close with Franz Schubert’s Third Symphony. Schubert composed the masterpiece in just a few days when he was only 18 years old. With that level of productivity, it is no surprise that the composer, despite his early death at the age of 31, still managed to leave behind an impressive oeuvre. The theatre critic Eduard Hanslick described Schubert’s Symphony No. 3 as »a work of youth and of youth’s gleefully raucous zeal «.
Artistic depiction of the event
Finished

Igor Levit / Berliner Barock Solisten

Tue, Apr 23, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Igor Levit (Piano), Berliner Barock Solisten
When Igor Levit takes his seat at the keyboard, one thing is for sure: you’ll hear the pieces on the programme as never before. The German-Russian pianist makes his very own mark, often as unexpected as it is brilliant, on every work he plays, whisking even veteran repertoire warhorses into the here and now. In this concert Levit is accompanied by the Berliner Barock Solisten in music by two composers who can be described without exaggeration as pinnacles of music history: Johann Sebastian Bach and his son Carl Philipp Emanuel Bach. The most famous of the Bach sons made a no less illustrious career for himself than his father, and was admired by fellow composers like Mozart, Beethoven and Haydn. In this cleverly thought-out programme, Levit and the Berlin ensemble create a father-son dialogue along entirely modern lines.
Artistic depiction of the event
Finished

Bergen Philharmonic Orchestra / Alexej Gerassimez / Edward Gardner

Wed, Apr 24, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Bergen Philharmonic Orchestra, Alexej Gerassimez (Percussion), Edward Gardner (Conductor)
Percussion as a solo instrument is still a newcomer to the traditional classical repertoire – and at the same time it is a cosmos entirely its own, shimmering in a thousand colours. The young musician Alexej Gerassimez from Essen, Germany, brings this cosmos impressively to life. The award-winning percussionist is a true all-rounder, switching genres effortlessly with an equal command of jazz grooves and of the complex rhythms of contemporary music. A perfect candidate for Finnish composer Kalevi Aho’s sparkling percussion concerto, which was first performed in 2012. Aho called the work »Sieidi«, the Sami word for a sacred rock or mountain. After the interval, the Bergen Philharmonic Orchestra climbs an orchestral summit in the shape of Dvořák’s »New World« Symphony. Since its New York premiere in 1893, the composer’s Ninth has been an absolute audience favourite.
Artistic depiction of the event
Finished

NDR Elbphilharmonie Orchestra / Thomas Hampson / Alan Gilbert

Fri, Apr 26, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Prager Philharmonischer Chor, Thomas Hampson (Bariton), Lukáš Vasilek (Choir rehearsal), Alan Gilbert (Conductor)
»Peace, peace on Earth!« Arnold Schönberg’s message in his choral work »Friede auf Erden« is unequivocal. But it’s also an illusion: the composer was not the only one to admit as much after he had completed the score. Recent events in the political arena make this plain to us all. But the improbability of achieving peace on earth makes it all the more important to repeat these words as often as possible. And this prompted Alan Gilbert to choose this Late Romantic work to open the Hamburg International Music Festival 2024. »War and Peace« is the motto this time, taken from Leo Tolstoy’s famous and timeless novel. The opening concert with the NDR Elbphilharmonie Orchestra sees the return to the Elbphilharmonie of star baritone Thomas Hampson to sing Kurt Weill’s »Walt Whitman Songs«, which he wrote in American exile in 1941, shortly after the attack on Pearl Harbor. Whitman – whom Weill regarded as the USA’s first original poetic talent – wrote the song texts, some defiant, some moving, during the American Civil War. The concert comes to an end with Charles Ives’s Fourth Symphony, described by Alan Gilbert as the »big bang of modern American music«. With this 1925 work, the great pioneer of musical collages made his boldest dreams come true: how many different tempos, keys and rhythms can be played at the same time without total chaos resulting? Ives’s exciting score supplies a spectacular answer to this question. Performing the symphony is a great challenge for any orchestra – so great that the composer never lived to hear the four-movement piece played in its entirety. Now Alan Gilbert and his musicians join forces with the Prague Philharmonic Choir in this musical adventure.