Keywords: Organ Concert
| Thomas Ospital | Organ |
| Johann Sebastian Bach | Sinfonia from Cantata No. 29 (Arr. Marcel Dupré) |
| Sergei Rachmaninov | "The Isle of the Dead" (Arr. Louis Robilliard) |
| Camille Saint-Saëns | "Danse macabre" (Arr. Louis Robilliard) |
| Maurice Ravel | "Le tombeau de Couperin" (Arr. Thomas Ospital) |
These events are similar in terms of concept, place, musicians or the program.
Raphael Attila Vogl demonstrates the diverse sounds of the organ in a program that brings works from Bach to Bruckner to life through impressive transcriptions. The opening piece is Carl Maria von Weber's Overture to "Der Freischütz," which surprises with dramatic contrasts and a romantic sound ideal - in the version for organ, it unfolds with an almost orchestral force. Johann Sebastian Bach's Third Brandenburg Concerto in G major, originally intended for strings, becomes a virtuosic challenge in the organ transcription, emphasizing the clarity and brilliance of the Baroque period. With an excerpt from Max Reger's String Quartet in E-flat major, Vogl adds a chamber music touch that preserves the sonic intimacy of the original while exploring the vastness of the instrument. The conclusion is the finale from Anton Bruckner's Symphony No. 8 - a monumental work whose transcendent power gains even more grandeur in the organ arrangement. Invited by the Dresden Philharmonic.
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Johann Adam Hiller, successor to Johann Sebastian Bach, praised Bach as the strongest piano and organ player of his time. Bach is not only a great church musician and organ composer but also intensively explored the harpsichord, performing concerts with his sons for three or four solo keyboard instruments at the Zimmermann coffee house in Leipzig. The Bach Festival for the chest organ will feature four organists showcasing this rich sound with up to four organs.
Learn how Johann Sebastian Bach landed in jail as a young man in Weimar and how this relates to his famous Orgelbüchlein (Little Organ Book). This organ expedition at the Sophienkirche explores famous compositions and the history of the organ through interactive concerts, appealing to music enthusiasts of all ages from school age and up.
Daniel Roth is currently one of the most exquisite organists of our time and a wonderful improviser. His talent and achievement inspire awe in both critics and melomaniacs the world over. Superficially calm and phlegmatic, at the keyboard he is transformed into a volcano of energy. He can bring any composition to life and render it moving for the contemporary listener as well. The coming organ recital is not just a musical event, but a true celebration of virtuosity for organ music aficionados. The programme of the recital includes works by Johann Sebastian Bach, but also those by lesser-known composers, such as Alexandre-Pierre-François Boëly and Jehan Alain. While Roth’s exceptional musical sensitivity can find its expression in interpretations of both romantic and contemporary works, the culmination of the concert will be his performance of Charles-Marie Widor’s Organ Symphony No. 10 in D major, “Romane”, considered one of the most important pieces in the composer’s entire oeuvre, and simultaneously one of the greatest achievements among all French organ compositions ever to have been created. Alexandra KozowiczConcert duration (intermission included): approximately 120 minutes
There are organ concerts, and then there are very special organ concerts. When palace organist Olivier Latry joins forces with Shin-Young Lee on the keys, the magnificent sound of the concert hall organ becomes an even more impressive musical event. This time, the program includes works that were not originally written for the organ, but their polyphony and orchestral colors create a unique effect on this instrument. "Le sacre du printemps" by Igor Stravinsky is one of these works. And even the famous "Sunrise" from Ravel's "Daphnis et Chloé" gains a special colorfulness on the organ. By invitation of the Dresden Philharmonic Concert as part of the Dresden Music Festival
Snow sparkles in the pale winter sun, a horse-drawn sleigh glides through a light birch forest. Ice flowers grow on the window pane, while the samovar boils in the room. Tchaikovsky, with his First Symphony, makes a atmospheric declaration of love to the famous-infamous Russian winter with all its manifestations. In addition, two completely different but equally fascinating piano concertos are heard: Prokofiev's First Piano Concerto bursts with energy and sophistication. It is a youthful work full of spirit and shows Prokofiev as a true virtuoso of the piano. On the other hand, Ravel's Piano Concerto "for the left hand" is characterized by darker tones and was written for the pianist Paul Wittgenstein, who lost his right hand in World War I. It is so cleverly composed that as a listener, one does not realize that in this almost 20-minute concert, piano and orchestra only play together for six minutes. A challenge for our Artist in Residence, who once again can demonstrate the full range of his abilities.
Snow sparkles in the pale winter sun, a horse-drawn sleigh glides through a light birch forest. Ice flowers grow on the window pane, while the samovar boils in the room. Tchaikovsky, with his First Symphony, makes a atmospheric declaration of love to the famous-infamous Russian winter with all its manifestations. In addition, two completely different but equally fascinating piano concertos are heard: Prokofiev's First Piano Concerto bursts with energy and sophistication. It is a youthful work full of spirit and shows Prokofiev as a true virtuoso of the piano. On the other hand, Ravel's Piano Concerto "for the left hand" is characterized by darker tones and was written for the pianist Paul Wittgenstein, who lost his right hand in World War I. It is so cleverly composed that as a listener, one does not realize that in this almost 20-minute concert, piano and orchestra only play together for six minutes. A challenge for our Artist in Residence, who once again can demonstrate the full range of his abilities.
In our traditional organ concert on New Year's Eve, the queen of instruments and four tubas come together in an unusual combination. Together, Katharina Königsfeld and the Melton Tuba Quartet present well-known classics in a new light. From the delicate, dance-like melodies of Tchaikovsky's "Flower Waltz," to the rapid Allegro from Rossini's overture of the opera "William Tell" with its dramatic energy, to Badinerie and March by Bach - the artful arrangements for organ and tuba also make his music shine in completely new colors. From profound passages to festive sounds - this evening is a musical highlight that bids farewell to the old year with style and energetically accompanies you into the new year! By invitation of the Dresden Philharmonic.
23-year-old Aurel Dawidiuk is a genuine multi-talent: an organist, a pianist and a conductor. He’s been awarded a variety of musical prizes and in 2022 won the German Music Competition in the organ category. For his debut at the Berlin Philharmonie he has invited musical friends from the Karajan Academy. The highlight of their programme will be a performance of Paul Hindemith’s Kammermusik No. 7, whose festive radiance and grandiose finale make it one of the composer’s most brilliant works.
Concert Pulse