When the brass section of the Orchestre de Paris turns its talents to a fascinating collection of transcriptions, trumpets, trombones, horns and tubas sound with “decet” power!
Keywords: Chamber Music, Early Music, Symphony Concert
| Musiciens de l'Orchestre de Paris |
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These events are similar in terms of concept, place, musicians or the program.
Musicians of the Komische Oper Berlin present intensive listening experiences in special locations as part of their chamber concerts. From the festive ambience of the Schiller Theater to the monumental vastness of the old hangar at Tempelhof Airport, with new sound worlds at the Kindl site to enchanting experiences in a tent.
The SWR Symphony Orchestra, conducted by Andrés Orozco-Estrada, and François Leleux (oboe) will perform works by Strauss and Brahms. The program includes Strauss' Oboe Concerto and Brahms' Symphony No. 2. A pre-concert talk will take place at 6 PM.
Anyone who delves into George Frideric Handel’s vocal and instrumental music will find a wealth of treasures. Elegance, virtuosity, delicacy – all this can be discovered in an endlessly inventive world of musical expression. In a programme with the Chamber Orchestra of Europe and conductor Robin Ticciati, you can experience some of Handel’s most beautiful arias and orchestral pieces from operas and other works. Iestyn Davies, one of the leading countertenors of our time, is the soloist. Wolfgang Amadeus Mozart was a great admirer of Handel. His festive and exuberant “Haffner Symphony” concludes the programme.
Single or double, the reed is a delicate strip of the plant from which it takes its name, whose vibration also enriches woodwind instruments. A complementary blend of timbres, the subtlety of three-part chamber music: a repertoire to be (re)discovered and savoured!
The suppleness of Elsa Dreisig's voice, matched by the art of sign singing, works wonders in this program devoted to French melody. Fauré's Amours du Poète rub shoulders with the alchemies of Ravel whose Quartet we can also enjoy.
The »Fanny Mendelssohn Förderpreis« has been honouring young classical artists since 2015 – the internationally renowned concept prize not only evaluates the technical virtuosity of the applicants, but also places particular emphasis on innovative concepts and visionary design. The young talents are given absolute freedom in their musical projects.
Behind the partially reconstructed façade of the Berlin Palace, the Humboldt Forum opens up with collections from many cultures around the world. The musicians return to the historic location where the RSB has performed several times in the Palace of the Republic in the past. Inspired by the collections and exhibitions, they will play micro-concerts on the six museum Sundays from November 2024 to April 2025, each at 14:00. Entry is free. The programmes of the concerts will be announced on the websites of the RSB and the Humboldt Forum before the respective dates.
It takes some confidence to dedicate a sacred work personally to the Pope. But Claudio Monteverdi was keen to reach as large an audience as possible when he published his »Vespro della Beata Vergine« in 1610. With the work, he sought to express all the facets of his compositional prowess, and the »Vespers for the Blessed Virgin« remains one of the greatest works of sacred music to this day. In 13 movements, Monteverdi demonstrates his mastery and his ability to integrate all the contrasting stylistic influences of his time into one diverse whole. The six-strong Flemish instrumental ensemble Les Cornets Noirs specialises in the music of Monteverdi’s time. Together with the singers of the Delectus Cantionum ensemble, they present a historically informed and musically expressive performance of this legendary work.
What traces do wars leave on the music of the time? The Hathor Consort, a viol ensemble of to which harp, organ and cornett are added, joins forces with soprano Dorothee Mields to look for echoes of the Thirty Years’ War in the works of composers who witnessed this catastrophic period in European history. With his »Trostgedichten in Widerwertigkeit deß Kriegs«, the poet Martin Opitz wrote an influential treatise of edification in the midst of this fierce conflict that claimed the lives of around a third of the population. The composers of the age attempted to process the deep trauma of violence, hunger and utter defencelessness through their music. This programme brings together four musical witnesses of the time:Heinrich Schütz, Samuel Scheidt, Andreas Hammerschmidt and Heinrich Albert. The acclaimed Hathor Consort focuses mainly on Renaissance and Baroque music, but it regularly combines this with music from other cultures as well as with contemporary works. Dorothee Mields likewise focuses entirely on Early Music, and her clear and intimate soprano is regarded as one of today’s top voices in the field of historic performing practice.
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