Charms of Christmas - adventlich-weihnachtliche Musik mit Panflöte und Harfe

Date & Time

Thu, Dec 19, 2024, 20:00

Venue

Gewandhaus Leipzig, Mendelssohn-Saal (Leipzig)

Pan flute virtuoso Hannah Schlubeck and harpist Isabel Moreton will perform "Charms of Christmas" at the Gewandhaus on December 19, 2024. The concert features a mix of known and unknown Christmas melodies from various countries, creating a contemplative atmosphere. The duo has performed together internationally for almost 20 years. Schlubeck is a leading pan flutist and the first to graduate from a German music university with a major in pan flute. Moreton is also an internationally sought-after soloist.
A summary from original text in German | Read the original

Info & Ticket (www.gewandhausorchester.de)

Musicians

Hannah Schlubeck	Pan Flute
Isabel Moreton	Harp

Program

Information not provided

Give feedback

Last update: Sat, Nov 23, 2024, 12:14

Similar events

These events are similar in terms of concept, place, musicians or the program.

Musik mit Horn

Sat, Nov 16, 2024, 19:30

Theater Altes Hallenbad Friedberg (Friedberg)

Grace Kyung Eun Lee (Violin), Marc Gruber (Horn), Akiko Nikami (Piano), Nami Ejiri (Piano)

The hr-Symphony Orchestra's chamber concert in Friedberg features horn works this season, centered around hr-solo hornist Marc Gruber. Beethoven and Glasunow duos, and the planned Brahms trio will proceed. Replacing Ethel Smyth's horn concerto and Vagn Holmboe's "Music with Horn", Grace Kyung Eun Lee presents three distinct duos for violin and piano. Due to illness, Maria Ollikainen cancelled. Akiko Nikami and Nami Ejiri step in.

Info (www.hr-sinfonieorchester.de)

Musik mit Horn

Sun, Nov 17, 2024, 18:00

hr-Sendesaal (Frankfurt am Main)

Grace Kyung Eun Lee (Violin), Marc Gruber (Horn), Akiko Nikami (Piano), Nami Ejiri (Piano)

A chamber concert featuring hr-solo hornist Marc Gruber with a revised program. He'll perform duos by Beethoven and Glasunow, and a trio by Brahms. Instead of the planned horn concerto by Ethel Smyth and "Musik med Horn" by Vagn Holmboe, Grace Kyung Eun Lee will present three distinct duos for violin and piano. Due to illness, Maria Ollikainen had to cancel; Akiko Nikami and Nami Ejiri will step in. Concert duration: approx. 100 minutes including intermission.

Info (www.hr-sinfonieorchester.de)

Musik der Zeit – Musik und Verlangen

Sat, Nov 9, 2024, 20:00

Kölner Philharmonie (Köln)

Anna-Lena Elbert (Soprano), Holger Falk (Bariton), Christoph Sietzen (Drums), WDR Sinfonieorchester (Ensemble), Brad Lubman (Conductor), Michael Struck-Schloen (Presentation)

Johannes Maria Staud's drum concerto for Christoph Sietzen, portrait artist of the 2024/2025 season, captures the shimmer of reality. A highly virtuosic pleasure on sought-after and found instruments, from drums to flowerpots. The protagonists in Gordon Kampe's "Lyrical Symphony" are "delighted to devour": inhumanly heightened desire dominates the music. Nicolas A. Huber devotes himself to the perfection of the number 4.

Info (www.koelner-philharmonie.de)

Mit Herz und Seele

Sun, Jan 26, 2025, 17:00

Kurfürstensaal Heppenheim (Heppenheim)

Stefanie Pfaffenzeller (Violin), Stefanie Pfaffenzeller (Baroque Violin), Stefanie Pfaffenzeller (Viola), Nami Ejiri (Piano)

The Frankfurt Radio Symphony is bringing its chamber concerts to Heppenheim's Forum Kultur this season. The program features unjustly overlooked female composers like Clara Schumann, Isabella Leonarda, and Marie Jaëll, alongside music from two renowned male composers. It promises to be an interesting afternoon.

Info (www.hr-sinfonieorchester.de)

Concert of Christmas Carols

Tue, Dec 17, 2024, 19:00

Filharmonia Narodowa, Concert Hall (Warszawa)

Warsaw Philharmonic Choir, Bartosz Michałowski (Conductor), Bartosz Michałowski (Chorus Director), soloists from the Warsaw Philharmonic Choir, Urszula Bozik (Soprano), Monika Dobrzyńska-Krysiak (Soprano), Justyna Jedynak-Obłoza (Soprano), Michalina Kraska (Soprano), Anastazja Marusiak (Soprano), Ewelina Siedlecka-Kosińska (Soprano), Samitra Suwannarit (Soprano), Ewa Wołoszkiewicz (Soprano), Martyna Jankowska (Alto), Zuzanna Kozłowska (Alto), Aleksandra Pawluczuk (Alto), Paweł Kucharczyk (Tenor), Roman Perucki (Organ)

Concert of Christmas Carols at the Warsaw Philharmonic, photo: DELUGA.art Although carols have become a fixture in the musical landscape of winter, we still know little about the origins of music-making over the Christmas period. Numerous internet sources give the oldest mention of carols as being a supposed directive issued by Telesphorus, bishop of Rome, in 129 AD specifying the performance of a ‘Hymn of the Angels’ during a festive mass. Some commentators have even gone so far as to mention the title of the carol which Pope Telesphorus had in mind, overlooking the fact that Christmas services have only been held in the Roman Church since the fourth century, while the song they cite is usually dated to the eighteenth (not the second) century. Although a final answer seems unlikely, the search for the oldest carol continues, attesting to the role which the subject of Christmas has played down the centuries – both in official liturgical songs and in music-making in the home. As every year, this will be evoked for listeners by the Warsaw Philharmonic Choir. During the traditional Christmas concerts, the choir – often accompanied by soloist and instrumentalists – will perform a programme comprising carols old and new, from home and abroad. The repertoire of the December concerts alters slightly each year and offers a unique glance at the wealth of music linked to one of the most important Christian feasts. Bartłomiej Gembicki

Info (filharmonia.pl)

Concert of Christmas Carols

Thu, Dec 19, 2024, 19:00

Filharmonia Narodowa, Concert Hall (Warszawa)

Warsaw Philharmonic Choir, Bartosz Michałowski (Conductor), Bartosz Michałowski (Chorus Director), soloists from the Warsaw Philharmonic Choir, Urszula Bozik (Soprano), Monika Dobrzyńska-Krysiak (Soprano), Kinga Jaskowska (Soprano), Justyna Jedynak-Obłoza (Soprano), Michalina Kraska (Soprano), Anastazja Marusiak (Soprano), Ewelina Siedlecka-Kosińska (Soprano), Samitra Suwannarit (Soprano), Ewa Wołoszkiewicz (Soprano), Martyna Jankowska (Alto), Zuzanna Kozłowska (Alto), Aleksandra Pawluczuk (Alto), Paweł Kucharczyk (Tenor), Roman Perucki (Organ)

Concert of Christmas Carols at the Warsaw Philharmonic, photo: DELUGA.art Although carols have become a fixture in the musical landscape of winter, we still know little about the origins of music-making over the Christmas period. Numerous internet sources give the oldest mention of carols as being a supposed directive issued by Telesphorus, bishop of Rome, in 129 AD specifying the performance of a ‘Hymn of the Angels’ during a festive mass. Some commentators have even gone so far as to mention the title of the carol which Pope Telesphorus had in mind, overlooking the fact that Christmas services have only been held in the Roman Church since the fourth century, while the song they cite is usually dated to the eighteenth (not the second) century. Although a final answer seems unlikely, the search for the oldest carol continues, attesting to the role which the subject of Christmas has played down the centuries – both in official liturgical songs and in music-making in the home. As every year, this will be evoked for listeners by the Warsaw Philharmonic Choir. During the traditional Christmas concerts, the choir – often accompanied by soloist and instrumentalists – will perform a programme comprising carols old and new, from home and abroad. The repertoire of the December concerts alters slightly each year and offers a unique glance at the wealth of music linked to one of the most important Christian feasts. Bartłomiej Gembicki

Info (filharmonia.pl)

Hope@9pm – Musik und Talk

Fri, Sep 27, 2024, 21:00

Konzerthaus Berlin, Werner-Otto-Saal (Berlin)

Daniel Hope (Gastgeber), Ron Maxim Huang (Piano), Zu Gast: Schauspielerin Iris Berben, Rolando Fernández (Cello)

The twilight hour has dissolved into a pleasant memory, the pulse of the city drops noticeably, one begins to breathe deeply: at precisely 9pm, violinist Daniel Hope opens his salon for music and conversation in the Werner Otto Hall. Hope@9pm is a contemporary descendant of Berlin’s 18th century salon culture with its cultural and political debates and discussions, its esprit and its music.

Info (www.konzerthaus.de)

Hope@9pm – Musik und Talk

Thu, Nov 28, 2024, 21:00

Konzerthaus Berlin, Werner-Otto-Saal (Berlin)

Daniel Hope (Gastgeber), Jacques Ammon (Piano), Zu Gast: Schauspieler Sabin Tambrea, Diana Tishchenko (Violin)

The twilight hour has dissolved into a pleasant memory, the pulse of the city drops noticeably, one begins to breathe deeply: at precisely 9pm, violinist Daniel Hope opens his salon for music and conversation in the Werner Otto Hall. Hope@9pm is a contemporary descendant of Berlin’s 18th century salon culture with its cultural and political debates and discussions, its esprit and its music. Always at the side of the well-travelled host: piano accompanist Jacques Ammon.

Info (www.konzerthaus.de)

Hope@9pm – Musik und Talk

Thu, May 8, 2025, 21:00

Konzerthaus Berlin, Werner-Otto-Saal (Berlin)

Daniel Hope (Gastgeber), Jacques Ammon (Piano), Gast wird noch bekannt gegeben.

The twilight hour has dissolved into a pleasant memory, the pulse of the city drops noticeably, one begins to breathe deeply: at precisely 9pm, violinist Daniel Hope opens his salon for music and conversation in the Werner Otto Hall. Hope@9pm is a contemporary descendant of Berlin’s 18th century salon culture with its cultural and political debates and discussions, its esprit and its music. Always at the side of the well-travelled host: piano accompanist Jacques Ammon.

Info & Ticket (www.konzerthaus.de)

Hope@9pm – Musik und Talk

Thu, Jan 30, 2025, 21:00

Konzerthaus Berlin, Werner-Otto-Saal (Berlin)

Daniel Hope (Gastgeber), Jacques Ammon (Piano), Zu Gast: Mezzosopranistin Anne Sofie von Otter, Fabian Fredriksson (Guitar), Melina Paxinos (Saxophon)

The twilight hour has dissolved into a pleasant memory, the pulse of the city drops noticeably, one begins to breathe deeply: at precisely 9pm, violinist Daniel Hope opens his salon for music and conversation in the Werner Otto Hall. Hope@9pm is a contemporary descendant of Berlin’s 18th century salon culture with its cultural and political debates and discussions, its esprit and its music. Always at the side of the well-travelled host: piano accompanist Jacques Ammon.

Info (www.konzerthaus.de)