Charles Villiers Stanford: Requiem

Duruflé: Requiem

Not many works of the 20th century are as commonplace on concert programmes today as the music of Maurice Duruflé, who died in 1986. His sacred vocal music in particular enjoys enduring popularity, no doubt due to its catchy tonal language. Duruflé had little interest in breaking with tradition; in his Requiem of 1947, he explored the model of Gabriel Fauré, two generations his senior, and gave free rein to his enthusiasm for Gregorian chant. Nevertheless, the work is not backward-looking: in contrast to the operatic settings of the requiem mass in the 19th century, Duruflé focussed less on the agony of the Last Judgement and more on redemption in the afterlife. The second of three versions of the Requiem will be performed at the Kulturkirche Altona. Duruflé – probably surprised himself by the great success of his work – transferred the lavish orchestration to the organ soon after the premiere.

Mozart: Requiem

What would have happened if Wolfgang Amadeus Mozart had had time to complete his Requiem? What worlds might have opened up to us if the then 35-year-old had not been carried off in 1791 by the »severe miliary fever« – a diagnosis that has not been clearly identified to this day? Now his last, most mysterious and existential work has remained a fragment – albeit skilfully completed by Franz Xaver Süßmayr. It is only logical that the world-famous Dresdner Kreuzchor (boys’ choir) understands the fragmentary nature of the Requiem as a quality and sets it with works by a contemporary composer who is known for his deeply spiritual attitude like almost no other: Arvo Pärt. At the Elbphilharmonie, compositions by the Estonian composer are combined with the masterly sounds of Mozart to create a new whole that illuminates death – and life – from a perspective between then and now.

Dresdner Requiem

Britten: War Requiem

»My subject is War, and the pity of War, The Poetry is in the pity… All a poet can do today is warn.«

Verdi "Messa da Requiem"

Mozart Requiem – Schubert »Unvollendete«

Cappella Amsterdam: Mozart's Requiem

The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!

Brahms’ Ein deutsches Requiem

The Sunday Morning Concert brings you wonderful and much-loved compositions, performed by top musicians from the Netherlands and abroad. Enjoy the most beautiful music in the morning! You can make your Sunday complete by enjoying a delicious post-concert lunch in restaurant LIER.The Royal Concertgebouw is one of the best concert halls in the world, famous for its exceptional acoustics and varied programme. Attend a concert and have an experience you will never forget. Come and enjoy inspiring music in the beautiful surroundings of the Main Hall or the intimate Recital Hall.

Manfred Honeck: Mozart's Requiem

Mozart wrote in a letter to his father that death is »the true, best friend of man« – which for Manfred Honeck is a »profound and significant statement«. The internationally sought-after conductor is known for his unmistakable and trend-setting style – and is also a charismatic and passionate artist who loves emotional depth: »If I had the choice between technical precision and emotional music, I would always choose the music.« The former violist of the Vienna Philharmonic Orchestra, who once began his conducting career as Claudio Abbado’s assistant, has been a regular guest of ours for more than 30 years. This led to an intimate friendship – and as a result, he is now officially performing his first concert as our new honorary conductor. We are delighted to be performing one of his favourite programmes with him on Eternity Sunday, which is very moving and will certainly give food for thought: The equally »mysterious and divine moments« in Mozart's last work – the otherworldly beautiful requiem from 1791, which the composer worked on until his early death at the age of just 35 and was unable to complete. Manfred Honeck breaks the ritualistic confessional music abruptly at precisely that point after eight bars in the »Lacrimosa« – and complements and combines it in an incredibly comforting way with other poignant sound creations, texts from powerful biblical passages, letters by Mozart, poems, Gregorian chorales and the urging ringing of bells.

Manfred Honeck: Mozart's Requiem

Mozart wrote in a letter to his father that death is »the true, best friend of man« – which for Manfred Honeck is a »profound and significant statement«. The internationally sought-after conductor is known for his unmistakable and trend-setting style – and is also a charismatic and passionate artist who loves emotional depth: »If I had the choice between technical precision and emotional music, I would always choose the music.« The former violist of the Vienna Philharmonic Orchestra, who once began his conducting career as Claudio Abbado’s assistant, has been a regular guest of ours for more than 30 years. This led to an intimate friendship – and as a result, he is now officially performing his first concert as our new honorary conductor. We are delighted to be performing one of his favourite programmes with him on Eternity Sunday, which is very moving and will certainly give food for thought: The equally »mysterious and divine moments« in Mozart's last work – the otherworldly beautiful requiem from 1791, which the composer worked on until his early death at the age of just 35 and was unable to complete. Manfred Honeck breaks the ritualistic confessional music abruptly at precisely that point after eight bars in the »Lacrimosa« – and complements and combines it in an incredibly comforting way with other poignant sound creations, texts from powerful biblical passages, letters by Mozart, poems, Gregorian chorales and the urging ringing of bells.