The classic, multi-Oscar-winning film screened in synchronisation with Howard Shore's score for the first time, as part of the London Soundtrack Festival.
Keywords: London Soundtrack Festival, Talks & events
| Academy of St Martin in the Fields | |
| Ben Palmer | Conductor |
| Howard Shore | The Silence of the Lambs: complete score |
These events are similar in terms of concept, place, musicians or the program.
The classic, multi-Oscar-winning film screened in synchronisation with Howard Shore's score for the first time, as part of the London Soundtrack Festival.
On the occasion of Caspar David Friedrich’s 250th birthday – he was probably the most significant painter in the German Romantic era – he is the focus not only of a major Berlin exhibition, but also of a lecture-concert in the James Simon Gallery, architectural entry point to Museum Island. The evening is entitled ›The Magic of Silence‹, the title of a book on Friedrich that Florian Illies, its author, will shape jointly with clarinetist Bernhard Nusser, soprano Alessia Schumacher and pianist Dirk Wedmann. The programme consists of songs by Meyerbeer, Schubert, Schumann and Spohr that musically pick up on the Romantic spirit.
A short film about a community of Pakistani Muslim musicians with deep-rooted ties to the Sikhs by way of a centuries-old music tradition that originated with Guru Nanak and his disciple Bhai Mardana.
Explore the legacy of Pierre Boulez in this afternoon symposium at Milton Court.
Tom Service talks to Mike Roberts, Head of Electronic Music and Music Technology at the Guildhall School of Music & Drama, and Guildhall students about the bigger picture.
Hear the transcendent Mozart Requiem, completed by Robert Levin and featuring four outstanding Guildhall singers as soloists.
Musicologist Professor Jonathan Cross talks to former members of the BBC SO as well as former Radio 3 Controller Sir Nicholas Kenyon – about their personal experience of working with Pierre Boulez.
Musicologist Professor Jonathan Cross talks to former members of the BBC SO as well as former Radio 3 Controller Sir Nicholas Kenyon – about their personal experience of working with Pierre Boulez.
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
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