Set your preferred locations for a better search. You can sign up here.

“Ausklang” (Finale) First edition with Sakari Oramo and Kirill Gerstein

Date & Time
Fri, Oct 18, 2024, 19:00
Join us for the launch of a new series of short programmes with the Berliner Philharmoniker! We invite you to three Friday concerts this season under the title of “Ausklang” (finale). Without much ado, without a break, focussing on a single great work of orchestral music. Afterwards, the event continues in the foyer with a get-together over a free drink will. In the first instalment of the series, we present Ferruccio Busoni’s piano concerto, which unleashes pianistic fireworks and escalates... Read full text

Keywords: Contemporary

Artistic depiction of the event

Musicians

Berliner PhilharmonikerOrchestra
Sakari OramoConductor
Kirill GersteinPiano
Men of the Rundfunkchor BerlinChoir
Andrea ThiloPresentation

Program

Concerto for Piano and OrchestraFerruccio Busoni
Give feedback
Last update: Thu, Nov 21, 2024, 18:47

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Kirill Petrenko and Vilde Frang

Fri, Nov 8, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Vilde Frang (Violin)
At times melancholic and rugged, at others with a dance-like lightness: Antonín Dvořák’s Seventh Symphony presents a broad spectrum of contrasting moods, infused with the unmistakable colouring of Czech folk music. Kirill Petrenko also conducts Erich Wolfgang Korngold’s Violin Concerto with Vilde Frang as the soloist. Exiled from his native Vienna, Korngold brought his lush late romantic harmonic language to Hollywood; in this piece, his film music can be heard again and again. Sergei Rachmaninov’s mystical tone poem The Isle of the Dead takes us into yet another hypnotic sound world.
Artistic depiction of the event

Kirill Petrenko and Vilde Frang

Thu, Nov 7, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Vilde Frang (Violin)
At times melancholic and rugged, at others with a dance-like lightness: Antonín Dvořák’s Seventh Symphony presents a broad spectrum of contrasting moods, infused with the unmistakable colouring of Czech folk music. Kirill Petrenko also conducts Erich Wolfgang Korngold’s Violin Concerto with Vilde Frang as the soloist. Exiled from his native Vienna, Korngold brought his lush late romantic harmonic language to Hollywood; in this piece, his film music can be heard again and again. Sergei Rachmaninov’s mystical tone poem The Isle of the Dead takes us into yet another hypnotic sound world.
Artistic depiction of the event

Kirill Petrenko and Vilde Frang

Wed, Nov 6, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Vilde Frang (Violin)
At times melancholic and rugged, at others with a dance-like lightness: Antonín Dvořák’s Seventh Symphony presents a broad spectrum of contrasting moods, infused with the unmistakable colouring of Czech folk music. Kirill Petrenko also conducts Erich Wolfgang Korngold’s Violin Concerto with Vilde Frang as the soloist. Exiled from his native Vienna, Korngold brought his lush late romantic harmonic language to Hollywood; in this piece, his film music can be heard again and again. Sergei Rachmaninov’s mystical tone poem The Isle of the Dead takes us into yet another hypnotic sound world.
Artistic depiction of the event

Kirill Petrenko conducts Bruckner and Rihm

Sat, Sep 14, 2024, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor)
Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.
Artistic depiction of the event

Kirill Petrenko conducts Bruckner and Rihm

Fri, Sep 13, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor)
Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.
Artistic depiction of the event

Kirill Petrenko conducts Bruckner and Rihm

Thu, Sep 12, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor)
Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.
Artistic depiction of the event

Kirill Petrenko with Rachmaninov’s “Francesca da Rimini”

Sat, Jan 18, 2025, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Galina Cheplakova (Soprano), Dmytro Popov (Tenor), Dmitry Golovnin (Tenor), Vladislav Sulimsky (Bariton), Ilia Kazakov (Bass), Rundfunkchor Berlin (Choir), Gijs Leenaars (Chorus Master)
Hatred, jealousy and loss: Sergei Rachmaninov creates a dark world with powerful colours in his one-act opera Francesca da Rimini. Against this backdrop, the heroine’s brief happiness in love shines all the more brightly. Kirill Petrenko presents the impassioned score with acclaimed soloists in a concert performance. Sofia Gubaidulina’s work The Wrath of God is almost apocalyptically dramatic. And here, too, it is about the hatred that – says the composer – “grows in this world with such force and intensity that it inevitably touches me.”
Artistic depiction of the event

Kirill Petrenko with Rachmaninov’s “Francesca da Rimini”

Fri, Jan 17, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Galina Cheplakova (Soprano), Dmytro Popov (Tenor), Dmitry Golovnin (Tenor), Vladislav Sulimsky (Bariton), Ilia Kazakov (Bass), Rundfunkchor Berlin (Choir), Gijs Leenaars (Chorus Master)
Hatred, jealousy and loss: Sergei Rachmaninov creates a dark world with powerful colours in his one-act opera Francesca da Rimini. Against this backdrop, the heroine’s brief happiness in love shines all the more brightly. Kirill Petrenko presents the impassioned score with acclaimed soloists in a concert performance. Sofia Gubaidulina’s work The Wrath of God is almost apocalyptically dramatic. And here, too, it is about the hatred that – says the composer – “grows in this world with such force and intensity that it inevitably touches me.”
Artistic depiction of the event

Kirill Petrenko with Rachmaninov’s “Francesca da Rimini”

Thu, Jan 16, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Galina Cheplakova (Soprano), Dmytro Popov (Tenor), Dmitry Golovnin (Tenor), Vladislav Sulimsky (Bariton), Ilia Kazakov (Bass), Rundfunkchor Berlin (Choir), Gijs Leenaars (Chorus Master)
Hatred, jealousy and loss: Sergei Rachmaninov creates a dark world with powerful colours in his one-act opera Francesca da Rimini. Against this backdrop, the heroine’s brief happiness in love shines all the more brightly. Kirill Petrenko presents the impassioned score with acclaimed soloists in a concert performance. Sofia Gubaidulina’s work The Wrath of God is almost apocalyptically dramatic. And here, too, it is about the hatred that – says the composer – “grows in this world with such force and intensity that it inevitably touches me.”
Artistic depiction of the event

New Ways with Ellen Reid and Nico Muhly

Sat, Apr 5, 2025, 14:15
Radio Filharmonisch Orkest, Hannu Lintu (Conductor), Tine Thing Helseth (Trumpet)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!